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I'm not going to like, argue the points or anything, but I much prefer Chiru myself because it's where Umineko really wants to say something, and all the themes come together exceptionally well for me.
But in any case, every time someone dies dramatically in Umineko they come back to life in the same book, by the beginnig of the next book or in rare cases, 2 books later. Even if they are technically dead, it doesn't change much from my perspective. The last thing we see is a shot of everyone being "alive".
To me, the characters are as dead as (ace attorney spoilers ahead) Mia Fey. She's completely dead in universe, but it doesn't really matter since she comes back from the dead in every chapter. In practice, she isn't dead to me. I also don't think a writer can kill a character off more than once. If they do, they're not really killing them the first times. The point of death is being irreversible. Which is why I also don't think anyone (with sprites) really dies in higurashi either.
And just to play devil's advocate, I was only talking about the VN, where we don't even get to know how the Ushiromiya's died. Correct me if I'm wrong, but there's nothing that directly proves (in the books) that the scene from EP7 is actually canon.
There's nothing that directly proves it but it at least heavily suggests that Bern's version is at least mostly accurate. Upon reading it, Ange says she had seen it before (implying basically what Bern already showed her, which she already declared in red to be what happened even if she later takes it back to string Ange along) and tries to kill herself while in denial of what really happened. We then get a scene of "goats" casting the blame on Ange's relatives. That's about as much proof as you usually get with this story. I'm sorry but if you want something explicitly said, there's a fundamental disagreement with a core theme of Umineko that I can't really "refute", so there's not really much more to say here. I think it makes the work more interesting to stick to its gun with its theme of finding your own truth rather than waiting to be told it, and the process of reasoning and engaging in the puzzle set before you is an act of love (as represented by Battler and Willard, and the latter even says it's not that he disrespects people who arrived at incorrect answer, he disrespects people who don't even try, and on this point I'll agree that this is pretty on-the-nose and a little mean toward a portion of the audience, but that's also just my view) rather than proving your intellectual superiority (as represented by Erika), and you feel like it's being elitist or pretentious. There's no amount of counterpoint that I can provide to really change your mind on this I don't think. The story set forth its theme, and that didn't speak to you in the same way it resonated with the people who appreciated it. I don't think there's more to it than that.
As for Beatrice coming back, yeah for all intent and purpose she did. At least from the audience's perspective it usually doesn't make a huge difference that she is a clone of the former one and the last one really did die in Episode 5. I honestly don't think there's much to say here. It's not as if it's a problem for me. This idea of "living on" because someone managed to understand you comes into play again in the end too, so I thought it was thematically consistent, and like how Bern and Lambda declared there would not be a happy ending, the idea is that objective facts are not the start and end, and the characters are able to construct a truth that is more valuable to them while not really contradicting established facts.
And I also believe in Bern's truth, tbh. My only problem is that it contradicts the final boat scene, but it's still the only explanation. I just brought it up because the person above had presented it as a straight fact when it isn't unless you accept the manga, which I didn't know about when I wrote the OP. I'm not really mad at the lack of any real truth since the author did a good job at making me not care. At that point I had accepted that he had no intention of revealing anything. What made me mad was the lack of truth in the games.
And I don't really hate the theme either. I just hate how the author gave me false hopes about it at the end of book 3 and many other times throughout the story. I felt particularly betrayed since I remembered his author notes from Minagoroshi, which had an opposite message I agreed with. I also hated how avoiding revealing the truth detracted from scenes like the Willard vs Claire fight, and especially how the author was an elitist prick about it ("if you don't treat umineko like a job and read everything again before proceeding, you are a swine"/"if you still don't understand that Shannon is the killer, you're an idiot"/etc). That was much worse than the goat scene in book 8, which didn't really bother me because making this kind of theories about real people like the goats did would be messed up.
I'm not sure how the final boat scene contradicts it though. Even without the manga's version to bridge the two versions of event, Battler is absent from Bern's truth, and the fact that he "dies" there is perfectly explanable with the tool already given to the reader at that point several times.
"if you don't treat umineko like a job and read everything again before proceeding, you are a swine"
Maybe. That's probably not too far off, hoenstly. "Job"? Eh, if it's boring. You wouldn't really call "finishing a game" a job, and I personally didn't think going over the story to have a crack at the mystery that tedious either, but like I said, I liked what it was doing, it grabbed my investment like nothing else had, and it'd be pretty big ask if I wasn't on board already. But the point being that, yeah, the story does dunk on readers who fail to make an honest effort to have a crack at it. Leaving aside whether that's a chore or not, you're not wrong about that. I just don't see it as a problem at all.
