Инсталирайте Steam
вход
|
език
Опростен китайски (简体中文)
Традиционен китайски (繁體中文)
Японски (日本語)
Корейски (한국어)
Тайландски (ไทย)
Чешки (Čeština)
Датски (Dansk)
Немски (Deutsch)
Английски (English)
Испански — Испания (Español — España)
Испански — Латинска Америка (Español — Latinoamérica)
Гръцки (Ελληνικά)
Френски (Français)
Италиански (Italiano)
Индонезийски (Bahasa Indonesia)
Унгарски (Magyar)
Холандски (Nederlands)
Норвежки (Norsk)
Полски (Polski)
Португалски (Português)
Бразилски португалски (Português — Brasil)
Румънски (Română)
Руски (Русский)
Финландски (Suomi)
Шведски (Svenska)
Турски (Türkçe)
Виетнамски (Tiếng Việt)
Украински (Українська)
Докладване на проблем с превода
This is the reason khemu dies, Aya never connected with him and he hesitated to go to her.
Bayek was always trying to be with him and being nice. I can understand him being scared to jump since it was like 10 meters from water.
Before, the woman were seen as weak and entitled to do housework. In here it makes sense since she is not a pharaoh or a queen.
+1
Amunet is a feminist power trip along the lines of "I need no men or children, just my assassin powah". The last bayek/aya dialogs in the main quest made no sense to me, felt like the ravings of two drug addicts. If they really wanted a feminist power character Cleopatra would have made more sense, but they made her incredibly petty and flimsy.
Yep absolutely. I haven't played Odyssey yet, really hoping they dial the feminism and SJW gender politics down a good bit in that one, though.