Hibiki Kai
竹内 まりや   Tokyo, Tokyo, Japan
 
 
No thoughts brain too small
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Swaddling Clothes by YUKIO MISHIMA
HE WAS ALWAYS BUSY, Toshiko’s husband. Even tonight he had to dash off to an appointment, leaving her to go home alone by taxi. But what else could a woman expect when she married an actor—an attractive one? No doubt she had been foolish to hope that he would spend the evening with her. And yet he must have known how she dreaded going back to their house, unhomely with its Western-style furniture and with the bloodstains still showing on the floor.
Toshiko had been oversensitive since girlhood: that was her nature. As the result of constant worrying she never put on weight, and now, an adult woman, she looked more like a transparent picture than a creature of flesh and blood. Her delicacy of spirit was evident to her most casual acquaintance.
Earlier that evening, when she had joined her husband at a night club, she had been shocked to find him entertaining friends with an account of “the incident.” Sitting there in his American-style suit, puffing at a cigarette, he had seemed to her almost a stranger.
“It’s a fantastic story,” he was saying, gesturing flamboyantly as if in an attempt to outweigh the attractions of the dance band. “Here this new nurse for our baby arrives from the employment agency, and the very first thing I notice about her is her stomach. It’s enormous—as if she had a pillow stuck under her kimono! No wonder, I thought, for I soon saw that she could eat more than the rest of us put together. She polished off the contents of our rice bin like that....” He snapped his fingers. “ ‘Gastric dilation’—that’s how she explained her girth and her appetite. Well, the day before yesterday we heard groans and moans coming from the nursery. We rushed in and found her squatting on the floor, holding her stomach in her two hands, and moaning like a cow. Next to her our baby lay in his cot, scared out of his wits and crying at the top of his lungs. A pretty scene, I can tell you!”
“So the cat was out of the bag?” suggested one of their friends, a film actor like Toshiko’s husband.
“Indeed it was! And it gave me the shock of my life. You see, I’d completely swallowed that story about ‘gastric dilation.’ Well, I didn’t waste any time. I rescued our good rug from the floor and spread a blanket for her to lie on. The whole time the girl was yelling like a stuck pig. By the time the doctor from the maternity clinic arrived, the baby had already been born. But our sitting room was a pretty shambles!”
“Oh, that I’m sure of!” said another of their friends, and the whole company burst into laughter.
Toshiko was dumbfounded to hear her husband discussing the horrifying happening as though it were no more than an amusing incident which they chanced to have witnessed. She shut her eyes for a moment and all at once she saw the newborn baby lying before her: on the parquet floor the infant lay, and his frail body was wrapped in bloodstained newspapers.
Toshiko was sure that the doctor had done the whole thing out of spite. As if to emphasize his scorn for this mother who had given birth to a bastard under such sordid conditions, he had told his assistant to wrap the baby in some loose newspapers, rather than proper swaddling. This callous treatment of the newborn child had offended Toshiko. Overcoming her disgust at the entire scene, she had fetched a brand-new piece of flannel from her cupboard and, having swaddled the baby in it, had laid him carefully in an armchair.
This all had taken place in the evening after her husband had left the house. Toshiko had told him nothing of it, fearing that he would think her oversoft, oversentimental; yet the scene had engraved itself deeply in her mind. Tonight she sat silently thinking back on it, while the jazz orchestra brayed and her husband chatted cheerfully with his friends. She knew that she would never forget the sight of the baby, wrapped in stained newspapers and lying on the floor—it was a scene fit for a butchershop. Toshiko, whose own life had been spent in solid comfort, poignantly felt the wretchedness of the illegitimate baby.
I am the only person to have witnessed its shame, the thought occurred to her. The mother never saw her child lying there in its newspaper wrappings, and the baby itself of course didn’t know. I alone shall have to preserve that terrible scene in my memory. When the baby grows up and wants to find out about his birth, there will be no one to tell him, so long as I preserve silence. How strange that I should have this feeling of guilt! After all, it was I who took him up from the floor, swathed him properly in flannel, and laid him down to sleep in the armchair.
They left the night club and Toshiko stepped into the taxi that her husband had called for her. “Take this lady to Ushigome,” he told the driver and shut the door from the outside. Toshiko gazed through the window at her husband’s smiling face and noticed his strong, white teeth. Then she leaned back in the seat, oppressed by the knowledge that their life together was in some way too easy, too painless. It would have been difficult for her to put her thoughts into words. Through the rear window of the taxi she took a last look at her husband. He was striding along the street toward his Nash car, and soon the back of his rather garish tweed coat had blended with the figures of the passers-by.
The taxi drove off, passed down a street dotted with bars and then by a theatre, in front of which the throngs of people jostled each other on the pavement. Although the performance had only just ended, the lights had already been turned out and in the half dark outside it was depressingly obvious that the cherry blossoms decorating the front of the theatre were merely scraps of white paper.
Even if that baby should grow up in ignorance of the secret of his birth, he can never become a respectable citizen, reflected Toshiko, pursuing the same train of thoughts. Those soiled newspaper swaddling clothes will be the symbol of his entire life. But why should I keep worrying about him so much? Is it because I feel uneasy about the future of my own child? Say twenty years from now, when our boy will have grown up into a fine, carefully educated young man, one day by a quirk of fate he meets that other boy, who then will also have turned twenty. And say that the other boy, who has been sinned against, savagely stabs him with a knife....
It was a warm, overcast April night, but thoughts of the future made Toshiko feel cold and miserable. She shivered on the back seat of the car.
No, when the time comes I shall take my son’s place, she told herself suddenly. Twenty years from now I shall be forty-three. I shall go to that young man and tell him straight out about everything—about his newspaper swaddling clothes, and about how I went and wrapped him in flannel.
The taxi ran along the dark wide road that was bordered by the park and by the Imperial Palace moat. In the distance Toshiko noticed the pinpricks of light which came from the blocks of tall office buildings.
Twenty years from now that wretched child will be in utter misery. He will be living a desolate, hopeless, poverty-stricken existence—a lonely rat. What else could happen to a baby who has had such a birth? He’ll be wandering through the streets by himself, cursing his father, loathing his mother.
No doubt Toshiko derived a certain satisfaction from her somber thoughts: she tortured herself with them without cease. The taxi approached Hanzomon and drove past the compound of the British Embassy. At that point the famous rows of cherry trees were spread out before Toshiko in all their purity. On the spur of the moment she decided to go and view the blossoms by herself in the dark night. It was a strange decision for a timid and unadventurous young woman, but then she w
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