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“Smooth like butter. Like criminal undercover. Gon’ pop like trouble breaking into your heart like that!”
He lays it out as to why this is. And it's basically dow to corporations now owning all the labels. This means that they sign up artists on 360 deals (which are dodgy as hell) and this means that they get little control over what to do.
They're product and in the most cases, they get to sing a piece that some writer has written who they've never met. So needles to say it lacks any passion as you don't BELIEVE the singer, and is formulaic to the nth degree.
So it all sounds the same, all has a very banal and broing emote and is just disinteresting.
But that doesn't mean there isn't goo dmusic out there - you just have to dig deeper.
For myself, I count myself lucky. I grew up through the 1970s glame rock, prog rock, punk, SKA, post punk, new romantic, indie darlings like the Smiths and the Stone Roses, then acid house and rave and so on.
Not only that but I don't listen to radio or TV and havent' done in decades. I get my sources from live stuff and working at music festivals and word of mouth.
Working at Glastonbury every year gives me access to over 1000 artists each time. You can't lose.
Good point. Tiffany was awful. I guess the main difference is we didn't have the internet back then. Take for example the Island boys. They are doing weird stuff now just for internet clout and money. If they didn't have the internet they would had probably faded out much more quickly. They have ZERO talent.
My friends son was showing me their stuff. It is awful.
over 9000
I even remember buying a Dream Theather album on google play music just before it's announced it's closure.
I knew a friend that said the same thing but likes Beatles and Rolling Stones even though he wasn't even born in that era.