Install Steam
login
|
language
简体中文 (Simplified Chinese)
繁體中文 (Traditional Chinese)
日本語 (Japanese)
한국어 (Korean)
ไทย (Thai)
Български (Bulgarian)
Čeština (Czech)
Dansk (Danish)
Deutsch (German)
Español - España (Spanish - Spain)
Español - Latinoamérica (Spanish - Latin America)
Ελληνικά (Greek)
Français (French)
Italiano (Italian)
Bahasa Indonesia (Indonesian)
Magyar (Hungarian)
Nederlands (Dutch)
Norsk (Norwegian)
Polski (Polish)
Português (Portuguese - Portugal)
Português - Brasil (Portuguese - Brazil)
Română (Romanian)
Русский (Russian)
Suomi (Finnish)
Svenska (Swedish)
Türkçe (Turkish)
Tiếng Việt (Vietnamese)
Українська (Ukrainian)
Report a translation problem
Just because she has no struggles in her lore, doesn't mean she wasn't stricken by grief when her friend died. Just like in real life, we hide our true emotions from other people. Some people are so good at hiding their true self that when they do something absolutely unspeakable, their family and friends are in shock. "I never thought they could do something like that...."
It doesn't matter how close you are with someone, you can never ever truly know them.
1. I think it's a good choice to make Orela's parents supportive of her transition. There are a lot of great stories about LGBT+ people overcoming bigotry from their families, but it's important for audiences to see a trans character be loved and accepted by their families as well. I don't think *every* story with a trans character should feature that character being shunned by their parents, or else there would be very little variety in the kinds of character arcs/storylines trans characters would have in fiction. Every single trans person is a unique individual who has had their own unique life experiences, so it's important that this is represented in fiction as well rather than every fictional trans character having near-identical plotlines of not being accepted by their parents.
2. As for her haunted house and social skills, I think it makes sense for her to be good at that. It's established that she was majoring in hospitality in college, so she was learning how to create fun experiences for guests, give good tours, supervise these kinds of events, etc.. She also learned a lot about the horror genre from her friend Emily, Sable's podcast, Cliff Barra's works, etc., so I think the story reasonably explains why she would have all the important qualifications for creating a fun haunted house and making sure people had a fun time there.
3. Emily's death was an accident and Emily herself also played a huge role in creating the haunted house, so I don't see why Orela would be held legally responsible. If Emily were just a random person going through the haunted house, maybe, but she was one of its creators along with Orela. Becoming an EMT doesn't take much of an emotional toll on her because it was a part of her healing process. The main emotional trauma that Orela had from Emily's death was that she was unable to save her, and being an EMT gave her the knowledge and experience she needed to save people, which helped address her trauma.
4. If my daughter dropped out of college the literal day after her friend died in front of her, I sure as hell wouldn't be scolding her for her decision. I'd support her because I'd be afraid of worsening her mental health if I didn't. One of Orela's parents is a nurse as well, so I think they'd support her wanting to go into a similar field.
5. She trained to become an EMT for a year. That's not "becoming exceptional overnight." You get better at things if you put in the effort and receive months of training from extremely qualified instructors.
6. Saving a billionaire of all people IS pretty convenient, I think that's a fair point. However, Orela still *earned* the money he gave her using her knowledge and experience as an EMT to save his life, so it feels like she worked for it rather than just having it fall into her lap.
7. I think it makes sense for Orela to have no issues opening her themed restaurant because she already had been given all that money from the rich dude. The sky was the limit for her because she had all the money she needed, and she had *earned* that money. Also, since Emily had died in a haunted house, I think it makes sense that Orela would have been meticulous and cautious enough to avoid any non-financial issues when making the restaurant as well. She wouldn't want a repeat of anything going wrong like it did when Emily died.
8. One weekend a month is pretty reasonable. If she had it fully operational 7 days a week, then sure, doing that AND the EMT job would be a lot, but only 2 extra days of (much easier) work wouldn't be that bad. She's also very passionate about the restaurant, so it wouldn't feel as much like "work" to her. Also, again, the story has established that Orela earned the relevant qualifications to make the restaurant successful. She has a deep knowledge of Barra's works (which the restaurant was themed around) and experience with hospitality.
10. If an EMT panics, they could kill a patient and lose their job. She's also had plenty of experience with stressful/scary situations at this point, so it makes sense that she wouldn't really panic much anymore.
11. Yes, she is "seasoned" because she's had experience diving into life-and-death situations without fear already. She *has* to be fearless because there are lives on the line and they are counting on her staying strong and calm in order for her to find them and save them.
So I personally disagree with her being a "Mary Sue," but still, thank you for sharing your opinion. Genuinely, it's nice to see people really look at and discuss the lore. :)
To your section 3 I would like to say that if you create business or hobby related activity with someone and build something up and your business partner dies, there is always routine questioning and such. Here could've also been another spot where someone could've blamed her anyway and create rivalry. Would this be best choice in terms of writing? Not really, you would need to establish bit more for it to make sense to the reader who would've done it and why but I am showing examples where she could've had rivalry or pushback from people but every turn she is written that she doesn't have any.
And your section 4, I would ask her to at least take some time off than make radical decisions based on drastic happenings. Taking time off is always better than straight up drop off. If after time off she would feel like she still wants to do it, she can do it.
Rest of the sections you can always argue that they make sense but Mary Sue is a character without weakness' or character flaws. Even if they make sense, she is still in my opinion missing weakness', flaws, rivalry, pushback. She succeeds everything she does exceptionally well, she is handed things she needs and she is liked by literally everyone involved in the lore. These, flawless and succeeds in everything she does, are key ingredients to have Mary Sue character. Going through terrible event doesn't exclude character automatically not being Mary Sue, it's about the character.
"OH NO WHY ISN'T MY PERFECT LIFE STILL PERFECT EVEN HERE?!"
Also I agree that characterisation & lore are important for survivors. There's no difference at all between them in game, so their aesthetics/the stories in our heads are all there is.
Also Orela while on a hook: