The Complete Brawlhalla Tutorial - Roadmap to Diamond

The undisputed best guide for Brawlhalla available.
Walks you through all the steps to becoming diamond worthy while also attempting to teach you good habits along the way. Be aware that players might be slightly better than their showcased rank in certain areas; a gold opponent might be plat worthy and so on. Read ahead or be creative to gain the advantage on these players.
- Intended for ranked 1v1s only.
- Training Room is entirely optional, not mandatory.
- No specific combos/legends will be taught.

Edit Q1, 2025: Attempted to streamline a lot of the concepts. Also tried removing some repetitions.

Updated for Patch 7.09

Start

Settings
Before entering a game, go into settings and change the following.

• Controls: Disable "Pick up with Light Attack”. This will increase the range at which we can pick up weapons and reduce misinputs.
  
• Controls: remove all bindings for "Jump + Aim Up". Then set a new binding for "Aim Up" and a separate one for "Jump". This is because we don't always wanna be jumping and aiming up simultaneously. The short explanation is that this change makes a lot of techniques easier.
  
• Controls: advanced options: enable “Prioritize Neutral Over Side” (this option might not exist depending on our controller). This will slightly increase the speed and decrease the difficulty of certain inputs.
  
• Controls: advanced options: disable “Out of Jumps Recovery”. This avoids a common misinput that can easily cost games.
  
• Preferences: I highly recommend changing the queue waiting options from “Bot Match” to "Training Mode". You won't need to actually use the training room, but “bot match” forces you into a Free For All while waiting in queue, which will 100% create some very very very bad habits. When playing vs bots, you will often trick your brain into thinking your awful gameplay also works on real players. Just don't. Tap out of the game instead and entertain yourself elsewhere if you must.

Ranked anxiety
If you're anxious about losing rank and you've already tried to not think about it, you can try thinking of it as your own training room. Imagine the players are bots (most of them play like bots anyways). Your current skill level is completely irrelevant. Your sole focus should be on getting better. You need to accept that you're genuinely bad at the game. Not a single player below diamond is decent at the game. Elo isn't even an accurate measurement of skill level anyways; it's an approximate guideline. Losing 50 elo doesn't mean you got worse all of a sudden. Losing 200 on the other hand might mean something has changed that you need to adapt to. The only thing that truly matters is potential. Every participant who's ever been anything has had to practice at some point.

Ranked fatigue
If you're constantly trying to improve, you'll get bored very quickly. Do improvement-sessions and do separate fun-sessions. Get comfortable and relax.

Efficient improvement
Don't try to learn everything all at once. Just play the game and occasionally aim to learn one specific thing at a time. Focus all your attention on that specific thing and put the rest of your gameplay on autopilot. This will ensure you see results much faster.

Other modes
If you wanna reach diamond fast, I suggest avoiding other modes as much as possible. They play vastly different from the 1v1 ranked experience even if it isn't noticeable at first glance. The closest alternative (experimental 1v1) tend to have more aggression than regular ranked for example.

Choosing Your Legend

You want to pick someone you like. Maybe you like their looks. Maybe you like their stats or how their attacks feel. Maybe someone did a cool combo on you. Ignore tier lists. Ignore haters.
If you haven’t found somebody you find particularly interesting, choose one at random or play a few games to test out the waters. Everyone is viable, especially if you only wanna reach diamond.
None of it really matters as long as you can stick with whomever you pick, preferably only 1. We're trying to create muscle memory which will get confused if you start swapping around. The legends themselves also want to be played very differently from each other. Not to mention, learning multiple weapons properly can be quite the challenge if you're busy learning the basics simultaneously. If you must use more than one legend, acknowledge that their playstyles probably differ a lot and try to use at least one shared weapon. Try to also match stats if possible.
At the end of the day (this should be self-explanatory but somehow isn't) you definitely won't get better or see different results from swapping legends. You get results through mastery, dedication and enjoyment.

Stats
The stats can help us understand a bit about the legend and their preferred playstyle.

• The first stat is strength and can be found just below your legend by the red sword. It adds bonus damage and knockback to each of your moves, thus requiring less hits to KO.
  This helps in all aspects of the game, but it is most noticeable when punishing enemy mistakes since damage is guaranteed at this point. It can also simply be translated to "pressure" (not to be confused with "aggression").
  
  
• To the right of strength is defense. It reduces all damage and all knockback, allowing you to take more hits. This is best translated as "reducing pressure". It also reduces knockback which helps keeo yourself on stage stage. Offensively it allows the player to make more mistakes (and take more risks) without the fear of dying instantly.
  
  
• Below strength is dexterity. This "increases attack speed". Note that this is irrelevant in regards to combos 99% of the time. Dexterity makes missing an attack feel slightly less clunky, granting the user a slight amount of increased safety after missing an attack. People with a love for precise spacing will love this one the most. Alternatively, if you love making people rage about "spam", dexterity is the stat for you.
  
  
• Last, in the bottom right, we have movement speed. This stat tends to decide the pace of the game, but not quite in the way you think. Our maximum speed won't increase to the point where it's relevant because we'll be utilizing movement techniques a lot. Small movement, walking and air speed on the other hand benefit a lot from this (note that walking is not the same as running). Because it boosts air speed, it also aids in returning from off-stage. In essence, speed sets the pace for the game, but not above a certain threshold. To put it simply: it decides who gets to move first, not who gets to move the fastest.

Levelling up any legend will unlock up to 4 stances for that specific legend. These stances will use a stat point to boost another stat by the same amount.
You shouldn't swap around with these too much. Just like with legends, stats tie in with muscle memory and swapping around messes with that. Try them out, but ultimately choose one and stick with it.

Signatures
Signatures is the other hint at a certain legend's playstyle. More on this later. For now, just note that each signature is performed by pressing the heavy attack while on the ground. Each signature has their own intended use and these vary widely.

Silver to Gold - Movement

The only thing required to reach gold is understanding the very basics of the game. I don’t recommend you read everything, but rather just play the game and come look at this if you feel confused. With that being said, you should definitely read the "General Gameplan" Section.

Brawlhalla uses a very liberal and straight forward movement system compared to other fighting games. Because of this, most of the skill in Brawlhalla is showcased through movement. Additionally, every attack requires some sort of movement knowledge to be used optimally; either through unique built-in properties or through the use of general movement mechanics.

Brawlhalla is also faster than most other games in general. Luckily, basic movement mechanics like dodges, dashes, fast falls and jumps allows you to keep up the pace for the most part. Practice them A LOT.

Jumps
You can jump once on the ground and twice in the air. Getting hit will refresh 1 air jump; touching the ground restores 2.
Doing a jump and holding the jump input performs a full jump; tapping it performs a short hop. Be careful not to confuse the grounded jump for an air jump.
Getting knocked into the stage does not count as touching.

Fast falling
Press down at the peak of a jump. This used to require a specific timing, but should now be more forgiving. Can also be performed after you've increased your verticality through other means. To cancel a fast fall, simply stop holding the down input.
Sounds simple enough, but with the perfect timing, this drastically speeds up your aerial mobility. Mix and match short hops and full jumps for the best results. Despite being a seemingly boring option, this is a very powerful tool and one you are forced to master. It is basically the only thing alongside jumps that prevents you from being a practice dummy while airborne.

Dodges & Dashes
The button that you used for dodge is the most important button in the entire game. All our best options come from this button. Make sure you have it bound to a key you are comfortable pressing a lot.

Pressing dodge causes our legend to flash white and briefly turn invincible. The dodge is then put on a small cooldown. You can hold a direction while doing this. Grounded dodges have shorter cooldowns. Using it in the air and touching the ground will refresh this cooldown faster.
Grabbing a wall will refresh our air jumps and slightly refresh our dodge cooldown. Note that getting launched into the wall/stage does not count as touching it.

Use dodge to evade incoming attacks, but try not to spam it.
Neutral dodges last longer than other dodges, but briefly lock you in place. The neutral dodge is mostly used to ensure the invincibility when preparing an immediate counterattack, while the directional dodges are used to create distance.

Dodging sideways on the ground will cause us to dash without invincibility instead.
Dashing forward (the direction our legend is facing) covers more ground. Dodging directly downwards while standing on the ground will instead cause a forward dash (you can also do it sideways, but I highly suggest you use this shortcut instead).
A back dash is significantly shorter and slower than a forward dash.

You might as well get used to dashing around the stage, because you'll be doing it at least 80% of the match. It is crucial for every aspect of the game, even air movement (momentum) and recovering from off-stage (dashing immediately after returning to stage) ironically enough.

Sprinting and Momentum
By walking in a direction, your character will slowly build up speed until they reach max, which is called running (or sprinting). Faster legends are of course faster, but the time until max is achieved is the same for everyone. Some will have lower speed. Dashing grants you a big boost in momentum. A backdashing however doesn't allow for a very smooth transitioning into run. Throughout a match, try to notice how momentum affects you.

Note that air-movement doesn't allow for big bursts of momentum.

On the Wall
When holding onto the wall you have 3 options

• Slide down the wall by using gravity - don't press anything
  
• Move into the air - tap the direction opposite from the wall
  
• Perform a wall jump into the air - jump with no additional input. This jump does not count as an air jump. A wall jump can be angled by holding forward or back during the jump itself.

Note that dodges are disabled while holding onto the wall! Dodges get disabled if you dodge into the wall. You will have to move away from the wall to access dodge. Note that you don't need to move a lot for this.

The wall is kinda a semi-safe spot. Like a checkpoint in other games. But unlike other games, enemies will try to kill your at this spot. The primary thing you want to master is to move away from the wall to access dodge. Also be aware that it's easy to confuse wall-jumps with air-jumps. Wall-jumps needs to be performed while still holding onto the wall. Wall-jumps are more restrictive in regards to movement but allows us to to save an air jump.

If you've performed 5 air actions [air jumps, wall jumps, recoveries] an exclamation mark will appear above you. Note that air dodges and grabbing the wall does not count towards this. The amount will continue to rise until you've touched ground, hit the enemy or received a hit. At 9 actions, 3 of these marks will show and you'll enter wall slip.
During wall slip, all jumps except wall jumps, all dodges and any recovery attempt (aerial neutral heavy) are disabled. The only way to remove wallslip is to touch the ground. Any hit taken while in wallslip basically means death. You can still use other attacks aside from your recovery, but you'll basically just fall down even if you manage to hit them.

Platforms
You can stand on them or go through them by holding down. You can do this both in the air and on the ground. You can notably be knocked through them without holding down. They count as ground and not a wall.

Silver to Gold - Attacks

Endlag & cooldowns
When an attack is missed, most of your options will be briefly disabled even after the animation has finished. This is called endlag and differs with each attack. Despite the endlag, a lot of moves in Brawlhalla allow for movement during the animation and some even after. Because Brawlhalla is so fast, learning to utilize movement while attacking is paramount for mastering attacks in this game.
Endlag is not the same as cooldowns. A cooldown is the amount of time you need to wait before attempting that same attack. Each attack has their own unique cooldown. Cooldowns are very easy to forget and dismiss, but don't. It will come back to haunt you.
To summarize: endlag decides when you can act again. Cooldowns decide when you can spam again. If an attack has short endlag, but a long cooldown, you can't use that same attack for a while, but a different attack can still be used briefly after the initial. You'll develop a feeling for this as you play.

Similar traits
With that out of the way, lets dive into each of the attacks. They tend to share a lot of traits. Here are some general guidelines that are true ~90% of the times. Be careful not to play each weapon the exact same way though.

• Neutral Attacks on the ground (Neutral Light or nLight) are your fastest, but the least rewarding attack. They often lack either range, follow-up potential and/or lock you in place during the entire animation leaving you wide open to attacks. All this means they're mostly quite defensive in nature.
  
  
• Side Light Attacks on the ground (Side Light or sLight) and Down light attacks on the ground (down lights) aren't completely set in stone, but one of these will always be your main combo starter and the other one will often be great at controlling or creating space. Try to use these a lot.
  
  
• Neutral Attacks in the air (Neutral Air or nAir) are good for controlling air space. They're often our fastest attack in the air and a great option if you wanna juggle your opponent and keep them airborne.
  
  
• Side Light Attacks in the air (Side Air or sAir) is usually an effective way to knock a damaged foe off the stage. They’re often slightly slower than the average attack, but either have great range or other traits to compensate.
  
  
• Down Light Attacks in the air (Down Air or dAir) will always hit somewhere below you. They're a somewhat safe way to apply pressure to an off-stage opponent as long as you aren't too predictable. They also usually have long reach, making them difficult to contest.
  
  
• Down Heavy in the air (Ground Pound) will always hit somewhere below you. Similarly to dAir, it's used to pressure off-stage enemies. They usually have worse priority and better knockback. If it lands on a damaged opponent off-stage it will usually lead to a KO. They're easy to recognize when used from a distance, but their descending speed varies from weapon to weapon. They're typically not forgiving to miss either. Don’t be afraid to use these occasionally. Try to practice different distances and test the limits of your weapons' groundpounds.
  
  Some of these have two different versions depending on whether you hold or release the heavy input. Holding it will cause the attack to only start if you make contact with the enemy. Releasing the input will use the attack early and can be used to deter overeager enemies.
  
  
• Neutral Heavy Attacks in the air (Recovery) always hit somewhere above and will always move your legend upwards. Any recovery beyond the 1st will spend an air jump and barely grant any upwards travel, but is otherwise mostly identical. Getting these interrupted will play a special sound and show some stars close to your head. This indicates the loss of the regular version. Losing this means losing your best option of upwards carry. Getting hit in the air after using your recovery will result in the same situation basically, but without the special sound and stars. You can always regain the regular version by touching the ground or a wall.
  
  
• Grounded Heavy Attacks (Signatures or Sigs) are attacks that are unique to each legend. They deal lackluster damage compared to combos and are riskier than other attacks. A lot of these are also slow and clunky. These tend to have high knockback which is why you often see bad players spam these. Despite their bad reputation and many flaws, these shouldn't be slept on. While they share most of their weaknesses, each one have unique strengths. Don't spam these, but definitely familiarise yourself with these (if you reach double digits you've definitely used too many). Try to figure out their intended use, because most signatures are actually quite good when used properly. Do they take up a lot of space? Are they great at keeping the opponent at a distance? Do they have high knockback? Are they faster than one would expect? Are you in danger after missing one? Can you counterattack after missing? Do they alter your movement or position? Do they hit enemies on platforms?
  
  
• Scythe and Battle Boots have more attacks than the other weapons. These are performed by inputting a specific direction while the attack animation plays. Not all their attacks have multiple versions, though. Some signatures share this trait as well.
  
  
• Greatsword has a unique combo mechanic and is generally not recommended for new players. If you are a beginner and want to use it, I suggest watching a tutorial on it beforehand. It kinda feels like the cancel system from most 2D Fighting Games. Unlike 2D fighters, some of the CDs are shared across the combos. Which means you have to be very attentive in choosing your movement and attacks on this weapon.

Silver to Gold - Game States

The Neutral
If nobody is hitting anyone or is in immediate range to hit anyone, neither player is in advantage or disadvantage. This is called neutral. Decisions here are called the neutral game. Whenever a player gets into disadvantage, their primary focus should be on returning to the neutral. When a player gets into disadvantage it's referred to as breaking the neutral. Whenever you hear people complain about the game being too passive, they're referring to how difficult it can be to break the neutral, they simply complaining because they're bad.

Basic Offense
Landing a hit briefly stuns the enemy and almost always knocks them airborne. This state is called advantage. Airborne opponents have fewer options: aerial attacks are slower; dashes are unavailable; and gravity forces them towards the ground. Because the hit itself briefly stuns the enemy, your immediate follow-ups will now be slightly faster. This forces the enemy to back off or commit to a fast counter. The bigger the disadvantage, the faster the counter needs to be. Sometimes there simply isn't enough time for a counter. Note that some attacks are useless when not used in advantage

Your job in advantage is to make it a nightmare for the enemy to escape your advantage. Notably, you don't need to over-commit to do this; the simply threat of an attack can often be enough to force out a mistake. As long as the enemy hasn't touched the ground or gained any form of momentum, you're still in advantage. Keeping them airborne is also advantage.

Basic Punishment
The extremely simplified way to punish an opponent is to avoid their incoming attack, wait for it to miss and then hitting the enemy with an attack immediately after the miss. You're basically letting them know that they can't just swing mindlessly. Beginners should use a fast attack to make sure the opponent doesn't have time to move away. Combine this with movement options for better results.

EdgeGuards
If you manage to knock the enemy off the stage, do not let them back on the stage for free. Your main objective now is to farm some free damage or keep them either off-stage or airborne. Do not get confused either. Your objective is to intercept them, not chase them. It's very comparative to a soccer goal. You want your goalie to defend the goal for the most part.
Be very aware that you shouldn't be mindlessly mashing signatures at this point. Your light attacks (preferably grounded) are more than sufficient for this. With some practice you can even get some big combos during this time.

A simple double jump tends to be a trend in low elo. If you see this happen, make sure to either use an attack high enough to reach or jump before attacking to gain that extra height. This might seem self-explanatory, but history says otherwise.
Another common option in this elo is to dodge towards the center right when they enter your attack range, dodging through you and your attack. When this happens, stay calm. Pretend you're going to hit them, then turn around and wait out the dodge. Time your attack properly and you should have gotten a free hit.

You're not invincible when edgeguarding. Stand too close to the edge and you'll be prone to being counterattacked. If you suspect a counterattack, simply stand a bit further back or be ready to move. As long as your opponent knows you might hit them, you're doing great. The edgeguard situation literally doesn't stop the until both players return to neutral - aka safely on the ground at a safe distance from each other with equal momentum. This basically means, as long as your opponent fears getting hit by you, you're the one controlling the fight. The only way for the enemy to escape the edgeguard is to move out of your attack range, have you miss an attack or land a hit on you. This isn't as easy at it sounds. Enemies attempting to hit you will have a hard time doing so since they have no momentum. All this makes raw movement way more effective than one would think. As long as you stay in control of the pace and keep threatening them, they can't do anything. Your edgeguard isn't mute just because they touch the ground either. As long as they don't feel safe, they still can't do anything. A weird technique is when the edgeguarding player lets their enemy land, but still pressures them. The edgeguarder will stay just out of reach of counterattacks by running away, which means the edgeguarder can always attack, but the enemy can't. This means getting chased across the stage can sometimes be defined as a prolonged edgeguard. This is not only hilarious, but also very difficult to do.

If you prefer to be more aggressive, try to count how many options your opponent has left (air jumps, recovery, air dodge, distance from stage/wall) to assess how pressured they are. The more pressured they are, the more threatening you become. Remember, this is still not a chase. You're occupying space that they want to enter.
In the most extreme cases, the enemy runs out of options completely. Here they'll have no choice but to head directly towards the stage/wall or fall to their deaths. One (proper) hit in this situation is basically a free K.O. Don't ignore that they can save themselves by hitting you though.

