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i do take some issue with this though. there are two people who are very insistent on this, katherine and angela. they aren't the only people to indicate this is the case but they're the most prominent and the most clear in their stance. angela obviously has a lot of complexes around this and is trying to keep hedwig away from the others so she has a very clear motivation to paint it as nothing but physical, compared to the emotional connection she and hedwig share. katherine doesn't seem like she has anything to hide, given she obviously isn't lying about her attraction to men and "well i'd rather have straight sex but i'm surrounded by other men/women so might as well have gay sex" is a fairly common idea (thinking specifically about the navy and tropes around one gender schools but there are other examples out there) so initially it seems like this is just the truth, or at least her stance on things.
but we get some very clear proof this isn't the case with the margaret and katherine plotline, where margaret is very clearly jealous of katherine's interest in the men who are now outside (with the added wrinkle of her father being one of those men) and katherine eventually admitting that she actually wanted margaret's father to like her because she wanted him to approve of her relationship with margaret. i think the most likely explanation here is that she's scared of commitment for a variety of reasons (we don't have many details about her husband but their relationship was CLEARLY not good, and it's kind of implied she and angela had a thing that went very bad) and it's easier to say it's purely physical than to admit how serious her feelings are
given angela, margaret/katherine, and darcy/eustace (i don't believe for a second eustace doesn't reciprocate, we don't get her talking about darcy as much as the reverse because so much of eustace's stuff is wrapped up in the murder investigation but like, the way they act?) i think it's safe to say that while a lot of the sex is purely a physical thing between friends there is also a lot of romance going on. in fact, i think adela and moira (and soup i guess) are the only nuns we see who don't have any implicit strong romantic feelings for at least one of the others (of the ones not mentioned above, charity and marta have strong vibes together, i think brigid and violet are together and wanted to go to linbarrow because of it, it's mentioned that flora had a massive crush on catherine, and hedwig also clearly had a massive crush on catherine even if you want to argue there was no element of romantic feelings in her relationship with angela)
to bring this back to my original point, despite all the romantic feelings going around NONE OF THIS IS EVER SAID DIRECTLY AND OPENLY TO HEDWIG and so she doesn't have a clue about any of it. this means that i don't think we can make strong conclusions about whether she would or wouldn't have reciprocated angela's feelings had angela explained things better or not thrown katherine under the bus. my gut says "i never loved you" was just a thing she said designed to hurt as much as possible in the middle of a fight and not the truth, but i really don't know.
You make a very good point actually. I think one of the strengths of Misericorde narratively is that it’s compelling enough to take what some characters believe at face value even though it’s a necessity to consider every opinion or perspective they express with a grain of salt, especially because they often say it with some form of intention.
Since Hedwig is the outsider, we are often led by her own perspective, we are in her shoes so the way we understand her situation we see as incomplete her interpretations of things that happen to her, and we can easily interpret the perspective of the other nuns as the truth or at the very least as more wise and more complete, especially when multiple accounts point toward the same direction.
Since some of the nuns want us to believe that there are no romantic attraction involved, we conclude that it must be truth within the context of the abbey. But what can easily be forgotten when seeing things this way is that when Katherine says it, it does not have the same implications as when Angela says it or when Adela says it. And some others simply did not really give us their true/full perspective on the matter, like Margaret or Eustace as you mentioned.
When you think about it, a common theme is the way some characters want to impose their vision of the world, notably to Hedwig. The two characters that come the most to mind are Eustace and Angela.
Eustace wants to impose the idea that everyone in the abbey is a family and that suspecting any kind of malice from any of them would make you an outsider, in some case an “enemy” to this family, which interestingly enough kind of clash with the fact that we are shown that some nuns that are supposed to be part of this family are still critical of Eustace’s behavior, Katherine for example does not oppose the idea that Hedwig wants to incriminate Eustace, even though it does not mean that Katherine hates her.
Angela wants to impose the idea that the other nuns are a mass of equally less than respectable people, she wants to make Hedwig an outsider because she considers herself as an outsider, she wants to make Hedwig part of her own “family” in a way.
