Abszolút ajánlom mindenkinek! Rettentően szép grafika mellé, rekem optimalizálást kapunk, és ezt egy AMD VGA tulajdonosa állítja! AMD tulajdonosok figyelem, aki eddig nem merte megvenni a játékot, mert félt hogy ramatyul futna a gépén, az ne habozzon! A játékmenetről is beszélek egy kicsit: Nem egy agyatlan lövöldéről van szó, hanem egy taktikus FPS-ről! A darálást, és a rejtőzködést remekül kombinálták, így többféleképpen is végigjátszható egy-egy pálya! A Mesterséges Inteligencia nem a legjobb, de ettől függetlenül többször is meglephetnek taktikusságukkal! Az ár/érték arány teljesen elfogadható, és ebbe a játékba elég egy Single Player kampány is.

Lopakodós, sok akcióval megspékelt, izgalmas, változatos részek, nagyszerű story.
Mindenkinek csak ajánlani tudom!

Előző részhez hasonlóan ajánlani tudom eztis.
DLC-k helyett inkább lehetett volna hosszabb a kampány...
Játék élvezhető volt.
Remélem hamarosan kiadják a könyv alapján a METRO 2034-et :))
Hajt a kíváncsiság,hogy mi lesz a történet vége.
Metro 2033 Redux és a Metro Last Light Redux szerintem 1 felesleges játék kiadás,történet ugyanaz csak 1-2 dolgot frissítettek amit akár patch formában is kiadhattak volna.

GL HF

nagyon izgalmas sokkal jobb mint a 2033 ;)

Fantasztikusan jó játék, fantasztikus hangulattal. Csak ajánlani tudom.

Nem is igazán fps akciójátékról van szó. Inkább egy idegenvezetés, ahol néha steroidos kutyákat kell lőni vagy rövidlátó enemyket kell hátbaszúrkálni.

A játék túlnyomó részében mindenféle barátságos npc társaságában bandukolunk igazán gyönyörűen megkreált tájakon, és romos épületekben. Ezzel így igazából nincs is óriási gond, viszont az akcióból nagyon leharap, mivel az enemy túlnyomó részét lehentelik maguktól. Mi csak ott fogunk állni, és bután nézni.
Ennek a dolognak a továbbfejlesztett változata (spoiler) amikor a kis élien fickóval megyünk a tájakon, ő némileg segít és megjegyzéseket mond, de miénk a munka nagyobbik része. Megjegyezném van egy olyan rész ahol egy büdős repülő valami majdnem megöl, majd miután megölöm megszólal bátor kollegám, hogy ugyan nem kellett volna megölni, hisz csak kicsinyeit védte. Legközelebb hagyom, hogy megöljön, oks?
Ezeket a részeket megszakítja néha a "stealth" fícsör, avagy a lopakodósdi. Egyes részeken nagyon jól meg van csinálva: bújkálhatok kis dobozok mögött, vagy lemászhatok az alattuk levő csatornába megkerülve őket...deeee sajnos nem mindig működik az, ami egyszer már bevállt. Ilyen pl a lámpák kilövése tompítós fegyverrel: valahol egyből bevadul tőle a környéken levő egész század, van amikor csak megjegyzik, hogy kiment a biztosíték le van kakilva. Sok esetben nagyon feltünő helyeken kell osonni, lényegében 3-an látnak egyszerre, mégse vesznek észre, és magadtól nem mennél ott józan paraszt ésszel.

Az egész igaából egy bizonys megszabott úton visz végig, még akkor is ha hatalmasnak tűnnek az egyes pályák, sok barangolási lehetőség nincs, főleg ha fogytán a maszfilter. Ennek ellenére egy remek interaktív mozifilm az egész, és egy végigjátszást megér.

és van benne mutánsmacimama

The ambiance, music, lights, sound effects, pacing, and details are truly amazing, and they are even greater when you experience them as a whole, you can really feel how it would be to be in a post apocalyptic Moscow, you feel the fear, the sadness, the absence of hope, the guilty, and even greatly the profound message that lies within.

Metro is a game where stealth is frequently the best approach to most situations, so you'll be often shutting out lamps and knocking out soldiers, and theres nothing wrong with it until you realize that soldiers can be really dumb and clueless sometimes. You can take out guards that are actually talking at the moment you knock them without their comrades noticing it, or even make a soldier walk upon a dead body without any reaction, that makes the game lose some immersion, but really it isn't something to ruin the experience.

But if you choose the violent approach things go way better in what reefers to gameplay. Firing the guns at your enemies seems real and powerful, most humans cant survive more than a couple of shots and you can see how the impact moves them accordingly. The beasts are way more aggressive and resistant but the also can be stopped in their tracks by a well placed bullet, and you see how the impact makes them move back giving you precious moments to reload or find a better position. You have also to use several gadgets in order to survive that make you immerse even more, a pumped battery to keep the flashlight on, a pump for silent pressure gun, a clock and a mask to go outside, a firestarter to guide your way trough mutant spiders nests, etc.

