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รายงานปัญหาเกี่ยวกับการแปลภาษา
Most non-headphone use, my EQ settings (assuming 5-7 bands) look like a seagull's wings, high at both ends, with the tips curved slightly lower, down to slightly under zero at the middle. But it varies by the room, and with headphones usually completely flat, as the track was engineered.
Yup. Just changing speaker locations can have a big impact. However: the top of the waveform should ALWAYS be a smooth curve, never a flat top. Need a graphic EQ of course, but you don't want to truncate those waveforms regardless of your environment.
Damn I miss all that totally 80's rack equipment. Remember when the size of your stereo determined whether or not the party was at your house?
Yes. The party was always at my buddy's house, because he had a full keyboard studio in his mom's basement. He had these speakers called "Toa", and they were indeed the biggest speakers anyone his age (HS, and just after) in town had. Having a bar, videogame room, and pool table helped, too, along with the coolest mom in town.
I wish I could understand the parametric EQ. Being able to adjust the frequency of each individual slider on a parametric is absolute Greek to me. Like I said, I can't even figure out the best way to set ONE freq on my sub, let alone a whole rack of 'em.
To be totally honest, if you want studio-perfect sound, you're going to have to set the EQ for each CD, and these days maybe even for each song.
But what's really destroying sound quality are the studios themselves and the stupid 'loudness war'. Check it out, it's stupid:
https://www.youtube.com/watch?v=7UjQc0dM4H4
Listen to The Necromancer, by Rush, from '76 or so. You have to turn your volume way up to hear Alex speaking, then way back down for most of the song, then way up again when he narrates again.
Hood? anywhere... even the 'burbs.... we always laughed at the $1000 garbage car with the $7000 stereo system rumbling and rattling big dust clouds of rust wherever it goes.... ya... that will get you noticed... not by girl but by cops alright, lol. Not to mention you ( and they ) couldn't hear anything but...
BURRR...... BURRRRRRRRR BURRRRRRR BURRRRRRR.... BURRRRRRRR, BURRRRR
as parts rattle and fall off.....
Not a Rush fan so....burn me at the stake, I guess. But still, they could remaster per channel instead of ruining the whole song by just spiking everything up 20x.
Full range: 31-band graphic equalizer. Per channel. Additional 5-band parametric. Per channel.
Sub: 10-band graphic equalizer. Additional 2-band parametric.
I think I might have all that in FL Studio. Not that I use any of that. It's there, though, like a door I don't dare open.
So i'd agree with this guy: