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the author's intent was explicitly to address the emperor situation, and the government literally stepped in and altered the narrative in ways designed to make people write it off.
it's fairly common there, such as with metal gear solid 5 or Drakengaard.
Babel was destroyed by sin and greed
The citizens trying to survive as the giants become hungry and demand more food and sacrifices and worshipping.
What we assume to know is that Sin was a god in Babel and it was the sin of the people who destroyed Babel. The giants are kings who want more power.
The government typically alters narratives to change the focus of the Babel metaphor into a literal space elevator, in order to suggest that nothing is legitimate and their usurpation of power is as legitimate as any other.
Titan addresses this tendency directly, I believe, without relying on the Titan metaphors. Which are pretty transparent Corporate allegories, imo.
Other versions says that the giants build the tower and was scattered across the land as punishment as it angered the people above who considered themselves as gods.
But the theme is always that it is about kings who want more power and people who create civilization. The giants as such the builders of the civilization with big hands and the kings who want to keep the tower of Babel for themselves.
If it's Gaia the creator of the sky and the universe who want to punish them for reaching heaven or the giants who are punished for building a tower to heaven where the inhabitants are keeping the giants away to ensure they stay in power.
it's a transparent allegory for corporate mergers and hostile takeovers, and the reality that Japan is owned by Corporations. not People.
in essence you incorporate and this makes you a giant; a living king, free to eat up all the little people.
the historical intersection of Japan's power cults and cannibalism is front and center here.
Although there are absolutely parallels to be drawn between Eldians and Jews, from them being chosen by the god all the way to them wearing star armbands and being thrown in ghettos/internment camps. Also The Rumbling is kind of like the Samson Option where they have a last resort to inflict damage and destruction upon their enemies.
there are several other works they induced star imagery into while compromising them, the star-shaped scar that Scar has in FMA for example, the government stepping in around the winter fortress arc because of Mira's resemblance to various individuals as well as Pride's, and the roles they were originally plotted to play in the narrative. shortly afterwards Scar has a star-shaped scar now.
chosen by god narratives are similar; there's even a passage in Tale of Genji where they make fun of such story conceits. anyone could be chosen by god, as far as the people know, so it's a specious thing for anyone to claim and inherently untrustworthy as a concept.
iirc the eidolons aren't 'chosen by gods' perse either; they've simply co-opted the natural world for their own. another major propaganda point favored by the current government, and one that was the central focus of Mononoke and ultimately the reason miyazaki stopped making good films.