So, in conclusion this is a awesome game, one of those that you will remember for a long time and it is because of the great story it contains and the amazing atmosphere this guys achieved.

Az elmúlt évek legjobban kidolgozott FPS játéka, egyedül az MI lehetne még jobb (főleg a mutánsoké), mást nem nagyon tudok felróni neki, sokkal kiforrottabb mint a Metro 2033, a legjobb FPS-ek közt a helye, örök klasszikus. 2013-as év legjobb játéka!

Metro: Last Light is a light that burns twice as bright but does not burns half as long

4 years ago, Ukraine based developer 4A Games released Metro 2033, pleasantly surprising many gamers and critics with the richly eloquent and immersive ambience of the Metro experience. While the game was far from perfect, the community nonetheless basked in the distinct Russian flavour of the setting, characters, and outlook represented in its post-apocalyptic world, passionately adapted from Dmitry Glukhovsky’s novel of the same title.

In Metro, the metaphorical strife of humanity against its darker, self-destructive nature were often presented in true, unyielding gritty terms. Depictions of huddled humanity striving against the desolation of the new world, not for survival but for the basic sense of normality and security were disturbingly overlaid with images of violent fanaticism and unforgiving death. Death by the creatures of the new world and by left and right winged fanatics.

As a highly cinematic game, based on a series of novels, Metro: Last Light's meat is in the story. Almost the entirety of my commendation for this franchise originates from the story-driven experience, so discussing the way in which the story is told seems like the most appropriate place to start. The game prioritizes on the human experience as the lead method of story telling, making it a unique and enriching experience. From the very beginning in which the series’ protagonist, Artyom, awakens to his call to adventure, it is abundantly clear that an intricate level of attention has been dedicated to detail that could only hope to be achieved by a group of developers with a genuine love for their subject matter. Extremely excessive yet altogether human interactions, like the ability to play your musical instruments, or turn off the room lights before moving out, build a sense of empathy by allowing the player to project very normal impulses onto the first person perspective. Every time you find yourself in a surviving human settlement, there are a myriad of opportunity to take a break from the violent chaos of the unforgiving new world and listen to the personal stories and woes of the Metro survivors; All told in richly voiced and detailed animated discussions. These little things add depth and immersion to Metro: Last Light, all the while giving an insight of the life in the Metro. Even when you are out on your own traversing the wastelands, the bulk of the game’s survival mechanics are built around an immersive sense of physicality. For example, players will need to manually replace their gas mask filters, charging their kinetic powered torch light by using a pump and wipe dirt and mud from their visor.

The rich and detailed story is well accompanied by the breathtaking beauty of the game's graphics engine and art. The level of gaming design provides an ultra-realistic environment gives the player the added advantage of situational awareness. For example, tracking enemy numbers and movement by merely observing the shadows cast on the walls. Players will be able to traverse the underground Metro stations, both surviving human settlements and settlements which did not survive an attack by the creatures of the new world. Players will also be able to witness the quaint, post-apocalyptic beauty of the nuclear wasteland of what once was Moscow, the Red Square and Saint Basil's Cathedral.

The gameplay is fairly straight forward and linear. The linearity of the game is well executed as it stays focussed on the story and tasks at hand, not deviating too much from the imperative nature of Artyom's mission. However, the game does allow room for exploration and rewards you for doing so. Such rewards include ammo, gas mask filters, and even new weapons. The combat system is very interesting because you are given a choice in play style. One way to play it is like a typical modern shooter with guns blazing. A ton of arsenal is still at your disposal. From the pre-apocalypse Kalashnikov rifles, to Metro engineered shotguns and submachine guns. The game also allows weapons customization like adding silencers, laser sights and weapons optics. However, it should be noted that ammo is very scarce in the Metro, so tactical approaches to any combat situations are a must, adding another level of realism into the game. Another way to play it is by sticking to the shadows like a ghost as you pass through enemy settlements. This is the way I recommend playing the game because it will grant you more instances to stop and listen to the characters' stories and gain further insights to life in the Metro. It will grant you a heightened sense of satisfaction and accomplishment at the end of your journey, should you choose to play it this way. However, there will be instances where you cannot sneak past the enemies, but this is where it gets interesting, because you are given to choice to either slit the enemy's throat or just knock him out. Do you think there is already enough death and suffering in the Metro? Or do you think the wicked should be cleansed from the new world? The choice is entirely up to the player.

Metro: Last Light possesses a wealth of passion for its subject matter that is promising for the future of 4A Games. Playing it is like reading a book, written in the first person, where the author uses incredible and poetic descriptive language for every little thing that the protagonist encounters. In a world that is filled with misery and death, it is up to the player to decide if Artyom should add more misery and death to the world, or to salvage the last remnants of good in the wreckage of humanity. Metro: Last Light does not want players to just enjoy the combat (or stealth), but also to learn something, to feel something out of it. What you ask? I think it wants us to question the human condition and ponder about the value and meaning of our lives before we inevitably succumb to our destructive nature.

Nagyin élveztem :D