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Fordítási probléma jelentése
Yay, Useless information althrough true
Not that I'm adding anything particularly mind-blowing at this point, but let me suggest looking at it in the reverse:
"Why do people like dubstep?"
Bass, rhythm, and drops. Or at least that's what I figure--the elements of "dubstep" are seemingly these three. We might narrow it down to, "over modulated bass, dance rhythms, and visceral drops," or however you like, but the gist remains the same: This is a genre of music based in EDM or IDM, that likes simple, but effective song structure and sound. Once you start getting into more "progressive" dubstep, this still might wane, but I doubt it'll ever be *untrue.*
So if you're going to say, "I hate dubstep," you indicate that you dislike one of the defining elements of the genre, or any combination. Unless you are simply reacting to it's popularity and use, of course.
And a special mention to brostep and more traditional dubstep: It hails from South England and actually has such stylistic organs as electronic reggae, traditional reggae, drums and bass (DnB), breakstep, etc. It was really the "blues-to-rock" evolution for EDM in that it came naturally from simply pushing the sensibilities (and ♥♥♥♥♥♥ bass and mid EQing), and combining influences. When it finally drops (no pun intended), it was a 2-step garage b-sides. As per usual for the genre, it largely skimped on kick drums, used limited vocal sampling, and has high bass, both in instrumentation and EQing. The task almost seemed to be to combine the irregular (non-four-on-the-floor) beats of 2SG with DnB influences--minus the actual drums, in most cases. Brostep (not only Skrillex, though he's arguably fringe-brostep anyway), is a further evolution of this. Brostep boils dubstep down with an A-B yielding process known as, "turnin' up the bass and mid." As if the previous expansions weren't enough. More than that, this music generally features more intense "drops," and seemingly insanely overmodulated bass with more low-end oss. Friendly beats, friendly features and melodies, limited but compelling harmony and chord structure (if there is even any). Note that the drums were never really "cut," at least not entirely in either case, but simply "distilled," and often without the kick.
If you found yourself disliking Skrillex for his drops or sound, but still think you'd enjoy the "feel" of dubstep (such is the case with me), check out the earlier or more traditional projects, such as:Shackleton, Digital Mystikz. or anything dubstep from the label Tempa (for the most part)
Hell, I can make dubstep if I took two blenders, turned them on, pushed them against eachother and recorded it.
I just played the first song I could find by Digital Mystikz (Haunted) and Shackleton (ELECTRONIC EXPLORATIONS), and I really can't see this being much too different from the dub-step everyone knows about, sorry. If anything, I think I like these even less, since these two remind me of that Grime music that was once popular some time ago, I didn't like that either. Guess it's fair to say that me and Dub-Step were never really meant to be, I guess.
Then I found better music.
I tried to listening to some of their tracks.
Digital Mystikz's music feels dull and almost like it's not going anywhere.
Shackleton feels like uninteresting ambiance music.
The only good thing I can say about both them is there is good harmony in the way the music is composed.
Then again my taste in music is how it affects me.
ex. Speedcore - calming, gives me focus
http://lapfoxtrax.com/track/rave-girls
For DubStep it varies depending on the theme.
https://www.youtube.com/watch?v=qSIka-2qU2w
Good to listen to when taking a walk at night (tough NiN is better when you are alone)
https://www.youtube.com/watch?v=jw-xoMGqDEQ
Appeals to my other self.
https://www.youtube.com/watch?v=tGqxFT5JBy4
Fits my aggressive play-style.
I prefer mine like my coffee