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it presents the cyborgs as machines people inhabit, and builds on the 'machine self-perception' ethos of Takahashi's works.
Doesn't IGPX have a Lyoko-esque cliffhanger?
the ultimate thematic point of s-CRY-ed is that anime is being made to be genres it doesn't want to be in order to sell, and as a result only a very small portion of studios can thrive. this is done intentionally to cap competition, and results in series that are clearly supposed to be mecha instead being some kind of psychic creature battler. Kind of like what production kept pushing Jojo towards, at the expense of the plot as well as its own identity as one of the genre originators.
I think they massively undershot the degree of 'otherization' Matoko and Batou and others experience, and this has always been a sticking point in retrospectives from the production team. It didn't really go far enough with its subject matter and thus ruins most of the effort it spent building those forms.
Chameleon ending, purposefully knecapped due to risingg popularity. Wasn't finished the way the authors wanted, instead reworked into a kind of divisive conclusion.
Its best moments were treading in the footsteps of its predecessors, but I wouldn't call it terrible. it's pretty old at this point though.
He is also an expert because he finds out that magic works similar to computer programming and he was a professional computer programmer in his previous life.
It's vamping Escaflowne and Tsukaima no Zero's Gundalf aptitude simultaneously.
Little bit of steins;gate isekai too.
It seemed they sort of had a body (Texhnolyze), mind (SEL), and perhaps spirit (Despera) thing in formation.
The promotional image is very From Up on Poppy Hill meets Spirited Away, so from that I'm poised against what its visual language represents historically. The re-use of the Ain/Ein Bebop dog is another nail in its coffin as a no doubt highly derivative work of questionable purpose and merit. Otherwise I know nothing; details seem scant. As if on purpose, like it could have its entire essence altered to counter fan perception. As if there was hardly anything to edit. No meaningful narrative that needed to be maintained, or would be maintained.
I'd be skeptical of any instance of trinitarianism in Japanese media. It's like when they use the triangle tine as a dogwhistle thematic key in FLCL. It's a strange symbol to bring up as multilateralism is the assumed mode, and fitting that into the hyper-christian 3-part system goes against close to a thousand years of cultural development. As FLCL suggests, it's kind of a dogwhistle, especially as a marker for Japanese Christianity which is a whole nother can of worms.
Lain's original vision may have been more comprehensible in the modern era. Which given its subject matter, and some of the stuff coming to light today, is rather suspect. One wonders if it would have been as confusing as it is if it was left untouched.