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Though for the conviction against the targets, it's JUST like Watch Dogs 2, you need to do all the side content & really observe why this corporation(in this case, target) is so bad.
It has the most 1 dimensional villains of any AC game yet, and AC1 had some pretty bland ones. I finished the story 2 days ago and I cannot remember one of their names.
The story telling feels way too rushed, especially at the end, where you go from helping Cleopatra get into the palace to fighting with Caesar on a battlefield 10 mins later and then clio and Caesar being your enemies 5 mins after that. There are only 3 historical characters that are in the game for any length of time, one being Caesar who is only in the game at the end, cliopatras brother who is in the game for 1 cutscene before he is killed, and Cleopatra who is the only one who is actually present in allot of the story.
Non of the side characters are interesting or memorable besides clio either, and bayeks son's death is supposed to be the main drive for the entire story yet he is only in the game for one random flash back mission, and they expect us to care about him after 5 mins of screen time?There was no emotional pay off for killing the final target, no feeling of satisfaction for avenging his death, for once the main story felt like ticking things off a check list instead of the side content.
Agreed, i tend to skip through the main game cutscenes because it just doesn't catch my interest that much, but i have been enjoying the side quests and the corruption, greed, and investigations that you stumble upon and have to deal with
If you want to read more theres an article here about it:
http://www.gamesindustry.biz/articles/2016-11-17-ubisoft-moving-away-from-scripted-narrative
This is the absolute worst AC has ever been in terms of quality of writing. Even AC3 is no contest here and that one had the most dreadful main character in the series.
Everything is disjointed. People go from talking about the weather to discussing family tragedies in one sentence. Emotional moments that should be the linchpins of storytelling get truncated to 10 second cut scenes. Scenes end abruptly with no payoff. Characters develop with no rhyme or reason. Interesting personal traits are never explored. The pacing, especially towards the end, is abysmal. Shades of grey do not exists in the world of AC: Origins. The bad are bad, the good are good and don't expect anything else to happen.
And the VA just drives the nails deeper.
I had no expectations, and still I left disappointed.
A number of your Assassination targets and friends ARE historical figures, Septimus most prominently, but also Pasherenptah (the Priest in Memphis whose wife you save,) Additonally Pothinus the Scorpion, and Apollodorus are historical figures
I'm not sure abour Flavius because I am unsurprisingly not an encyclopedia on governors of Cyrenica during the late Republic, and it isn't enough to get a wiki page, but I suspect he is also historical.
Brutus of course makes an entrance, but not much of one, and we see Cesarion too.
One thing that does ♥♥♥♥ me about this game is that the Optimates in Rome are seen as this faction of Roman freedom fighters, rather than the entrenched corrupt aristocracy they were. Brutus even says "Land for the People", which is the exact OPPOSITE of what his faction wanted
Templars are much more interesting when they're opposing outright evil with enlightened Tyranny than when they're mustached villians.