安装 Steam
登录
|
语言
繁體中文(繁体中文)
日本語(日语)
한국어(韩语)
ไทย(泰语)
български(保加利亚语)
Čeština(捷克语)
Dansk(丹麦语)
Deutsch(德语)
English(英语)
Español-España(西班牙语 - 西班牙)
Español - Latinoamérica(西班牙语 - 拉丁美洲)
Ελληνικά(希腊语)
Français(法语)
Italiano(意大利语)
Bahasa Indonesia(印度尼西亚语)
Magyar(匈牙利语)
Nederlands(荷兰语)
Norsk(挪威语)
Polski(波兰语)
Português(葡萄牙语 - 葡萄牙)
Português-Brasil(葡萄牙语 - 巴西)
Română(罗马尼亚语)
Русский(俄语)
Suomi(芬兰语)
Svenska(瑞典语)
Türkçe(土耳其语)
Tiếng Việt(越南语)
Українська(乌克兰语)
报告翻译问题
Neo Tokyo in particular felt like a missed opportunity, it just sounds like high bpm noise. Not bad for racing, but it doesn't feel like there's anything memorable to latch onto in there.
Listen to the OST by itself and it shines WAY more, I absolutely love it... especially Mazzella's tracks. He is the standout here for me!
My only complaint is that they went on about the good music in the game when its pretty average. Sure the composers are amazing and there are a few good tracks, but I felt let down with the music. Don't get me wrong, R2 still has a nice soundtrack but its a bit underwhelming compared to R1.
It feels like they got a high when they got these great artists to create the music for the game that they forgot to make it as good, or better than Redout 1's soundtrack was.