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Almost forgot. Pig masks also translate the message "You're not alone". But who else is there?
Not the Engineer clearly. Engineer isn't even alive for the most of the game. Not the pigs, they aren't intelligent enough. Who's there? Who is the face behind the mask?
One of the notes mentions "fake parades and streets" used to take captives into the machine. The masks could have been used by these fake paraders.
It could also have been something he found in Mexico, which seems to be where he lost his mind. Perhaps that's what inspired him to gravitate towards the pig theme in the first place.
It might be the guilt or the thought of giving up.
Do masks still appear after the machine is started?
I wish it were something such as that, but to me it seems that it just symbolises the game, and tells the player that they are on a right track.
It would be nice if the mask had been placed in some places where a human had done a "piggish" deed aka. put on the pig mask, like in the place where someone took those nude photos secretly in the mansion. Then they could place the pig mask in some places where it is not so clear what happened, and players would have to figure it out themselves using subtle hints from their surroundings.
There is a pig mask in the head of the chair at the end.
PS
I put a chair where mask was supposed to appear. The next thing I saw was a pig mask flying across the room. It was funny.
But also, remember the quote at the beginning of the game?
"He who makes a beast of himself removes himself from the pain of being human."
The note which expresses Mandus's identity crisis is surrounded by the falling pig masks--the juxtaposition of the two seems to boil down to "am I a man hiding behind the face of a beast?" or "am I a beast hiding behind the face of a man?"
While there's much evidence to suggest Mandus didn't have the healthiest mentality even before his wife died (watching her bath and taking pictures), the story of his empire, as surreal as it is, seems to be grounded by something very human--the pain and misery of his loss. And he lost much more than family; he lost faith, hope, and happiness and he came to despise himself and the human race. The horror of this game is what a man can become in his darkest hour, and the even more horrifying idea is for the player to ask themselves "could I forgive myself?" or "do my actions define what makes me human, or what makes me a beast?". The comparisons of man and beast are numberous, but notice how there's not much mention of a loss of humanity. When Mandus is asked if his machine is humane he gawks at the notion of being humane, like it's entirely subjective.
I think the pig mask is the centerpiece of these questions in the player's mind, or at least the question of how mankind compares to beasts. The example I gave is one of many, this game is loaded with subliminality.