Missing attacks
Whenever any player misses an attack, they're put into disadvantage. However, this disadvantage is slightly different. The player is briefly prevented from using other attacks and movement is often limited, but not disabled. The severity of disadvantage depends on the move missed. Sometimes position combined with a miss will create such a big disadvantage that you are forced to eat an attack. This is known as getting punished for using an unsafe move.

Basic Defense
If you get hit, you're in the same state as mentioned above in [Offense] except in reverse; you’re now the one in disadvantage and most likely airborne. Your main objective now becomes survival and not getting hit for free (aim to return to Neutral). Notably, you don’t need to attack for this. Simply land on the stage and attempt to create distance or gain momentum. Utilize platforms if the stage allows it (but the main objective is still center on the actual stage). This doesn't mean you should never counterattack, but be aware that these attacks are very risky and often not necessary. If you feel like your opponent is carelessly chasing you, do attempt a counterattack every now and then to show that you're still present. A unique thing about this state is that an enemy's missed attacks while you're in disadvantage typically puts you in advantage, but only very slight advantage. Don't confuse slight advantage with the same advantage you got from landing a hit.

Returning to stage
If you get knocked off-stage; you're put into big disadvantage. The most important thing to do now is not panic; panicking will only get you killed. The only thing on your mind should be to get back without getting hit. If you’re a new player simply jump twice. Hold down each jump to extend the distance. If you're still not back on stage you can use your recovery (aerial neutral heavy). If you fear your opponent might attack you, you can dodge or use movement to evade most attacks. You also have the option to grab the wall, maybe wait a bit for your dodge to recharge or stall a bit. Over time you’ll learn to use a less predictable pattern, but this is a good start.

Just like before, you want to return to stage without risking too much. Return to Neutral. You can and should attack enemies trying to hinder your return if the opportunity presents itself. Just remember that it's much riskier now: your attacks are much easier to avoid and any hit puts you further in disadvantage, not to mention losing your recovery will really screw you over. Make sure they hit.

Silver to Gold - Weapons & Gadgets

Gadgets
I'm not gonna teach you about gadgets because I've disabled gadgets in my games. They're fun, but doesn't belong in a proper competitive setting. You can disable them as well by entering the lobby, picking your legend and going to [Settings] -> [Lobby].

Weapon Throws
You can throw a weapon by pressing and releasing the weapon pickup button. You can charge any throw and change the throw direction until released. Aside from charge time, weapon throws are entirely based on your legend's momentum when releasing the button. This means precise movement can be used to angle it into some very creative setups. This sounds a bit complicated but is actually fairly easy once you've gotten a feel for it.
If you get hit shortly after throwing a weapon, that thrown weapon will lose its attack properties and go right through enemies. It's as if you never threw it. Make sure to stay unpredictable to avoid this scenario.
Each weapon has its own unique size and properties when thrown. Test out what your specific weapons are great at.

If the enemy is throwing weapons, note that they can't go through platforms.

Weapon Health
Weapons have their own invisible health and will drop from your hands when it's depleted. Weapon health will deplete whenever you take damage while holding them. If you're afraid your weapon might "die" while you're holding it you can easily circumvent this by swapping to another. Preferably prematurely.

Picking up Weapons
Weapon will spawn in a fixed timer if there aren't already two on the map at the same time. They (allegedly) tend to spawn slightly closer to the center of the map. The weapons cycle between each other (if you're playing Brynn and pick up an Axe, your next weapon will always be the Spear).

Weapons as a Resource
Weapons are a resource and therefore something you should be managing. You can deny newly spawned weapons by quickly throwing away your weapon and grabbing the new one. You can also delay new weapon spawns since they'll only spawn if there are less than two on the stage. To delay them, throw your current weapon upwards and grab the newly spawned one. Repeat until you're holding the one you want. You want to ensure you get the maximum amount of delay, so you want to charge the throw and hold it for as long as possible. Just make sure you don't take damage doing this or the whole point is kinda moot. You also want the weapons to not land on a platform, particularly the higher ones, because these will make the thrown weapons despawn much faster.

Silver to Gold - Damage, Landing KOs

Landing an attack inflicts damage onto the receiver. When a players is hit, they will flash a color representing their total damage. Every 50 dmg this color changes. From undamaged white, to yellow, to orange, to light red, to red, to dark red.

The most important thing for this subject is to be aware of your opponent's estimated damage at most points during the match. Simply take note of how the color and how far they're sent flying. The more damage a player has, the further they'll get knocked back by attacks and in turn, the easier they'll be to KO. This means that you'll often send enemies into heavy disadvantage or instant death with a single touch, new combos becomes available and some strings won't work while others require you to delay your attacks. These changes causes your gameplan to slightly shift. You now primarily want to secure or threaten the KO.

However, not every move is great at securing the KO. Moves that sends damaged opponents very far are called kill moves. Kill moves are often not worth the risk for the damage they provide. Because each are weapon/legend specific, I suggest you simply go haywire until you discover which ones are great kill moves (or watch your enemies with the same weapons/legends). Notably, a lot of signatures are kill moves, but they aren't equally reliable.
To summarize, you want to primarily focus on landing moves that sends damaged enemies very far, aka kill moves, or use combos and then finish the combos with these so called kill moves.

A lot of players will resort to spamming kill moves whenever their opponent is in the red. This obviously isn't optimal, because it's actually somewhat easy to dodge multiple kill moves at the same time and their endlag is often too big to even grant any meaningful stage control. This is where your other tools come into play.

Even though other moves won't cause as much knockback as kill moves, they can definitely still be useful. Some moves can combo into a kill move. A lot of kill moves benefit from being used mid-combo even if the enemy can dodge to avoid them, because at least the enemy movement is limited. Starting a combo means you don't have to fear retaliation as much and the enemy's movement is severely limited. It forces some quick reactions from your opponent (sometimes, things happens so fast that they're forced to simply guess). If the enemy dodges or dashes, simply account for the change in distance beforehand. As a rule, you know you're applying effective pressure if you force the enemy to evade your attack before you actually use it. Panicked reactions will always be to your benefit. Some moves are also big enough to hit multiple options.

Because most enemies will be aware of the potential threat of getting killed, a lot of players will start to ignore your less threatening moves. Some moves are simply used to control the stage and creating small advantages. They don't scale as well as the kill moves or kill combos, but they can still put you in advantage and slowly rack up damage. At some point, the damage will be so high that every move sends the enemy flying off-stage. Easy edgeguard opportunities.

It is possible to do something called a gimp, a technique where you knock out a lightly damaged opponent. However, this is kinda technical because it often involves multiple follow-up attacks to land successfully at a semi-fast speed. For these reasons, it isn't really a technique suitable for beginners/intermediates and therefore shouldn't be the main focus of their gameplay. It should be something each player naturally discovers on their own and expands upon in their own unique style.

Silver to Gold - General gameplan

You want to get comfortable moving around a lot. Brawlhalla is a game centered around movement.
The movement system is very liberal and it even influences attacks in different ways. Spam movement options until you're familiar enough to do it without thinking. Spam them even if you are. They are your most important tool at all times.

Get familiar with your specific legend, how they feel to play and how they tie in with your own unique playstyle. E.g. a player who's bad at securing their kills might not benefit from playing a legend with low attack.

After learning movement and getting a feel for how your legend plays, you want to remember your goal. Staying on the stage. There's no prize for chasing the enemy around the stage or deal the most damage. You only care about knocking the enemy off the stage and that you stay on it. Therefore, the ideal position is to stand on the ground as close to the center as possible, but facing the enemy. You want to be close enough to react to a mistake, but also far enough away from them to give some time to react if they decide to go on the offensive. You should also be in a position that allows you to create your own aggression. If something does happen and you don't react in time, beating yourself up about it doesn't accomplish anything. In the beginning, applying the perfect reaction isn't too important. However it is very important to make it a habit to position like this and acknowledge the different game states. You'll figure out the "perfect response" as you learn more about your character. But with all this being said, use the whole stage. The whole stage. As long as you keep thinking that you need to return to the approximate center.

When you land a hit on the enemy or force them into the air through other means, try to really pester them by keeping them airborne. Keep knocking them into the air or continuously threaten them to make them scared of landing. The same thing applies if they're knocked off the stage. Keep removing their safe zones by using or threatening with attacks. Staying above the enemy while off-stage helps keep you safe in most situations.

In regards to attacks, focus on the ones that feels the most responsive and allows you to move during or after a miss. The slower clunkier ones (like combo starters) are also very useful, but they require some planning ahead to ensure they don't miss. We NEED them to not miss. This will often involve baiting/confusing with movement, threatening with other moves, or simply putting the enemy into disadvantage first.

In regards to defense, you can easily avoid most stuff through good movement and dodges. Do not panic. Don't mash dodge. Don't recklessly attempt a counter for no reason. Just jump back on stage and return to the fight from a safe position.
If you get hit a lot by the same move you might need to learn the animation and effective area; what does it look like before the actual hit; where can you safely position yourself to avoid it?
A more proactive form of defense is to change up your position a lot. You should see a lot more opportunities to land counterattacks. Try not to be overly creative; moving too far away from the fight or using a slow move might give the enemy enough time to evade.

Lastly, don't try to always be theoretically perfect. Following perfect theory means getting predictable. It's necessary to stray away from the perfect path every now and then. Just be aware that you are doing so.
For example: the way I've described everything in this guide is fundamentally perfect, but sometimes forfeiting stage control doesn't "feel" right. Sometimes it's too difficult for a specific player to regain that lost stage control or sometimes doing the correct response proves too difficult.

As long as you hit your moves somewhat consistently and don't play at turtle speed, you'll eventually get to gold automatically. If not, you might be predictable without noticing or the gameplay might suffer from inconsistency in some areas(I know, without seeing your gameplay, that you're missing way too many signatures). Try to identify which areas could use a bit of improvement even when winning. That's how you become a master at your craft. The speed of your gameplay (not movement, but precision of your inputs) develops and improves over time, so just focus on doing it correctly for now.

Must Read: Punishment

Congratulations on reaching gold.
In silver, we talked about basic punishment. Let's add a few more details.

What is punishment?
Punishment is basically capitalizing on an enemy's mistake. Whenever a player makes a mistake, they'll briefly have some options disabled. In silver the mistake was missing an attack and the response was a fast counterattack. This is called a whiff punish and will continue to be our primary focus. Other forms of punishment do exist, but aren't really relevant.
(You can technically punish a movement mistake. You can also punish some attacks after getting hit by them. These cases are too rare and sadly won't be covered.)

When can I punish?
If an enemy misses an attack right in front of you, you should already know the answer. Sadly, real matches aren't that straight forward. It can often be difficult to tell if a move is punishable. You can't really practice punishment in the training room either because aside from the inputs themselves, most of the many factors you have to account for during regular gameplay aren't present. (the fast pace, proper reaction speed, precise positioning and the multiple layers of mind games etc.).

When considering/attempting a punish, you want to make note of two things:

• The space between you and your opponent - You want the space between the two of you to be as little as possible
  
• If you were ready to punish or not - You want to react immediately which is either done by being mentally alert or from muscle memory

Optimizing and understanding punishment
To shorten the journey, I've summarized the most important aspects into the following golden rules of punishment:

• In Brawlhalla, grounded punishment is much easier, more consistent and usually leads to bigger damage. Completely grounded (non-gravity cancelled) punishment also has longer reach since you can use a dash before the attack to effectively increase the attack range.
  Dashing isn't the only good option for punishment. You should attempt to combine other movement options with your punishment game. Be creative and you'll get used to doing it over time.
  A common intermediate level strategy is to gravity cancel to enable grounded punishment options. Add another layer to this and you'll get [dash jump] -> [gravity cancel] -> [combo starter]; and so on.
  
  
• A small punish is better than no punish.
  You want your punish to put you in the best position possible. This usually means you want to do a combo for biggest damage - in this case, the punish is a combo starter. BUT, combo starters are usually slow or have lackluster range. This means you'll sometimes just have to settle for less. It's actually somewhat rare to get a full punish since the Brawlhalla is so fast.
  All this means, if you aren't in a perfect spot to actually land your best punish, just hit them with anything to not let the opportunity go to waste. Sometimes you won't even bother to hit them; raw movement can be used to steal map control and threaten an attack (without necessarily performing it).
  
  
• The best punish always depends on the game state.
  As mentioned, you usually want a full combo, but maybe you don't need the damage. Maybe you'd rather have an edgeguard opportunity in which case you punish by knocking the enemy off the stage. Maybe you want to attempt the KO against a heavily damaged foe. It all depends on the game state.
  
  
• You shouldn’t try to punish everything, especially if you’re unsure.
  It’s more important to read your opponent properly than to attempt to punish everything. If you do, you'll just end up too confused to be able to perform your punishes properly or end up getting baited into a trap. This is especially important since a very common strategy in Brawlhalla is to bait for punishes and counterattack when the punish inevitably fails (this is called a parry). If you get confused you'll get parried. A lot.
  Despite this, you should try to punish some stuff that you are unsure about. if you don't try, you won't learn. Attempt punishes in fancy ways and you might learn something. Start with dashes. Then attempt with gravity cancels.
  
  
• Some attacks are safe (aka these attacks can't be punished with an attack when missed).
  Every attack in Brawlhalla need to be at a certain distance/position in order to be completely safe. But let's say your opponent uses a safe attack. You can't punish with an attack because the moves was safe, but you still want to gain something from the miss. At this point, movement is the best punish. At this point, you're essentially threatening an attack. Bad players will panic. Good players will forfeit stage control. If you've ever heard somebody whine about spam, they're essentially announcing (in a very aggressive manner) that they don't understand this aspect of punishment.
  On the same note, safe attacks are very powerful and learning which of your own attacks are safe is immensely helpful. Just don't use them too excessively or the enemy will catch on.

• Punishment is never done proactively, but sometimes you need to take a proactive step to be able to punish at all.
  You'll need to (often slightly prematurely) position in a way that allows for the best possible punish. As you get better at recognizing patterns and punish opportunities, you'll be able to use your slower better moves to punish, but nobody is always in the perfect position.
  For example: your opponent uses a move with a lot of horizontal range. Moving horizontally away from it will reduce the risk of you getting hit, but in return you will be giving up stage control and you'll most likely be too far away from a punish. If you instead moved vertically by (dash) jumping towards the attack you'd be positioned much closer to the opponent and have no trouble punishing. If your immediate thought was "but this is so risky", you're completely right; this is risky; but it's not reckless as long as you know what you're doing. You're taking a low risk for a reward. Moves that cover large areas are often left wide open from other angles. These moves will typically be completely safe and risk-free to use if you aren't taking this proactive step of approaching. This all means you'll be making a choice of whether to stay safe or forfeit your safety for a punish opportunity. A neutral dodge can serve the same function but is much riskier and more difficult to do.
  
  On a quick side note: remember that you aren’t hindered from doing proactive moves just because punishment is reactive. Not everything needs to be a punish. Punishment is a form of defense; it’s a way of getting your opponent to stop performing a certain action.
  
  If you're a player that likes to be proactive
  Punishment can sound a bit boring. Who wants to sit around and wait for a punish opportunity? While you can't really avoid punishment since it's so centric to Brawlhalla, you can tune your gameplay towards proactivity. This means you want to play aggressive until you've put your opponent enemy in a position where they'll either respond with frustration or with a panicked reaction - these mistakes can then be punished. This utilizes punishment in a proactive manner.
  You can also do what is called a "hard read", which is basically a very strong attack/combo starter that only covers a single defense response. You're 100% certain the enemy is at that location. It's basically a proactive punish and usually requires gravity cancel to get the most out of. These can be quite explosive when performed correctly, but can feel rather unintuitive.
  If you want to avoid punishment even further, you can use moves that cover multiple defense options after forcing the enemy into disadvantage. Just make sure to time them right.

Gold to Low Plat - Special Movement

These are the most common techniques that you will see. It is not required to use all of these, but it is required to understand what’s going on to avoid confusing yourself. If you really really don't wanna bother, stick to dashes and dash jumps. Chase dodges are also basically mandatory for aggressive players.

Gravity Cancel
The first and most iconic tech in Brawlhalla. It is performed by inputting an attack during a neutral dodge in mid-air. This will cancel the dodge invincibility, but allow you to perform any grounded attack while still mid-air. Gravity cancel is best used as a way to hit both grounded and jump height by aiming your horizontal attacks at head level. Therefore, some attacks certainly benefit from this more than others.It can also be used to make some quirky combos and allow you to position in some very unexpected locations. Gravity Cancels can also be a great addition to your punishment game, since it grants you access to your best combo starters. All in all, a good option, but also one you shouldn't overestimate since it spends your dodge. It is arguable if you need to master it to climb, but it's such low effort to master it that you might as well. It also helps some weapons with combos.

Chase Dodge
Whenever you land an attack (except throws/projectiles), you can press dodge and you'll be slingshot towards the enemy with very high velocity and slightly longer invincibility than a regular dodge. You gotta be fast with the dodge input though. This is called a chase dodge [CDodge] and is shown with rings around your legend. You can only CDodge towards the enemy or directly downwards/upwards. These vertical CDodges can be delayed slightly compared to other CDodges. If you're off-stage, you can Cdodge directly horisontally towards the stage too. Lastly, you can cancel a CDodge with an attack if you input the attack within 1/3 of a second after inputting the CDodge. This forfeits the invincibility but retains the momentum.

There's a big difference between grounded CDodges and aerial ones. Grounded ones can only be performed if you're touching the ground at the end of the attack. Grounded ones also put your dodge on a shorter cooldown than aerial ones. After performing a grounded CDodge, you can perform another CDodge for free no matter your location by cancelling the first (just press the button twice). Apart from being free, this chained CDodge follows the same rules as any other CDodge would (with the exception that you can't use your first CDodge directly upwards, then chain one directly downwards).

Chase dodges takes priority over dashes input-wise. This means landing an attack on the ground and pressing forward + dodge won't give you a dash, but rather a CDodge (note that Cdodges can be input before a dash). Here's where that previously mentioned shortcut becomes relevant. If you want to perform a forward dash, you need to input dodge + down. This is obviously irrelevant in the air.

Be careful not to confuse the CDodge with your regular dodge. They're two different resources. Despite this, CDodge puts your normal dodge on cooldown exactly as if a normal dodge was used. You can notably hold 2 charges of CDodge. This means, that after using the first CDodge or after using your regular dodge, you still have one CDodges left if you manage to land an attack.

CDodges is an essential tool to master for any aggressive player since it allows for an effortless way to continue offense and reposition. They're technically spammable due to the low risk, but try not to do so.
The biggest caveat is that you can't easily act out of a CDodge compared to a regular dash. You have to commit to the attack by cancelling the CDodge earlier. You're also flung much further than a regular dash. This means, chase dodges are a safe but also committal option, while dashes lets you react at a slower pace.

Dash cancels and Dash Jumps
A forward dash can be cancelled with either a jump (including short hops), attack, dodge or a dash in the opposite direction. When cancelling with a jump you'll retain the momentum. Note the huge difference between a short hop and full jump while dash jumping. You usually don't want to cancel with dodge, but the option is there. Fast falling after a dash jump lets you touch the ground faster and allows for repeated dash jumps.
If you cancel it with a dash in the opposite direction, you’ll get a dash dance. This can be chained repeatedly, but each consecutive use decreases responsiveness.
Dash cancels, dash jumps and (singular) dash dances can be very simple but effective movement options. Singular dash dances can effectively bait out trigger happy enemies.

Slide Charge
If you attempt to dash and slide beyond the edge or platform, but input a signature before you become airborne, you’ll perform a slide charge. These signatures are just like normal signatures, except holding the signature will charge it while falling through the air. These aren’t too useful aside from a few specific scenarios and require your opponent to basically stay completely idle during their recovery attempt. The distance this will carry you is determined by your momentum. Unlike gravity cancel, this tech is so slow and telegraphed that it is easily countered and often not worth thinking about. It can be fun nonetheless and some legends have some very scary slide charges when done properly.

Note that you can also turn around while inputting the signature which adds a bit of utility.

Directional Influence
You can curve yourself while getting knocked back. This can most importantly be used to survive when hit by strong attacks that would usually knock you out. Note that I said curve, not steer. Most of the time you just want to curve towards the corners to ensure your survival. This is known as Drift DI if you've played other platform fighters.

Gold to Low Plat - Offense

True Combos
It is not required to learn any crazy combos or strings if you just wanna reach diamond. That being said, you need to know reliable singular follow-ups for your favorite attacks and how to land these somewhat consistently.

When a follow-up can't be avoided the two attacks form a true combo. You can typically learn these by watching opponents with the same weapons perform them on you or simply do a quick Youtube search.
If you're performing a combo that you know is true, but your opponent keeps dodging/evading, you might not be making your attacks at the proper timings. Notice I used the word "timings" and not "speed". Every move have a different optimal window for follow-up inputs. This means, that mashing isn't the most effective way to consistently perform a true combo. While you don't need to enter training mode to perfect this, it'll certainly help speed up the process if you're struggling. The replay system also has the same feature, letting you see whether or not your combo was true when you performed it.

Strings
Follow-ups that can be dodged/evaded are called strings. These require you to know where the opponent will be sent to after getting hit by your attack. You will need to follow in that specific direction and then guess their defensive option.
Try to recognize which follow-ups work well and which don’t. This is simply a matter of making a mental note of either "ok, that worked" or "did he evade that intentionally?". All players are different, so blindly following a YouTube combo guide won’t get you anywhere (but they can give you a great starting point). Most importantly though, if you land a hit on your opponent, always remember, you aren’t in a hurry to land a follow-up, they are in a hurry to avoid it. Sometimes, your position is so good that enemies are forced to go ruin their own position in order to avoid your follow-ups. While not ideal, this is the next best scenario.

Damage Scaling & Juggling
When trying to follow-up, generally speaking, the more damaged an enemy is, the longer you'll need to wait before attempting to follow up with another hit. You will need to use this time to reposition instead. This is because damage amplifies the knockback (damage scaling).
Some attacks are specifically designed to start combos. These are attacks designed to keep the enemy very close after the hit even at higher damages. But even though these moves are less affected by damage scaling, you'll notice they still force you to change up your combos at some point.

Juggling is the art of continuously hitting airborne enemies to keep them airborne. Even when not part of a true combo, landing a single hit on an enemy is enough to put their momentum to a halt and gravity will be forcing them downwards. You then have the option to camp on the ground or chase after them. Doesn't matter which one you choose as long as you don't let them land for free.
When chasing, remember that gravity will work in your favor and force them downwards. Timing your attack with their descend becomes essential, but this is obviously easier said than done. Notice how much you need to commit to actually reach your target. If you knock them near you, you can chase with a single grounded jump. If you knock them far, you can use a chase dodge directly upwards. You will then often have time to reposition with an airjump. Remember that you have another chase dodge if you hit them after exhausting your first. This is useful if you want to go for kills off the top.
When camping, utilize dashes, dash jumps and regular grounded jumps to keep the enemies on their toes. As long as you're close to the ground, they can never feel safe. Importantly, don't let them build up any momentum.

Reacting to dodges
If you want to be real sweaty and a combo demon, try learning the visual cues of the different dodges. Watch them happen, then react. Some weapons gets much scarier when applying this technique, but it also requires a lot more practice than I'm personally willing to put in.

Intermediate EdgeGuards
Low ranked players like to either stand at the edge while spamming signatures or chase the enemy off-stage and use a groundpound. Sadly, these options are fairly weak and will rarely (if ever) hit a decent player; both options lack the element of surprise.

Instead, try being patient. Patience is at the center of edgeguarding. You aren’t the one being pressured while edgeguarding, so don’t feel rushed. Especially since Brawlhalla has so many defensive options.
First, understand that you want to preferably stand on the stage, back against the center of the stage, close enough to engage and far enough to stay completely safe. You staying on the ground allows you to use dashes granting you the movement advantage. Remember to move around a bit to create some confusion and acquire momentum. Then, since you know that the enemy is forced to get back on the stage at some point, you know that they'll eventually be forced to cross the edge. You know the where, now we'll need to know the when. It's just a matter of timing your attacks properly. You can manipulate this timing even further by pressuring. The closer you are to someone, the more likely you are to hit them and the less time they'll have to react to one of your attacks. Players in this elo tend to be really scared and swing wildly if you even get near them.

If you decide to go off-stage remember to reduce your own risk as much as possible. Have a plan or enough time to position properly while exhausting as few options of your own as possible. Making a plan before engaging ensures you'll naturally develop a feeling for it which is gonna be very useful later on. Hitting an attack off-stage is very rewarding and it's often difficult for an enemy to counterattack you. Translated, this means the enemy is experienced tons of pressure just from you existing within your attack range.
If you don't want to commit to an attack, try threatening with an attack instead. Jump off-stage, move into position for one of your attacks, but instead of pressing the button you simply jump back onto the stage to punish any panicked get-up attempts. This works best if you've shown the attack to your opponent a few times beforehand. If you're really frisky, you don't even need to attack. Continuously threaten without ever actually using the attack and simply wait for a movement mistake.

If you really love using signatures and groundpounds, try to at least be unpredictable about it. Generally speaking, you want to avoid being predictable, but if you know you're going to be so anyways, at least make sure the enemy can't see the move first and then react to it. You want the enemy to feel scared about getting hit before you actually press the move. Fast animations will always be prefered because the enemy doesn't have enough time between the visual cues and the actual hit to react. Alternatively, moving closer can be equally effective. Most importantly though, try using other moves to lure the enemy into a false sense of security.
Example: your groundpound will hit Area A, but not Area B. In this instance, you want to use different attacks that cover Area B, but not Area A to lure them towards Area A. Similarly, you can do this in reverse and use the groundpound/signature to set up your other moves.

Gold to Low Plat - Defense

Defensive movement - Dodges, jumps & fast falls
Like mentioned, after getting hit, you want to return to neutral.

The dodge is obviously a strong option, but you want to be clever about using it. If you just mash dodge immediately, you'll get destroyed. At the very least, you want to be unpredictable with the dodge direction (but getting rid of the habit is obviously preferred). The dodge is actually fast enough to be used on reaction with some practice. Generally speaking, you should reserve dodge for intentional evasion. Even if you guess wrong, getting used to pressing dodge to evade with intention instead of automatically mashing it will go miles for you.

You also have the option to fast fall and jump. These are slightly slower than a dodge and require you to time the inputs carefully (and the timing differs with each attack you get hit by). You can check this timing by unironically mashing dodge after getting hit and see how fast it activates. Then you know the exact timing for next time you get hit by that same attack.
If you're close to the ground or a platform a simple dash can sometimes get you out of a sticky situation

But let's say you haven't gotten hit. Let's say you're trying to approach, but still wanna exert defensive movement. In this case, you want to primarily (not solely) focus on avoiding the attacks that pose the biggest threat followed by the ones your enemy has been spamming. Which attack does the enemy start with when doing a combo? Which attacks can kill you or force you far off-stage?
When you get more damaged, you'll find that almost all of the enemy attacks pose a huge threat. And you can't avoid them all. At this point, fast attacks are more difficult to evade than slow ones and should therefore be slightly prioritized. Fast attacks does tend to not be as dangerous because they usually don't kill, but despite that, getting that first hit in is usually all it takes. Focus on finding an opening, commit to your decision. With that being said, most low level players tend to spam slow attacks when they see you are within kill-range. The added benefit to almost being dead is that your plays can be much more creative. If the reward is huge and you're dead anyways, there's much less risk involved.

Panic Moves
This people mean when they say you are mashing. If you're ever put in disadvantage, you can do what is called a panic move. These are attacks that are either fast or move you away from the threat. Doing a gravity cancel first can access your grounded and often faster options, but at the price of your dodge. You don't need to always use your fastest option if you're feeling frisky and confident you know your opponent.
Panic moves are inherently risky. They're always done prematurely in disadvantage often by spending your dodge and halting your momentum. Despite these risks, panic moves are necessary to force your opponent to respect you. Use a few, but place them well. They're rarely better than defensive movement though. I'd estimate they're the best option 5% of the time on average.

