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About dead mouse part at the start of the game - it might have something to do/ foreshadow Karin's backstory that she tells you if you max out her hearts. She's not ready for dead mouse YET as in she's not desperately hungry yet.
And seriosly screw that elusive cornbread. How in the hell i trigger that...
* Baba Yaga, is, of course, portrayed as a cannibal (or maneater, at any rate, if she's not counted as human) in a lot of myths about her. If you're reading a spoiler thread about this game - or even if you've just taken an educated guess about the themes in the game - I probably needn't explain the relevance.
* There's a legend where a boy fools Baba Yaga when she tries to cook him by pretending not to understand how to lay down in her pan, so she shows him how and he shoves her in the oven. The protagonist dreams this exact scenario from Baba Yaga's perspective. In some versions of this legend he pulls this exact trick on Baba Yaga's daughters first.
* Another dream sequence mentions the protagonist biting trees with their iron teeth, which are another trait sometimes attributed to Baba Yaga (or similar cannibal-hag figures, like Gvozdenzuba, whose name means "Iron-Tooth"). The mention of the bag of chickens and dogs seems to be part of an unrelated folk tale about an old farmer who tricks a fox in this manner.
* After emerging from the basement and greeting the four named characters, the protagonist asks if they arrived of their own free will, or were sent. This is something Baba Yaga asks of visitors in some legends. The "correct" answer according to some cursory web searches is that one came of one's own free will (or to offer a vague or indirect answer). Karin says they were sent, which the protagonist comments is the wrong answer.
* Of course, the cottage has a cauldron, which is an iconic bit of Baba Yaga's kit (or that of any spooky mountain-forest witch), but those wouldn't be uncommon in old houses so this might not mean much.
* This is a more tenuous connection, but the chicken bone in the floorboards might be a reference to Baba Yaga's iconic chicken-leg cottage.
I'm not quite sure how to translate all this to the story, but it seemed initially to me like the protagonist either is, is possessed by, or is otherwise somehow symbolic for, this particular legendary cannibal-crone. I didn't know about the Likho legend, so that's interesting reading! It seems the dream sequences maybe tie in more than one particular bit of folklore, so it's not all just the big B.Y. apparently. I was pretty sure until reading this theory that this was basically all just about Baba Yaga and that maybe the other dream sequences were bits about her that I hadn't managed to find, but it seems clear now that there's more of a mixture, and our main character might be connected to multiple different folkloric man-eaters. It's not unusual for characters in these kinds of myths to get shuffled around a bit. Perhaps whatever the protagonist is, or whatever influences them, is the sort of being that inspired these various myths about various forms of old wilderness-dwelling hermits that eat people.
There is more connection to the Likho legend than what Atlasishere already astutely pointed out! There's a myth in which a blacksmith tricks the Likho into being bound to a chair so he can forge new eyes for her, which our protagonist witnesses from the Likho's point of view. There's definitely a recurring element of the protagonist's dreams putting them in the monster's perspective (though not every time). I haven't found anything clear about the dream where the protagonist can't get someone into the oven due to their strong legs, but I'd expect that's definitely yet another one of those types of myths, maybe about some other similar figure. It's worth noting Baba Yaga, the Likho, and the Kikimora are all female. The game is very evasive about the protagonist's physical qualities, including traits like age, sex, and so forth. Some of the other characters' reactions seem hard to square with how one might react to the sort of ancient crone associated with these kinds of beings, but it's hard to know how to interpret that.
The Chompettes are victims whose bodies are still rotting in the basement. We never see the main character throw out anyone's body once they're rotten. They make note that Mariah's body has gone bad, but they never get rid of it. The reason I believe this is because of the secret ending with Cornbread.
However, what is bugging me about this theory is that newspaper clipping where a child's body was discovered in a barrel of potatoes. Who was this victim? Are they a chompette? If so, my theory on the Chompettes being victims stuck in the cabin doesn't stick because that body was found outside the cabin.
Anyway, I have one last idea. As said in the game, Potato is not an original chompette. Here's the information I found in regards to potato.
From this information, this is what I can theorize.
1) Potato was killed in the basement. Everyone's hiding spots seem to be the place where they died.
2) Potato could have been the original owner of the cabin. Perhaps he lured the original chompettes there, maybe the MC as well?
