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Basically, 33 December means that the year ends but the story does not; instead it begins to repeat. Which then calls to mind the fact that this continuation is still stuck in the past, drawing out the ending of the year and unable to roll over to the next year to begin again. That part, I think, is reflective of Aline and Alicia's difficulty in moving on from the fire - the world continues, but they remain trapped in that moment even after it is long past, locking them into an extended December. They must move on, yet they cannot leave the past behind.
To now also address one theory I have relevant to OP's timeline: the fire and the Writers. The theory I mentioned above is that I think the Writers could be another layer above the Dessendre family. They are the Painters and creators of the Canvas world, and I enjoy the idea that the Writers are the creators of their world. Using that framework, the fire would be, in the Dessendre's world, a possibly random event; however, the family is aware of the Writers and understands that they are responsible for causing things to happen in their world to advance a purpose. So, the fire is becomes a plot device for the Writers to the tell the story of the game. Obviously, it's all conjecture, but it may be worth considering to see what it adds to the game.
Painted Verso is Aline's creation and has no actual link to the real Verso or the fragment of his soul. So its not his creation and not his right to decide its fate.
If you look at real Verso's creations (Monoco, Esquie, etc) they dont want to be erased.
Alicia's journey as Maelle helped her grow as a person. Destroying the Canvas like this (without resolving it in a satisfying way) not only takes that growth away, it probably permanently destroyed parts of her (like her willingness to paint, or help her family) and just made her character even more broken as a result.
This aint the right thing, its the worst possible outcome for Alicia.
P.S. Verso's ending is mass genocide! ;-) The Lumèrians are real, even if their world is artificial, but they are truly self-aware sentient beings. In an ideal ending Maelle could have easily gommaged painted Verso (like she did for her painted alter ego Painted Alicia), and Maelle then could have left the canvas at regular intervals to not overdose on the chroma and let her body wither away, but she doesn't want to face reality at all. I would and will always choose the Maelle ending, even if it too is quite problematic. Watched the Verso ending on YT, it's utterly horrible, if you ask me. Kill an entire civilisation just so four (five, if we include Painted Verso) people can feel better? The family should grow up, show some responsibility for the world's they have created, they are not just playthings.
there is also a lil oopsie in your text I believe, you swapped the 2 names of mother and daughter here: "However, the intense Chroma clash between Renoir and Aline caused Alicia to overwrite Aline, turning her into Maelle inside the canvas — losing all memory of the real world." - its alicia being reborn as maelle not aline (mother)
if I understand you correctly, we have two versions of the Dessendre Family in the canvas:
1. Alines Verions: with her as the paintress and the human family members
2. Renoirs Versions: him the curator and the Axons
So the reason why all of the previous expeditions failed was because of Renoir, who also knew the communication codes the Expedition used which was stated in some of the Exp-Files. I believe in one of them from Expedition 60 they Mention that the real issue is not the paintress, it is what is "below the Monolith". So Aline tried to stay in the canvas, using her version of the family to protect her, since she protected the people of Lumiere. Makes sense. Now to what doesnt make sense to me in the story so far:
Versos goal. Verso has seen thousands of expeditioners die. He fought with many of them side by side to save a family he sometimes feels part of and sometimes doesnt. he mentiones that he is not "the verso" which is true. Verso is like Noco, a memory reborn in this canvas unable to die but is not what he once was and will never be. But he of all characters in the game should know, that the people in this canvas are just as human as he or his supposed family members are. He has spent more time with them than anyone else from his family. These people, just as Tiasmoon said, are sentinel beings. We could just replace the setting from canvas to planet to make it a little bit more obvious:
If we would be talking about the Dessendre family being gods and they are thinking about destroying earth because their daughter rather wants to live a human mortal life, would we feel different about Versos ending?
Lune, Sciel and Gustave cherrished their lifes, they were willing to sacrifice the last year they had for everyone after them, this is not something a brainless painted thing would do and Verso knows this very well.. He talkes to them, helps them with their quests and gets the option to romance 2 of his companions but at the very end, everything is meaningless to him. He suddenly turns into Renoir 2.0 even tho there is a chance to bring people back to life. Yes he did not care about the gommage killing everyone as soon as his "mother" was out, but at this point we didnt know we could save the canvas, now that we can bring people back suddenly its about saving alicia/maelle who does not want to be saved - again. Even in Versos ending, the family does not comfort her, she is standing all alone in front of her dead brothers grave. What do we actually achieve by destroying the canvas?
We kick her out of a world where she finally feels like she belongs, after her parents left her and her sister alone. A sister who sent her into this canvas by herself where she gets completly overwhelmed by her parents chroma, forcing her to be reborn with no memories into a world where everyone she knows dies. Her parents made her feel responsible for her brothers death then left her to fight their own little paint war. Yes she is 16, but she lived 2 lifes so far and even if it means she will die, her parents spent over 67 years in this canvas already.. I dont think she cares about dying in there surrounded by people who care about her.
I understand Maelle but I do not understand Verso unless he was lying all game long about everything. Why was he mad when we killed Alicia then if he wanted the canvas destroyed? Why would he care about any of the expeditioners? Why tell Sciel we would bring her husband back? Why even care about reviving Noco? Why even help at all if he could have just waited 33 more years..?
Fun fact, the team behind Clair Obscur is a group of 33 people.
0 metaphoric meaning, It was literally a Expedition for a 33 people new studio.