Returning from Off-stage
As mentioned before, your sole focus should be returning to stage.
Like always, abuse the myriad of movement options Brawlhalla offers. Any attack you use is infinitely more risky than attacks in neutral. Even so, if an enemy chooses to be overly aggressive your options for evasion are somewhat limited because you need to reserve some to make it back on stage. You need to use an attack ocassionally to prevent being put into a situation like this.
Sometimes, when low on air jumps and only lightly damaged, you can simply tank the hit and use it to refresh an air jump. Taking the damage is better than dying.
If you get knocked really far you can, in a pinch, spend your dodge to stop your momentum.

All in all, you want to solely aim on returning to stage, not counterattacking.

I'm Pressing, but Nothing Happens?
Sometimes after getting hit, you’ll feel like you input a move and the character didn’t respond at all (this is most noticeable off-stage but present at all stages of the game). If this happens, it either means you made your input before the previous attack had time to finish or because you were still getting stunned because you got hit. It’s just a timing thing and different moves require different timings. Refer to above [Defensive Movement] to learn this timing.

Gold to Low Plat - Priority/Clashes

Attacks needs to hit the legend, not their weapons or animations. If the attack effects are big, chances are the attack will beat out smaller attacks pretty consistently. Shorter range attacks are often faster to compensate, which means getting into close range is a race against time if you're trying to contest by priority. Pay attention to where the legend is located during the animation.

Whenever two attacks hit the legends at the very same time (clash), they check for priority. The highest priority will simply delete the lower priority attack from existence during this interaction.
If both hits are of the same priority you'll both hit each other; you'll clash. Note that some moves are comprised of multiple hits even if they don't look like it. This is important because clashing moves only registers the first hit. Multi-hit moves are therefore often weaker and the knockback gets weird when only one of the hits connect. These multiple-hit moves become much weaker while clashing, because their strength is only shown when the entire thing hits, not just the first part. This also means you can get send to some unexpected places by these multiple-hit moves.

From highest to lowest, the priority during clashes goes:

• Signatures will beat everything
  
• Gravity Cancelled Signatures
  
• Light Attacks
  
• Gravity Cancelled Light Attacks
  
• Aerial Attacks, Recovery, Ground Pound
  
• Unarmed attacks have an especially bad priority in that they follow the priority order, but always lose vs a weapon.

The clash priority is only relevant when an actual clash occurs, both attacks need to hit the opposing legend at the same time. This means your signature can still lose to a light attack simply by having worse range.

Low to Mid Plat - EdgeGuards

Off-stage is a very difficult but crucial aspect of Brawlhalla. It is mandatory to get comfortable off-stage. I suggest you challenge yourself to use as few air jumps as possible while hanging in the air. You can easily exist off-stage for quite a while by letting yourself fall, chase dodge upwards after landing attacks, constantly jumping on and off the wall and mixing in your recovery.

Before we get into it I want to give a shout-out to [dash + short hop] -> [fast fall] -> [ground pound]. It's not exactly beginner-friendly inputs and easily evaded by any decent player, but hilarious to occasionally use and always seem to tilt the enemy. As an added bonus, it's one of your primary punishment tools if your opponent makes a big mistake and a fast surprise attack. It's really effective at catching enemies trying to rush to the wall. Try to maximize the coverage by aiming slightly away from the wall, so that the enemy can't move away easily, while still hitting anyone stuck on the wall.

EdgeGuards On Stage
Anyways, positioning is key to edgeguards. You ideally want to stand in a spot where they have no way of hitting you with your back against the center of the stage. This allows you to evade incoming attacks and react to enemy mistakes. Remember, you know approximately where the enemy is gonna be (at the edge of the stage). They're forced to come up at some point. For you, it's mostly just a matter of timing. However, if you stand too close to the edge, your opponent gets an opportunity for a counterattack. This is mostly relevant if you use a move with a tiny amount of built-in movement. You normally wouldn't notice such a tiny movement, but it gets infinitely more pronounced at the edge. Pay attention and you'll catch on to which of your moves puts you in danger.

Generally speaking, the enemy is at such heavy disadvantage that you should be able to evade their attacks easily. Try to remember your enemy's off-stage disadvantages: they can't easily increase momentum; no dash; limited to 2 air jumps; they're forced to return to the stage or wall and choosing the wall will completely reset their momentum.
Impatient, frustrated and lesser talented players will often forget about these limitations and attempt to play the game like normal. They swing, you evade, they miss.
Sometimes, enemies will make it back to stage, but still in immediate danger if you do a dash + attack. At this point, you should continue pressure. Either hit or continue threatening. Something as simple as standing closer to the center after they make it back is enough to continue pressure. At all stages of this long advantage state, you can resort to simply mimic enemy movement until they are out of options. With their options exhausted they'll be forced to eat your attack.

Off-stage EdgeGuards
There are a few different ways to get safely off-stage.
If you knock the enemy very far, you'll have plenty of time to position properly.
Secondly, dragging the opponent off-stage with a combo, then chasing them off-stage with a grounded chase dodge into an airborne (downwards) chain dodge. The speed at which this happens creates a surprise timing.
Thirdly, when the opponent (mistakenly) messes up an important movement option. Treat this just like a movement error on-stage and take space away from them.
In the end, it doesn't matter when you go off-stage. Use time as a resource and utilize good movement to either confuse or scare the enemy. The key point is you're limiting the enemy's space, forcing them into uncomfortable positions, even if you don't decide to attack. Some players will actually get scared from good movement alone and suicide.

Off-stage edgeguards are slightly different from on-stage ones. But just like always, you aim to intercept. Intercepting their recovery is usually the main goal, but any hit let you access chase dodges, even as an option of returning to stage.
If the stage is difficult to reach, enemies will often go for the wall to refresh some options. If you can't prevent them from touching the wall, the safest time to attempt a hit is the exact moment they touch the wall. Timing your descend in tandem with this while also masking your intent requires a lot of practice, especially if you're on-stage when this happens. Movement is still the name of the game.

A bit of an uncommon option is to drop down below your enemy. This is obviously risky, but some attacks benefit a lot from being used from below.

• You aren't the one being pressured
  
• Your goal is to keep the enemy in disadvantage, not yourself
  
• Your opponent is forced to return to stage
  
• You're often safer above the enemy (with some exceptions)
  
• The closer you are to your attack range, the less time your enemy has to react which results in more pressure for them. They're forced to react or risk getting hit while you're free to do whatever.
  
• Priority is very important, but not necessarily the priority order. Priority order only becomes relevant if you're clashing. Weapons (and attacks) with shorter range tend to be fast and therefore become very deadly offstage where interrupts are everything. You obviously beat these by staying out of range if possible.

Weapon throws
Offensively, you have two main options. The 1st is that you throw it after knocking your opponent very far off-stage. Try to time it so that the weapons hit right the enemy stops flying. This should give that extra nudge required to get the KO. 2ndly, you should attempt to interrupt enemy attacks that you know you cannot contest (preferably their recovery or gravity cancelled signatures). However, a weapon throw on a lightly damaged enemy won't accomplish a lot on its own so be sure to time it so that you can immediately follow up with another hit.
Defensively, think of them as shields. Throw them protect from attacks that you feel you cannot realistically contest. Upwards while on/near the wall to deter reckless aggression, downwards when you're trying to land safely.

Returning to stage, stalling, movement
At this point you've obviously mastered aerial movement. If you find yourself out of or missing some options, you can attempt to touch the wall to refresh some. Briefly touching the stage or a platform works in a similar fashion. The most important thing is not getting stuck somewhere. If you end up getting on the wall, it might be worth going a bit further off-stage to make sure you have the greater momentum while returning to stage since the wall puts your momentum to a complete halt. Moving back and forth between the wall and air with simple directional inputs can also be surprisingly effective.
Don't forget to abuse your attacks with built-in movement. You can also use moves that stalls your momentum in the air. When using attacks for movement, remember that they have individual cooldowns. Therefore, you cannot simply spam the same move. The cooldown is sometimes longer than the endlag, which means you can still use other moves or movement for max apm. Basically, switch up your moves and don't spam the same one. Stalling like this is primarily done to mess with the enemy's timing. However, the Brawlhalla community is so impatient that most will get tilted from you doing this. It even has the added benefit of recharging your dodge if done long enough. But like everything, don't get predictable. Your sole goal is still to get safely back onto the stage and away from immediate danger. Don't overestimate stalling either. Stalling basically means exhausting your own options.

Mid to High Plat - Advanced Movement

This is the place where you really need to speed up your gameplay. All the knowledge you've accumulated throughout your journey should be put to use here. Most players here won't be fooled easily either, so don't fall into predictable habits.

It is not required to master all of these techniques, but they will greatly aid in staying unpredictable. Mastering a few is heavily advised and I'd feel very surprised if you reach high plat without using any of them. If you've already mastered some, try chaining them together or combining them with other movement options.

• Backwards movement and turnaround attacks
  You can dash backwards, but backwards dashes won't boost your momentum as much and covers less distance than a forward dash. You can’t dash jump backwards either, but you can dash backwards, then press neutral jump to let your momentum carry your jump backwards. Backdashes stuns you very briefly.
  
  Using a dash locks you into the dash animation. You normally don't notice because dashes can be cancelled into so many options. Turning around isn't one of the cancel options though, but luckily there is a workaround. By inputting some special inputs, you can use an attack and turn you around immediately. These inputs can also be used right before slide charging and is called a reverse slide charge.
  This tech is mostly useful for creating momentum shifts to your character when the enemy doesn't expect it (which definitely shouldn't be underrated).
  
  Inputs for turnaround attacks are as follows
  
  • Up+back+attack = turn around neutral input
    
  • back+attack = turn around side input
    
  • down+back+attack = turn around down input
  
  Because dashes are shorter when backturned, you want to be able to do turnaround dashes and dash jumps as well. The inputs for these are
  
  • Back (hold), down + dash -> forward (the initial direction you pressed)
    
  • Back (hold), down + dash -> jump -> forward (the initial direction you pressed)
  
  
• X-Pivot
  Some attacks will perform a small slide, when using the turn-around version immediately after a dash or dash jump. However, this will only occur if the inputs are fast enough and if the move has the ability to x-Pivot. It is very noticeable with blaster neutral air and down air where they will literally bounce in the opposite direction. Just like turnarounds, these can be performed both airborne and grounded.
  An almost mandatory technique for specific weapons/legends and not completely useless with the rest. This tech sets the middle ground for what Brawlhalla techs have to offer in terms of both difficulty, reward and general usefulness.
  
  
• Aerial Dash Dance
  You can dash dance while almost airborne. This requires you to stand at a specific length from the edge, then dash out towards the edge so you just barely touch the ground, then immediately dash back.
  On the stage this mostly doesn't do anything. On a platform however, you will receive a small boost of momentum and end up below the platform. This means you're now flung back, but instead of being on the platform, you're flying towards the ground. If done wrong, you’ll either get an airdodge or a regular dash dance back onto the platform. Once mastered, you can choose to mix it up with a regular dash dance to really confuse the opponent.
  
  This is a very useful technique and will often catch a lot of players off guard. Definitely worth learning for maps with platforms.
  
  
• Edge Cancel
  Use an attack on the stage or platform and let the momentum during endlag slide you over an edge. This cancels some of the endlag from the missed attack. This works with all attacks. Even if you aren't attacking, edge cancelling a dash or dash dance is equally effective at creating confusion. This sounds very simply and often goes unnoticed, but perfecting this is huge. Some weirdly angled attacks can do some insane movement options from this tech. Definitely a tech worth mastering, but also a very difficult one. Don't bother if you aren't feeling it.
  
  
• Platform Cancel
  If you use an attack or dash while slightly above or below a platform or the stage, your character will teleport the remaining distance onto it. This allows you to use grounded attacks or dashes slightly before you would normally be able to, basically nullifying the disadvantages of being airborne. This requires some practice to get consistent, but is probably the most useful technique to speed up your gameplay.
  It can help make your panic moves less risky, because you won't have to burn your dodge on a gravity cancel.
  You can also use this technique to dash while airborne if timed properly. This can sometimes grant you a dash after getting hit, allowing you to reset to neutral without committing a lot. You can also use it to recover from off-stage, allowing access to movement in a situation where movement is scarce.
  
  Inexperienced players will sometimes perform this tech accidentally when trying to use aerials close to the ground or a platform. This effectively causes platforms to function like a shield; the aerial is attempted, but instead snaps onto the platform and a grounded attack is performed instead. Down air and ground pound are the biggest offenders for this. If you do not wish for an attack to be platform cancelled, simply press and hold the directional input slightly before the attack input.
  
  Be very aware that some aerials can hit through a platform, but only if you're holding down the inputs. This also decides if the legend that used the attack will go through the platform.
  
  You can combine this tech with a dash do a similar technique to "wavelanding" from other games. You basically perform a platform cancel by cancelling your landing with a dash.
  
  
• Neutral dodge
  Using a neutral dodge might not seem so advanced, but simply pressing neutral dodge can occasionally be an easy, albeit slightly risky, way to create some confusion. Impatient players will attempt a punish and sometimes whiff in the confusion.
  Doing a neutral dodge at the perfect distance can create punish opportunities if you cancel the dodge with a gravity cancel. If you gravity cancel it late, it might surprise the enemy.
  Doing a neutral dodge at the right height (approximately neck level) vastly improves certain attacks since they can now hit both a grounded and jumping opponent. You can even use attacks with built-in mobility to remain unpredictable.
  Overall, this is a heavily underrated and crazy powerful tool when used correctly, but can be also be an easy bait for yourself if you get too creative.
  
  
• Instant ground pound
  A really advanced technique with a very mediocre reward.
  It is performed by back dashing out beyond the edge, then using a forward dash to dash dance back onto the stage and then using ground pound before the forward dash finishes. This will cause you to ground pound off-stage without actually going off-stage. This method hits lower than a lower regular ground pound on the stage would.
  It’s somewhat difficult and I have only ever seen like 2 other people do it properly. I don't recommend this unless you really wanna show off.

Hardstuck Mid Plat - The Scythe Elo

If you’ve come this far, you’ve reached what I call “Scythe/Parry Elo”. This rank is plagued by overly defensive- and/or tryhard scythe players. They usually only know 1-2 combos they watched on youtube, but that's about the extent of their skill tbh. Most of these are fanboys of a certain pro and luckily not too difficult to beat. They do require a different approach compared to what you've encountered up until now though.

Air Control
A lot of scythe players like to hover in the air with fast falls and jumps so lets learn how to control the air properly.
You only really control areas that you are threatening with attacks. If an area is completely out of your reach, you are not controlling it. Momentum helps a lot with stage control because you're granting yourself more options by increasing the range of most attacks. Momentum allows for mix-ups and alterations in position. The issue is, in the air, you cannot create momentum, only utilize the momentum you've already built. To account for this, you need to accumulate momentum while grounded so you can use and potentially alter it in the air. Momentum is also great if you decide to stay grounded. I can't teach you how to hit your moves, but stay moving and you'll start to see a lot more of your moves hit. If you still can't hit, maybe you need to take a step back and figure out where your moves actually hit and how fast/close you realistically need to be. There's a big difference between max range and practical range. Max range is used for punishment only, where as practical range is the range you can cover before the enemy starts to react.

But what if the enemy tries to turtle in the air? They jump far above you and you can't reach them. Do NOT waste your jumps trying to reach them. Gravity will force them downwards and they are airborne while you are grounded. They cannot create momentum and their attacks are slower with worse priority. They are already pressured. You don't need to exhaust your own options trying to catch them. If they're only a single jump height away, you can go for it (because a grounded jump is doesn't use an air jump). Platforms are also great for accessing higher areas without exhausting your own options.

Generally speaking, you want to keep the enemy airborne at all cost while you stay grounded. You basically just need a single hit that holds them in the air. Look at [Offense] above for more info on juggling, but that's basically the gist of it. Some moves are designed to counter aerial approaches. Time them properly and juggling should be a breeze.

Utilizing Momentum
Brawlhalla is very much centered around movement, but nothing is more important than momentum. Momentum effectively grant a lot of moves extra range (some a lot more). Some attacks will grant you momentum while other might allow you to alter your momentum while using the attack. If an attack allows you to continue its momentum on miss, it'll often be very safe to use.
Like mentioned earlier, when you hold a direction, you will gradually build up momentum until you start sprinting. Dashes and chases dodges can also grant huge bursts of momentum almost instantaneously. High speed legends are great at building up momentum faster, which is why they're usually the one with initiative in neutral.
Do remember that getting hit usually stops all momentum.

Basically, move around a lot and you should have much less trouble against these scythe players.
Bonus points if you can figure out how to stop enemy momentum without touching them.

Failed punishment
Players in this rank will typically abuse a poor punishment game. You'll see them miss a lot, but this is often done intentionally. They're missing attacks at safe ranges to bait you into doing a bad punish. You inevitably miss and are left wide open. This technique is referred to as a parry.
If you see your regular punishers miss, it might mean you've been using them incorrectly. When this happens you need to find a faster punish, react faster, position properly, use different moves combined with movement or resort to using raw movement as punishment (see punishment section). You can also do a fake punish, where you basically just miss at a safe range, but make it seem like a failed punish attempt.

Momentum also helps with your punishment game. Refer to above.

Autopiloting
I believe the most common mistake in this rank is when players are just autopiloting throughout the entire match without even realizing. Constantly doing the same dodge, the same approach, the same follow-up etc. Predictable gameplay gets you killed vs any decent player, but scythe tend to showcase their punishment a bit more than other weapons.

Common autopiloting signs to watch out for:

• Spamming attacks at absolute max range.
  I already talked a bit about practical range vs max range, but essentially, most players move when they see you attack. Don't use attacks that will miss if the enemy isn't completely afk. Instead, think of a 3x3 area with your opponent as the center. Note that covering the entire remainder of the stage with an attack will force an opponent airborne.
  
• Missing signatures.
  If you aren't hitting, why even use it. You're threatening a lot more by not using it. This also ties in with the point about max range.
  
• Dodging towards the center (through the enemy) after getting hit or pushed closed to the edge.
  It's understandable that you don't want to be thrown off-stage, but people tend to practice a lot for this specific dodge due to how common it is.
  
• Showing your intent to your opponent without even knowing.
  For example: you're always using a certain move at a certain range or you're always trying to get into a specific range. Move around more. A lot more.

All in all, these sorts of strategies might’ve worked vs beginners, but you're not a beginner anymore.

Trolling these players
Since most of these players barely know how to actually play the game, you can often get away with a very passive playstyle. These players rely on their parry to start their offense, but if you never attack, there's nothing to parry. Simply take map control and use fast movement to mess with them. You'll notice they're get visibly frustrated. This isn't really optimal nor viable, but hilarious enough to deserve a mention.

High Plat to Diamond

Git gut or play at the end of the season

Additional Notes - How to Predict

Understanding your enemy is great for both offense and defense. In both cases, the trick is simply to watch the enemy more than yourself. At this point, your gameplay should be able to run on autopilot while you observe your opponent.

