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There's a voxophone in which Elizabeth references her children, the boys can manipulate tears somehow, there're random people with no backstories and (if I recall correctly) Columbia is only destined to survive if a descendant of Comstock sits the throne.
So, yeah, I think they're her children and comstock home is their indoctrination centre as they don't want to make the same mistake as they did with Elizabeth.
And it only said "The seed of the prophet shall sit the throne and drown in fire the mountains of man." The Comstock legacy ends with Elizabeth's mission, there. I'm pretty sure 'children' is just a term of endearment towards her creations/subjects.
Elizabeth would have to have had children at one point before becoming too old, otherwise there was no reason to buy her as a baby.
Every other voxophone in Comstock home actually directly links to the situation pretty well. I can't see what else this would be explaining otherwise. http://bioshock.wikia.com/wiki/The_Value_of_Choice
And, yeah, it's not shown to necessarily be genetic, but it certainly helps to support my theory.
I'm not sure what your point was with that first post, either. How would her not having kids make her entire life in Columbia pointless? I'll just quote it again: "The seed of the prophet shall sit the throne and rain in fire them mountains of Man." Nothing about "the seed of the seed of the prophet." He needed Elizabeth to complete the prophecy, and as seen with the destruction of New York, it seems she did. That was her purpose.
The "broken circle" does imply a cyclical progression, such as family heritage, but the problem was that the circle broke with Comstock- He was the end of the line.
I really just think that the Boys of Silence, and the entire building, there, is just an expression of how completely drone-like Columbia became under Elizabeth's rule. She made everyone into her puppets; she made wardens for the puppets, and as she grew weary, they started taking over, controlling the drones on their own. There was nothing left of the old Columbia, at that point. Just monotonous organization of creatures that can hardly be called people anymore. Which, I guess, brings up a point: If this is what Columbia has become, what point is there in Elizabeth having a child to continue it all? What would they inherit, other than organized chaos, out of human control?
My first post was to point out that Comstock said the arch angel told him Columbia would not fall as long as his line sits the throne. This'd imply that for Columbia to live beyond Elizabeth's lifetime, she would have to have a child to follow after her. It'd seem odd for Comstock to do all of this with Columbia's survival to be unlikely past one generation.
If Comstock did indeed intend for Elizabeth to have a child to lead Columbia, I'm fairly certain the scientists would ensure it to be so without her having a say in the matter and so it's reasonable for her to have no love for them.
And he seems incredibly driven to complete the prophecy. I'd say moreso than keeping Columbia. Feels like the city itself was just a means to an end. He didn't look too worried that the Vox had completely taken it over.
"The archangel tells me that Columbia will only survive so long as my line sits the throne."
So, overall...
Comstock atleast implies that the preservation of his line would be beneficial
The boys of silence exist with no obvious backstory, yet possess abilities that were previously unique to Elizabeth
Elizabeth references children in a voxophone, which otherwise has no significance to the story at all, which is found in the area full of the boys of silence
Idk, I think there's a link there. I can't think of anything in the game that suggests this would not be true, nor can I see a reason why Comstock would not instruct the scientists to force her to have a child if it would mean the preservation of Columbia.
Do they really possess abilities only Elizabeth had? What... what do they do? The way they kind of explode, and ghostly vapors fly to all the drones, made me kinda think they were some sort of collection of souls. But that doesn't really fit with the game, so perhaps it's several tears, bringing living versions of all the drones to the current dimension? Regardless, I don't think we can say they're "Elizabeth's powers" before we even know exactly what powers they have.
There are plenty of voxophones that don't have significance to the story, such as the woman talking about how her husband was turned into a Handyman to cure his stomach cancer. But this one is called "The Value of Choice." She talks about how everyone is born into sin, and that her "children" are free of it. That, alone, is very biblical: To wash someone of sin is to adopt them into the way of God, and as the kind and guiding hand of all these people, a maternal relationship makes sense. On top of that, she compares herself with God once or twice, and if she does feel as their God (Which would be appropriate, given her powers), then "we are all the children of God." It all works.
It still kinda feels like your main point for this idea is just that she refers to them as her children, which can mean many different things. From there, I think you may be altering facts to fit the theory, rather than the other way around. Which is understandable. It's an interesting theory.
They've got people in a mental state similar to those that had died and travelled through a tear, which cannot be shot and do not exit that state until the boy makes them. Seems kind of like tear manipulation of some sort to me. Alongside the whole teleportation thing.
That voxophone is significant as it explains why people created handymen, I guess? Regardless, every single other voxophone from Elizabeth explains the situation she's in, how the Luteces played a roll in it, why booker is there and what her plans for the future are. All of them are very story significant and explain tons. It just seems odd for there to randomly be a voxophone with absolutely no real relevance to the back story except a bit of philosophy. Especially one in which she states 'my children' are 'without choice' in an area full of the boys of silence.
The main reason I think any of this is because I'm fairly sure Elizabeth would have had biological kids at some point. There is no reason why Comstock wouldn't decide it to be so. The fact that she references children in that area, and that the boys of silence have such weird traits is simply what makes me think it's them.
It "seems kind of like tear manipulation?" Soo... We still really don't know. And Elizabeth couldn't teleport, so it isn't that. It's supernatural, but not in an "Elizabeth is their biological mother" kind of way.
Saying that there's no reason why Comstock wouldn't decide that is just like saying "Why not?" when someone asks for an explanation. There needs to be evidence, and there needs to be more than ambiguous word choice and strange abilities. Keep in mind that the Lutece still exist. They could create them. Or Elizabeth could have researched it herself, since she was keen on quantum mechanics in her childhood. She could've gotten more scientists to expand on the tear technology. Actually (and this just came to me), I think their abilities could be similar to the siphon. Or the reverse, of it. Instead of focusing the energy, it disperses it, opening a handful of tears briefly. Or something. My point is, there are SO MANY possible explanations for the Boys of Silence.
And if their biological connection to someone who exists in another dimension is what gives them that, then anyone who crosses over should have some powers. I mean, Booker's mom isn't in the same dimension as him by that point. So he should have something. See my point? It just doesn't work like that.