"if you still don't understand that Shannon is the killer, you're an idiot"
I don't know what this refers to. Maybe Willard thought the mystery was simple. I'll admit I'm not a fan of how much of a flawless genius Willard is that he could sprout things like that, but the mystery is obviously intended to be difficult for literally anyone else, and at the end of the day what he respects is effort rather than arriving at the correct answer, and THAT I could get on board with. If anything, I even feel like the story makes people who haven't arrived at the "solution" yet to feel comfortable with that fact, that as long as they can construct their own version of what happened with empathy using the story presented to them, they are basically onboard with Umineko. I can see why someone would think the story is full of itself, but I don't see it as judgemental of someone's intellect at all, not when the final Episode hammered home repeatedly that an overemphasis on what is the "correct solution" is detrimental.
I am sympathetic to people who really aren't here for the mystery and would be put off by this point though. I have friends who love Umineko who were grateful for the manga because they care more about the characters and the drama than the murder mystery (and I do too, though I also thought having a crack at the mystery was a lot of fun), so I'm glad I can point those people to the manga these days at least.
I'm all for rereadability, I just didn't like how it was mandatory rather than encouraged in Umineko. I already tried rereading the question arcs and taking notes of everything when I was reading Higurashi and it wasn't very enjoyable. But I understand it's a matter of opinions.
As for the second line, I was referencing the time Bernkastel said something very similar to "I gave the culprit a new appearance because I hate idiots" after Claire was introduced. I know she is supposed to be the villain, but this is coherent with the similar comments made by Ikuko, which makes it seem like Bern was also talking for the writer.
As for the mystery, I'm also one of those who prefer the plot and characters over the mystery, though I also find mysteries exciting. I was really happy when I figured out the trick to kill Nanjo in book 3 before it was revealed, but I was pretty disappointed when the culprit and motive were never revealed anyway. After I realised there would be no answers I lost the motivation to think, which was already wavering since book 6 which made me feel stupid for not getting the answers.
I personally don't think Higurashi was constructed like a puzzle like Umineko is, at least not to the same extent. I took notes while reading it too but I didn't get nearly as much mileage out of that compared to the enjoyment I got from Umineko.
Both Bernkastel and Ikuko are prideful people who are just massive jerks. Even if Ikuko may not be a villain, she is incredibly fickle and is mean and uncharitable toward anyone other than one person she cares for. She is kind of meant to be the author avatar, but also a much meaner persona than r07, to the point of parody honestly. I think while she does know the truth, the sentiment she expresses is meant to be understood through the lens that she's also not a terribly kind person who looks down on basically anyone else, and Battler and later Ange are more representative of the audience.
You're probably right about higurashi.
I understand your latter point, but I find it hard to believe. It would have been one thing if it had been just Bernkastel, but when 3 different characters (including Wringht because of the goat speech) share the same opinion with no real opposition and the author agrees with them through his writing by never revealing the answers, it seems obvious that he thinks that way too.
Except this is the core fundamental that leads to all your other complaints. the fact you don't get that is telling.
They don't "keep coming back." The equivalent is that I'll write stories of real life victims of mass murder over and over again, but I argue I keep "bringing them back."
The truth is that every depiction of the family is fictional. Sure it's all based on the original, but we never got to meet the original in flesh. All that's left is Ange's grieving memories.
"but trying to date his dead cousin's fiancee as soon as he died was"
I'm confused what you're referring to, but also this goes into stuff about topics of Plurals acceptance, so I'm just gonna leave it at that you should accept those different personalities are effectively different people in Beatrice's heart
Every mystery kind of just wants you to be spoon fed all the answers. It's great this tries to let the readers solve it, despite the spoiler-obsessed adhd modern day ruining that. And in the end, there is an objective answer. Trust that it's solvable was needed to solve it.
Willard I believe more or less explicitly say that he looks down on the goats who give up on reasoning entirely rather than the ones who got it wrong. If anything, the ones who got it wrong are treated with respect by both Dlanor and Willard, unless I'm blurring the manga scene and the game scene (the former is changed to be less harsh, basically removing everything Willard says to the goat who gave up on thinking), who basically say whether they achieve the "right solution" are not, they are engaging with Beatrice's catbox (or Shannon's stories) in the spirit it was intended.
We are probably going in circles at this point though. Respect and disagree with your take, but you are not the only one who feels that way.
Oh, after reading the tv tropes article I thought people had discarded the Shannon DID theory. In that case, it's still weird that Battler fell so deeply in love with a woman he had literally just met after she was about to kill his family.
I don't know what you're trying to say, but let me rephrase: "I also can't picture Battler falling so deeply in love with the crazy girl who just tried to kill his entire family who's also his aunt and cousin in only one or two days."
I saw this as talking rather than arguing. It was nice talking to you.