When trying to predict a player, don’t always look at the individual scenarios. Instead, think of the bigger picture. Is the enemy particularly good with one of his weapons? Do they use a particular move or a lot of unsafe ones? What is their most immediate reaction to getting hit? What looks to be their overall gameplan?
You also want to make smaller mental notes of why they made the response they made. Is it a bad habit, a panicked response, miss-input or a poorly executed mindgame?

Pairs
Start off by thinking of very action in pairs; a starter and a follow-up.

For example; most lower level players mash a panicked dodge after getting hit.

• Getting hit is Action 1
  
• Dodging is Action 2

We know that getting hit results in a disadvantageous position and dodging is an easy form of defence. We can therefore conclude that this player doesn't like to think a lot about defense, but they are aware of being put into disadvantage.

We now "know" their response and the required event. We've predicted what they're gonna do. We've read them. We now need to create the event again for the response to become relevant. After that, how much you want to commit solely depends on how sure you are of this sequence repeating itself. Some weapons/legend can easily and safely cover multiple dodges (but remember that everything can be punished if read by the opponent so nothing you do will be completely safe either).

Defensively
By watching your opponent more than yourself, you'll eventually notice patterns in their gameplay. You’ll eventually learn to spot when somebody is attempting to position for a specific move (this obviously requires you to know their options). The most infamous example of this is when scythe players constantly hover just slightly above ground in an attempt to land their down air. You can then apply the proper defensive response. For example: a simple neutral dodge with the proper timing can cover every offensive option against a predictable opponent (and can be cancelled into a gravity cancel punish). More realistically, you basically just want to move out of the way. Not so far away, that the enemy doesn't use the attack you predicted. Close enough to make them think you're still clueless.

Offensively
You basically want to control your enemy's movement. Start off by showing 1 or two options. You usually want these to be your very best. Try to avoid committing a lot while trying to just gather info. Use safe moves with little risk of getting punished and use movement to keep the enemy guessing. If you decide to go for more explosive options, try to use the ones that actually kill and are fast enough to force the opponent to prematurely commit to an defensive option (moves that literally come out in an instant). However, with all this being said, your best moves are obviously the ones that hit most consistently.
Assuming you're actually hitting, the enemy will slowly start to evade those specific attacks. Even positioning for the attack without actually using it can sometimes bait the enemy into evading. Now you can account for that and hit the areas that the opponent try to escape towards. When two attacks hit two different areas, it's called a mix-up and you've probably heard it mentioned before. Mix-ups are always done prematurely and not on reaction.

Legend Specifics
Some legends have built-in 50/50 mix-ups. These are legends with two moves that perfectly compliment each other. One covers half the options and the other covers the rest. To avoid these 50/50s entirely, the defending player need to give up stage control. There is no direct counter to these, but it's often not worth using for the opponent either. You generally want an attack to be 90% certain to hit. Therefore, don't be predictable and you'll be fine against these. If you feel like 50/50 legends overwhelm you, try to take away the initiative before they get the chance to apply this 50/50 pressure. You can also try throwing your weapon to interrupt.

Additional Notes - Layered Offense

A very common mistake I see is when players use a singular attack (typically at max range) as their entire offense. The opponent moves out of the way and their offense is basically over. Sometimes they even get punished after missing. In this section, I'll teach you some ways to add a few more layers to your offense.
As a golden rule: if your offense is beaten by the same easy option, you're better off not using an attack altogether.

Weapon Throws
Weapon throws is the only truly ranged option in Brawlhalla, but lacks damage and advantage on-hit compared to regular attacks. Make sure you follow up fast to not waste the hit. Sometimes you want to intentionally slow down your own throw to reduce the time before the follow-up (try throwing it diagonally into the stage). By angling it right, you can also just use them to cover an aggressive play (aim for your own future position to interrupt counterattacks). If you find yourself airborne and simply want to return to the ground without having to fear any enemies waiting below, throw them downwards to ensure a safe landing.
When done right, weapon throws allows for a lot of creativity and a lot of true combos.

Losing your weapon isn’t disastrous, but also not ideal. Therefore, I suggest using weapon throws exclusively as a way to improve your edgeguards when trying to incorporate them into your gameplay. This is the easiest way to get familiar with these without having to invest too much thought.

Making Your Attacks Safe
Since Brawlhalla doesn't have a block option the majority skill is showcased through precise spacing. Spacing against attacks can be tricky, but also insanely annoying. From my experience, pixel perfect spacing is often required against very skilled foes, but this luckily isn't necessary to reach diamond.

First off, try to intentionally miss attacks right outside the enemy's punish range. Bad players won't register you are too far away for a counterattack and recklessly swing at you. If done right, they’ll miss (often right in front of you), and you now have all the options you could dream of.

Secondly, intentionally overshoot attacks. Similar to the above, but basically behind the enemy instead of in front. You preferably want to use moves that retains momentum throughout and after their animation. Just like above, we’re baiting the enemy into missing. Because punishment requires some precision, players will sometimes position into their preferred punish prematurely. When you overshoot your attack, this premature position doesn't allow for an automatic punish without inputting some movement; and because most players do their punishment from muscle memory, you'll easily bait out a lot of whiffs with this method.

Most players tend to get tilted if you're spamming a move. By using the two methods mentioned , you can tilt the enemy into paying attention. Now the enemy is forced to pay attention, their mind should be somewhat preoccupied. This opens up the way for your other move, since your enemy is looking out for the spammed animation. Obviously, spamming is never very effective vs decent players, but it's there as an option.

A fourth option is to simply change up the timing. The resulting confusion should be self-explanatory at this point. Just like baiting from safe positions, baiting during safe timings can really mess with an enemy.

At this point, enemies tend to get frustrated with you. You've outsmarted them 4x different ways. They start to get twitchy, overly aggressive impatient. Sometimes they'll do things prematurely because they can't figure you out and simply wants to prevent the mind game all together. Against this kind of frustration, utilize very small movement (or immediately stopping all movement). We're essentially faking an advance.

With all these tools, the enemy can't punish any moves. We've changed up our position, moves or timing and they can't take initiative because our movement might not even be real; their only option left is to be patient, retreat or take an unnecessary risk. A lot of players start spamming sigs at this point.

Buffer Inputs
This is a bit advanced, but it's possible to queue up inputs by inputting them just before the endlag from attacks subsides. This shouldn't be ignored, but is somewhat meh compared to other techs. It's definitely most noticeable while playing greatsword - its gameplay basically requires the user to buffer movement after using an attack. It's also fairly difficult to do and requires some practice to get a handle on.

Abuse Advantage
Somewhat self-explanatory, but it is really important that you get the most out of your advantage when you have it. Being able to recognise a favourable position and making your opponent work to get out of it goes a very long way for your aggression. Pay attention to the enemy's movement and momentum and you can really make their life miserable. Even the worst aggressive players can annoy their enemies while in advantage. Aggression in disadvantage should always be a surprise.

Use the whole stageIf you always approach from approximately the same distance, you'll just be giving your opponent free damage. Instead, utilize the whole stage to either build momentum or take good positions. When you're moving around like this, it's much harder to tell when you will go for an offensive approach.

But I just wanna spam my sig at max range
At least move close enough for it to cover the remainder of the stage. This will force the enemy into the air or approach you. Some sigs come out really fast, others move you around and some can create momentum instantaneously. Try to abuse these properties when choosing a signature for your offense as it helps with the surprise factor. But most importantly, make sure your signature actually does more than a basic combo if it lands. And make sure it lands.

[1/13 Reasons Why]

It admittedly wasn't good when I first wrote it. It neglected a lot of the stuff I simply do on autopilot. I've been trying to update it a bit in Q4 2024-2025 to include these things.

[1/13 Reasons Why]

Yes, the guide is very general. It doesn't go into a lot of specifics and the devs are lazier than ever these days, so they rarely update relevant stuff. I'm 99% certain that nothing has changed since I wrote the guide. If you really think something feels off, I added the patch number so you can go and backtrack to see if any changes have been made since. Just make sure it isn't a skill issue

[Shpungo]

do you feel like this stuff still holds in the year of our lord 2025?

[Scarecloud]

Good job, you deserve the biggest award out there, which i just gave to you

[whiletheworldsleeps]

Damn, that's cool. I recently switched to training intermissions, thanks to you, and I additionally just find it better to have a literal punching bag. (As in, have the bot stand and kick it around).

[1/13 Reasons Why]

Bots play very differently from real players. Most notably, bots in FFAs during queue will often get hit by stuff that real players will easily evade; they rarely attack; their spacing is non-existent and they don't punish very well. If you play vs a bot every game you'll develop a mindset where you perceive yourself as the only player and the enemy your punching bag. This is also what causes a lot of players to incorrectly perceive aggression as mashing random risky moves.
This is a very common occurrence so even if you think you won't develop the habit, you probably will. And, because beginners are so easily influenced by any stimuli, it's important that the stimuli they do receive stem from actual humans so that they automatically adapt to these and build upon it properly.

[whiletheworldsleeps]

Great guide. I'm just curious, in the first chapter(?) what exactly are the very very very bad habits developed by leaving on bot match?

[please buy me internet]

thanks so much lmfao i was always losing to those scythe players since i play aggro. now i just wait and i don't have a single issue. cheers for the info

[xarop_pa_toss]

Finally bro. I started playing very recently and I couldn't believe how lackluster most guides on YouTube are. "Learn the fundamentals, but anyways here's a technical guide on the scythe".
This is invaluable to an absolute beginner. I know what to focus on and how.
And tbh, that small paragraph on Picking a Legend is amazing. I was in a rut but it really is just like any fighting game... Just pick whatever looks cool to you (I'm giving Mako a spin :D)