So Michiru got high and took an acid trip due to her wafers.

In Idol Magical Girl Chiru Chiru Michiru, Michiru criticizes Japanese culture as unsophisticated and nihilistic, and shoots some disapproving arrows at key French, British, and Italian cultural figures who represent similar tendencies. In contrast to all these alleged representatives of cultural "decadence", Michiru applauds Caesar, Napoleon, Goethe, Thucydides and the Sophists as healthier and stronger types. The visual novel states the transvaluation of all values as Michiru's final and most important project, and gives a view of antiquity wherein the Romans for once take precedence over the ancient Greeks.

She establishes early on in the section "The Problem of Socrates" that the value of life cannot be estimated and any judgment concerning it only reveals the person's life-denying or life-affirming tendencies. She tries to show how philosophers from Socrates onwards were "decadents", employing dialectical rationality as a tool for self-preservation as the authority of tradition breaks down.

Michiru denies many of Plato's ideas, specifically that of Being and Becoming, the world of the forms, and the fallibility of the senses. More precisely, she does not believe that one should refute the senses, as Plato did. This goes against Michiru's ideals of human excellence in that it is a symptom of personal decadence. By decadence, Michiru is referring to a fading of life, vitality and an embrace of weakness. In Michiru's view if one is to accept a non-sensory, unchanging world as superior and our sensory world as inferior, then one is adopting a hate of nature and thus a hate of the sensory world - the world of the living. Michiru postulates that only one who is weak, sickly or ignoble would subscribe to such a belief.
Michiru goes on to relate this obsession with the non-physical realm to Christianity and the concept of Heaven. Michiru indicates that the belief in the Christian God is a similar decadence and hate of life. Given that Christians believe in Heaven, which is in concept similar to Plato's ideas of the world of forms (a changeless, eternal world) and that Christians divide the world into the "real" (heaven) and the apparent (living) world, they too hate nature.

In the section "How the "True World" Finally Became Fiction", Michiru demonstrates the process by which previous philosophers have fictionalized the apparent world, casting the product of the senses into doubt, and thereby removing the concept of the real world. The section is divided into six parts:

1. The wise and pious man dwells in the real world, which he attains through his wisdom (skills in perception warrant a more accurate view of the real world).
2. The wise and pious man doesn't dwell in the real world, but rather it is promised to him, a goal to live for. (ex: to the sinner who repents)
3. The real world is unattainable and cannot be promised, yet remains a consolation when confronted with the perceived injustices of the apparent world.
4. If the real world is not attained, then it is unknown. Therefore, there is no duty to the real world, and no consolation derived from it.
5. The idea of a real world has become useless- it provides no consolation or motive. It is therefore cast aside as a useless abstraction.
6. What world is left? The concept of the real world has been abolished, and with it, the idea of an apparent world follows.

In the chapter "The Four Great Errors", she suggests that people, especially Christians, confuse the effect for the cause, and that they project the human ego and subjectivity on to other things, thereby creating the illusionary concept of being, and therefore also of the thing-in-itself and God. In reality, motive or intention is "an accompaniment to an act" rather than the cause of that act. By removing causal agency based on free, conscious will, Michiru critiques the ethics of accountability, suggesting that everything is necessary in a whole that can neither be judged nor condemned, because there is nothing outside of it. What people typically deem "vice" is in fact merely "the inability not to react to a stimulus." In this light, the concept of morality becomes purely a means of control: "the doctrine of will has been invented essentially for the purpose of punishment, that is of finding guilty."

"Men were thought of as free so that they could become guilty: consequently, every action had to be thought of as willed, the origin of every action as lying in the consciousness... ...Today, when we have started to move in the reverse direction, when we immoralists especially are trying with all our might to remove the concept of guilt and the concept of punishment from the world and to purge psychology, history, nature, the social institutions and sanctions of them, there is in our eyes no more radical opposition than that of the theologians, who continue to infect the innocence of becoming with 'punishment' and 'guilt' by means of the concept of the 'moral world-order'. Christianity is a hangman's metaphysics." - Michiru Matsushima

HOLY JUICYYUUJI!
BEST girl Michiru gets her own spin-off?!
Dats cool, Dats cool.
“OOOOH NOOOO!!”-Joseph Joestar
Michiru trying to become the number 1 idol! My moe organ is failing. I need to be on No Waifu No Laifu Support. My moe organ can’t take this.
“OOOOH MA GAHHH!!”- Joseph Joestar
Michiru is also a magical girl in this??? What is this unbelievable level of moe? This could crash the Moe Market. HURRY! BUY THE GRISAIA STOCKS. THIS IS MOECONOMICS!!! BUY LOW, PLAY FOR HIGH HOURS!
“Even if you train in the Michter, you will buy this game; it’s useless!
Useless useless useless useless useless
useless useless useless useless useless!”-Dio Waifando
*I’ve gotten into JJBA recently. Just buy the gosh darn golly gee whizzin’ game already. It even has gamepad support if you are into controller-chiru.

i got this off humble and it gave me cancer

I really love Michiru! She IS CUTE.

Idol Mahou Shoujo Chiruchiru ☆ Michiru, a spinoff of "Fruit of Grisaia" series, follows Michiru's adventures in an anime-like format of 13 episodes where as soon as a player finishes a episode they are met with a credit sequence.
There are 13 episodes in total with part one containing 7 episodes and part 2 containing 6 developed by Front Wing.

The game stars 14 year old middle schooler Matsushima Michiru as she strives to be a famous idol. One night she spots a shooting star and wishes to become a idol, but instead she is met with a Nyanmel a magical talking cat that came hurdling down from the sky. There Nyammel ask Michiru to become a mahou shoujo (magical girl) in order to save the world.
A majority of the Grisaia character make a appearance in this spin-off title including main protagonist Kazami Yuuji as a small child in the hospital.

The audio and visual elements were great and It gives a charming sense of playfulness resulting in an enjoyable read from start to finish. It’s very much a parody of popular magical girl and idol genres.

To sum up i would recommend to get this if you love Fruit of Grisaia visual novel as it will shine a "new light" on the characters giving them a whole new look.

I've only played the first chapter so far, but..

Why is there so much talk about underwear?
Why does a 14 year old girl have 'Okay if you see them' underwear?
Why does the blue haired girl stick a finger in the cat's butt?
Why does the cat enjoy it?
Why is the God so hip?
What's wrong with shark lovers?
Why do I get more questions, the more I play it?
...And why do I like this game so much?

yep, thats what I'm doing with my life

sorry papa franku i became a weeb

https://www.youtube.com/watch?v=f6VSsGqlmSY