3) Potato could have been a murderer. It'll explain his odd behavior and why he urges MC to venture outside the cabin to kill others.
I’m also curious about the chompettes, specifically potato.
If Potato was the previous owner of the cabin and a murderer it would make sense. The newspaper clipping mentions that a victim was stuffed in a barrel full of potatoes by the “Butcher of Zakopane”. And potato was a butcher.
And in the demo, Potato specifically said, “I cornered the four in this basement room… and all of us ended up dead.” The Chompettes all have hatred towards potato even if he was one of the victims but it would make sense if it happened like that. And the chompettes, seem to be fine with locking him in the basement room. Since he wasn’t an original chompette.
I also want to talk about the achievement “Give me back my knife” it was him saying it to the Mc after Karin dies in the basement. He even says that you were a murderer and a thief for taking it from his body.
But earlier in the game when Karin was whittling something with the knife, Cabbage says.“Wait, isn’t that your knife, why did you let her have it?” because they recognize it as yours rather than potato’s.
And if you were one of the victims, why did they all die? In the original thread, maybe the entity Likho/Baba Yaga had latched onto potato, then it latched onto the Mc when he was killed. So it would jump from person to person. Because in the conversation with potato before you go to the basement, “I don’t care if you come back alive...maybe the red-haired woman will let us move on. Or will she act just like you.” makes it seem regardless if you die that the possession would continue.
I also believe in the possession theory because most of the actual murders would happen when the Mc is asleep. And Potato would say that they would collapse in the middle of the hallway sometimes, or that the Mc couldn’t recall where they would sleep and wake up.
“Before I came to the cabin I use to read the classics.” Potato said in a conversation. So was someone else a victim to the entity before it clung to Potato then eventually Mc?
Maybe the Mc and Potato ended up fighting separately from the group and killed him in the process, that’s when they could’ve taken his knife. Because it’s implied that the Mc killed the chompettes, not Potato.
People who die in the cabin follow different rules, and they know the kitchen well. Potato died in the basement but the rest of the chompettes died in the cabin. And if they all were originally in the basement, how did they go up in the cabin? Did the Mc betray the rest of the victims who later became chompettes because they wouldn’t let them go in the end from the amount of guilt?
I’m not very good with theories, but I wanted to have a discussion about this since everything is still so vague about the “basement incident.” so please respond to this if you guys either disagree or have something to say about some of my points.
The true good ending would be the mc killing Karin and following her inside the East room as she bleeds to death. In that part, the mc hears Karin, Gregor, Mariah, and Anatoly demanding you to turn on the lights in that room, face the corpses of many the mc killed or butchered as “corpse food,” and recognizing himself as a butcher serial killer. But with regrets and sorrow. Mainly for the four characters. The mc vows to be recognized as the butcher serial killer and face the consequence for his actions fully with commitment. I believe that the whole “Potato died in the basement,” is the mc’s redemption from his butcher, cannibal serial killer identity.
Basically, the potato is the mc’s manifested identity of the butcher serial killer and he killed it along with his tainted actions. The potato being the manifestation can be hinted of him speaking eerie details about human bodies and hunger related subjects. And that the mc blames the potato and chompettes as the real culprits for his actions, resulting in Karin thinking that "you lost it."
Some fun notes: Mariah seems to be the only one to know that you’re the butcher serial killer hinted that she said she was “grateful that you didn’t use meat for the vegetable stew.” Yet despite knowing your secret, she still wants to see the good in you. She believes in you to make the right choices. Even after you descretated her. It’s also why Mariah has the most screen time in the game after her death, along with her discrete version of Mariah appearing in the alternated menu screen. It can also be implied that she developed deep feelings for the mc.
I really don’t think there were any supernatural involvements that made the MC butchered and killed many people. This whole butcher thing had been going on for awhile as hinted in the bloody newspaper and the two complaint notes. The only supernatural thing were just Gregor, Mariah, and Anatoly haunting the MC, after butchering their corpses for food. And the MC was fighting himself to either be redeemed of his butcher serial killer identity or fully embrace it. Again, MC turning on the lights in the room where the four characters’ corpses are stored, could be the good ending because he’s ready to throw away his identity, recognize who he is and face the consequences of his action.
For the "how did you perfected it?" that Karin was asking. She was asking how the mc cook and process human meat for "slaughter stew"