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OMG that just gave me a flashback........
https://www.youtube.com/watch?v=YdJ785_u07E
They live hollow lives, and they like their boring music. They don't like think. They just, like, exist.
It really doesn't, you just have to look outside of the plebian charts and top 10 lists. It's easier now than it ever was to find good music, and there's basically no excuse for having a bad/immature taste, unless that's what you're happy with.
People who think "new music sux" are lazy and/or dumb. Especially the ones that whine about "woke" or lgbt ruining everything. Put some effort in and stop expecting Netflix or whatever to spoonfeed you content.
lol what?
Here is some of what was written about the Beatles back during their heyday[mccartney.com] in 1964:
“With their bizarre shrubbery, the Beatles are obviously a press agent’s dream combo. Not even their mothers would claim that they sing well…”—The L.A. Times
"“The Beatles are not merely awful; I would consider it sacrilegious to say anything less than that they are god awful. They are so unbelievably horribly, so appallingly unmusical, so dogmatically insensitive to the magic of the art that they qualify as crowned heads of anti-music…,”—The Boston Globe.
The beatles were basically the 'n sync and backstreet boys of their era. The only difference between now and the 1960s is that it's the hippies' turn to act as Cranky Kong, or in other words, you became your parents. Only time will tell which musicians of today will stand its test and who is even worthy of comparison with the best of yesteryear.
Far be it from me to object to the flack though. Quite to the contrary, the simplest explanation is the one that each generation so desperately wants to deny is that music is getting progressively worse. Beethoven achieved more in just the three opening notes of the fifth symphony than most composers achieve throughout their entire careers: Oppressive domination of the entire musical scene. Even going so far back as that, people are still claiming that his predecessor Mozart was his superior!
Heck, even among video game music, some of the best is the selection A music from the gameboy version of Tetris, which, wouldn't you know it, is simply remixed from an old Russian folksong entitled Korobeiniki!
So, basically, what happened is that time passed. It kind of makes sense too, considering that each innovation is only innovative once, thus as each musician writes a new song. It does not matter how talented of a composer you are: If the best piece of music of all time was already written, then you can never be its author!
Rick has done a bunch of videos about why people hate today's music so much, and one of the things he talked about was the use of Autotune, as well as click tracks (Me: for the beats).
Jimmy Page when getting the record deal with Atlantic Records, ensured that both he and the group were paid (Peter Grant made sure of that for sure) and that they were going to produce their own albums. Many people do not realize that both Page and Jones were accomplished session musicians and played on songs such as Donovan's Hurdy Gurdy Man and Sunshine Superman so he knew the music business before even forming Zeppelin.
Now people just have to sit down at the computer, open up a program and get any sounds they want, without even having to play an instrument and record label A&R men eat it up sadly.
This is why I pointed out people like Rick Beato who demonstrates why - from the fact that big companies own the labels and offer crappy 360 deals for artists which mean that (amongst other things) they don't tend to write any music. They just sing the lines they're presented.
And those songs are often written by one of their many "farms" of songwriters. So you get people singing songs that mean very little and are presented dispassionately because the singer has no personal connection.
On top of this, there's the issues that the music is demonstrably very formulaic. Again Rick Beato lays this out and he has focused on one particular trait where so many songs focus on a two chord progression.
So yes there iS actual empirical evidence of this being a thing nowadays. Because it's literally set up this way.
It's not dissimilar to companies like those in film that turn out films like "Boss Baby". They're manufactured on the cheap purely because they know it's a good way of mazimizing profit. A lot will fail but if one does well they make so much it funds all the others.
Basically, it's minimal effort stuff done to a formula.
not sure if this is the breathe cover I heard in the fast and the furious
the last three fast and the furious movies had this awful auto-tune rap mixes and ruined the prodigy's breathe song by having it mixed in with auto-tune rap
Anyone can download a DAW and put something together with samples or MIDI chord packs. The bare minimum.
Anyone can put themselves out there. It isn't like the 80's where you needed a group of highly skilled people to make something with a limited supply of expensive tape.
Then you have predatory labels that have always hunted for impressions, not quality. It cultivated a cult of rich idiots that jerk themselves off over how good they can market to people.
Too much effort is frowned upon, and more easily made/easily digestible "fast-food" music gets encouraged instead.
You'll have to look at the bottom of the barrel to find real music. Problem is, that's at the bottom of the barrel with all the other garbage.
Same fate as all forms of media, really. Video games, writing, movies...
On the bright side, AI generated music is just around the corner. A black hole of easily producible slop that will suck the record labels into an event horizon. Good riddance, you get what you give, etc.
Maybe it'll give real music a chance again...
Is always the same thing...
Always the elders complaining about new music becuase is not what it was before when they grew up and now it has changed and is completly different... Basically nostalgia most of the time
Deopends what you want.
If you mean a certain genre, or even what attributes you deem determine better.
Some might point out that musical technicality means better, but that doesn't always equate to listenable or interesting (which is why pop music always has sucha wide appeal egenrally, because of simplicity).
I personally have never liked jazz of really any kind except maybe the real early stuff my dad used to have. Simple reason being that it's overly complex a lot of the time and it just has no interest to me.
But take something like the Stone Roses - a group which turned out tunes that were simplistic in chord structure but catchy as hell, passionate and upbeat in tone. That really floats my boat.
But generally speaking you could go through any of the ages and pick out any of the well recognised and respected artists like Jimi Hendrix, the Beatles, or go through things like Ska and start with groups like the Specials, Madness, the Beat and the Selecter. Or go through punk and choose the Clash, the Sex Pistols, The Damned, the Cure.
Or go through post punk and new wave and srat with Blondie, Talking Heads, Television, Joy Division, and go onto the Smiths and other indie bands.
It really depends what you want to start with but I'd generally advise looking at what is well reported as being well regarded and renowned in their circles.
An 'artist' with a lot of money pays a reputable advertiser to push their product on a large scale and people either fall for it or ignore it.
Cardi B talked about how she payed 60K to a radio station to play her songs a set amount of times per hour. That's all it takes now.