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I do know those who have published or were attempting it in the book realm and here is what I can pass on:
In that arena there are many fake publishers and helpers who will gladly charge $$ and then boogie on out of town.
The trick is either self publishing or getting near those who truly matter. All successful people truly cross over when they have something to offer and then break into the right circles.
When this happens, to make it, this means all kinds of losers must be left in the dust and it's time to embrace the big time.
For this reason, don't put effort into those who don't matter. Don't show the work to idiots. Most people are small minded, negative and stupid. Successful people learn to tune them all out- even if they are friends and family. They are nothing but dreamkillers.
The problem is your work probably is not good enough. Your writing sample above has multiple errors and is not professional. Sloppy work doesn't get noticed on the internet. In professional circles it is going to get you blacklisted.
Therefore, this post is for either if you get there someday or for those who are already there.
Work on it some more.
Umm let's see...Don't black out and then pee in the refrigerator.
You should read before you write. Find popular authors, or even just authors you personally like, and soak-in all of the patterns they use which you find pleasing. Could be the order of events in which they describe things, or the flow of their sentences. First-person, (I went) second-person (You went), or third-person? (They went)
Maybe the quality of your writing is already good, but it's the subject matter which is holding you back. I can't really give tailored advice without reading any of your work
E: Also, I don't think there's any point in writing for other people at this stage of AI. LLMs are soon to kill > 90% of all writing, editorial, and associated jobs
Webnovel in japan have more than 6 millions novels, only a few thousand are printed and gain popularity.
Maybe try it for a year, if it's not good then it is not your way.
Also - publications used to have, "style guides" with instructions for spacing, grammar, punctuation, etc - also certain spelling, and language or topics to avoid (no we never considered that Censorship - if you are writing FOR somebody, it shouldn't matter to write to their preferences. If you are writing AT somebody - that's a text book lol).
So either pick your audience (be picky and only show folk who will most likely like it) or get a feel for the, "crowd" you want to reach.
Be authentic to your characters and the worlds you create - and write what you know.
Have a point.
Keep writing.
Be prepared to feel the pain of hacking your piece apart to fit wordcounts and advice. Consider an editor, and don't take critique personally.
And finally - be prepared to develop your skills and tools. Workshop your work (and other peoples' work) openly and fairly - seriously this is as good as learning all your grammar rules.
It IS individual expression, though. Maybe none of these ideas fit for you.
Also - it's harder to write for people if you don't get out amongst them. Not just as an observer, but as a participant.
And enjoy talking about writing - not just about YOUR writing, but about writing in general. Or words. Words are ace - there's a thread in OT where people name a word (and, ideally, give a brief definition. It's amazing what comes up in there).
Consider all advice - take what will work for you.
And - very important - when you say, "And finally," keep writing!
DO form a working relationship with an impartial and well-regarded developmental editor. It's easy to find someone to copy edit for you, and although feedback quality matters there, it matters much more on the developmental side of things.
If you don't have anything concrete that you're pursuing yet, one productive exercise is to ask for their feedback about smaller pieces you've written (even those you've no intent to publish). A good editor will be able to identify trends and habits that you can improve or avoid, which can help inform your future writing.
From our side of the table, it easy to tell the difference between writers who've had editors for years and those who have never had one. It's the difference between having a focused, personal style versus a chaotic voice that may vary by the mood of the day.
As for what 'satisfies the crowd,' this changes significantly depending on genre and audience. So if/when you do have a specific and firmly settled concept, you need to then research the intended demographic:
Read well-performing examples relevant to the same audience and - don't copy them - but understand what they're doing, and try to decipher why that works for the audience. Marketing specialists or publicists can help in this area, but they can also hold dated or rigid opinions, so doing your own research is the first step. If research is absolutely unbearable or you still feel clueless, then you can seek their help.
Writing groups or even reading groups are a good idea, but not just for feedback. People sometimes treat it like it's all about receiving feedback on their own work. But in fact, the most valuable aspect is the exposure to other voices and styles you haven't experienced yet.
stephen king wrote a pretty good book about this. he talks a lot about his life story that led to his fascination with writing, and how those experiences were being important to him. his overall advice on writing techniques itself is low and rather generic in the book, but that is because king does not really seem to think any specific techniques are necessary to be writing a good book.
he is somewhat correct, though sometimes studying technique helps too. either way it is an entertaining read
2- Give the reader at least one character he or she can root for.
3- Every character should want something, even if it is only a glass of water.
4- Every sentence must do one of two things—reveal character or advance the action.
5- Start as close to the end as possible.
6- Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
7- Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8- Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
--Kurt Vonnegut.
Stay away from hookers that smell like an outhouse.
....Dad ?
*runs and jumps out the window*
*snorts and hoots and bellows into the night air*