Install Steam
login
|
language
简体中文 (Simplified Chinese)
繁體中文 (Traditional Chinese)
日本語 (Japanese)
한국어 (Korean)
ไทย (Thai)
Български (Bulgarian)
Čeština (Czech)
Dansk (Danish)
Deutsch (German)
Español - España (Spanish - Spain)
Español - Latinoamérica (Spanish - Latin America)
Ελληνικά (Greek)
Français (French)
Italiano (Italian)
Bahasa Indonesia (Indonesian)
Magyar (Hungarian)
Nederlands (Dutch)
Norsk (Norwegian)
Polski (Polish)
Português (Portuguese - Portugal)
Português - Brasil (Portuguese - Brazil)
Română (Romanian)
Русский (Russian)
Suomi (Finnish)
Svenska (Swedish)
Türkçe (Turkish)
Tiếng Việt (Vietnamese)
Українська (Ukrainian)
Report a translation problem
46:50. It's not bad...just out of place.
https://youtu.be/Q1L4CiP74q4
I also compose / write music and produce - and I think the first games soundtrack is far from flat even if it isn't necessarily the most memorable.
I played the first game for a few days before the release to get back into the movement system, and the first thing that stood out to me was how great the music sounded.
It is definitely more in line with 80s John Carpenter and other horror classics, with lo-fi synth textures and pumping rhythm sections for action sequences. I think because it fits the aesthetic of the game so well it is a little less memorable and plays more of a background character in the overall narrative aesthetic.
But recently re-listening to it I feel it has plenty of depth and is quite dynamic in what is going on from moment to moment in game.
That said - the new sound track is just beyond, I absolutely love the contrast that the new orchestration brings. I can understand where it might put off some - but for me, I think it plays a much more forward roll in the visual narrative and is instantly memorable.
Thematically it is actually fairly in step with the first score - and even calls back to it from time to time within its new textures. I am so glad they took a risk and did something new and original in scope instead of an iteration on the first game.
I don't know man. I do like the whole 80s synth thing normally. I just feel that it was completely out of place in the game, since it kinda implied this 80s feeling that otherwise wasn't present at all visually. That made it quite flat and out of place to me. Obviously not musically in itself, I should have been more precise.
I'm glad to see more people actually enjoying and recognizing the step they took in DL2 with the music. Here I actually like the synth elements, since they mix quite well with the orchestra and give the whole sound a more vibrant and modern vibe.