Let’s not forget also that even though most of the Linbarrow Abbey nuns seem to “enjoy” their catholic lifestyle with more liberties than what would be expected from their position, they are still built from their environment. The fact that they partake in lesbian relationships does not automatically mean they see it as a “normal” type of relationship, they might still consider that a straight relationship is a real one and an homosexual relationship is a distraction. So if some of the nuns see it this way, they would deny that romantic feelings are involved, because society itself denies it. Hedwig is a special case but we see her trying to diminish the stakes of lesbianism as a concept to make it slightly more acceptable for her to be part of it “The Bible does not talk about it, so it’s not real, so it’s not an issue, right ?” (not a quote from the vn, but it’s what is implied).
You’re right it’s the kind of thing she could do, and anger and resentment often make us say things that might not represent what we really think. It could also still show that Hedwig never thought of it that way, because as you said, she has a hard time understanding things that are not explained more explicitly to her, and even Angela probably did not take this entirely in consideration. Would Angela propose to flee together to someone she does not deeply care about? Probably not. And as a reader with more social knowledge than Hedwig, we can imagine the implications and read between the lines more clearly, but she cannot.
What’s interesting though is that even if she was able to understand, it could not matter, because the reason why she could be infatuated with Angela in the first place is because of her peculiar situation, and it’s the same for Angela which got so close to Hedwig mainly because she remained a semi-outsider that understood things differently from the others.
Angela's feelings and attraction towards Hedwig are unhealthy. She introduces Hedwig to the though of sex as inherently sinful (like "water" we are all drowning in), yet she demands to control Hedwigs sexuality just as she "controls" her own. This is a pretty abusive relationship. Using Hedwig, controlling her sexuality, making her think the other nuns simply want to ♥♥♥♥ her like a toy and positioning herself as someone who loves and cares for Hedwig. Simply put, Angela has placed herself in her own Hell, and she drags Hedwig into it as a means of solidifying their love and trapping her with her, rather than dealing with her feelings in a more healthy way. In "Innocence" when Hedwig describes herself in Heaven, loving Adela freely and the other sisters more purely, that's what it should be; how it usually is around the abbey. So it's natural that Angela, representing a much more pained and cynical view of romance, takes on this abusive form of love which collides harshly with the way the other sisters view sex and love. I could say more but the rest has been touched on directly in the VN. Anyway, interesting stuff!!!
In a way we can imagine that at first, going back to volume 1, Angela wants to manipulate Hedwig quite explicitly. Angela is treated as an outsider, so the only way for her to be respected is to make hers someone who is outside the social circle that does not respect her, she does not need an ally, but someone that she can control. At first, I think she sees Hedwig as a fool she can use to flatter her own sense of ego and pride, even subconsciously. A pact would imply a mutual relationship, but she wants to lead, even if she tries to justify the way she is rationally.
But as volume 2 goes on, her feelings for Hedwig become more apparent and I think she develops a true kinship toward Hedwig, she accepts what Hedwig has to say more easily, she even gives up on arguing with her most fantastical theories. Hedwig herself starts taking advantage of this, they continue to play their respective role, but Hedwig starts becoming the lead. Angela continues to try keeping Hedwig away from accepting the other nuns’ point of view, but she might slightly believe for real that they are bad frequentations and she might be afraid that Hedwig would think otherwise and abandon her. Even if Angela often deserved to be reprimanded, the other nuns displayed abusive behavior toward Angela, as a group, which affects her even if she has a stoic facade most of the time.
But as I said before, there seems to be a shift in their dynamic. Of course, Hedwig has a limited point of view, and Angela is the one that was the manipulative one in the beginning, but thinking back on it, is Hedwig really that clueless?
It’s a small detail, but when everyone is choosing a game to play in the snow, Angela changes her vote to match Hedwig’s and she seems to do it with ease, even though she was supposed to be the controlling one, she starts seeking Hedwig’s approval, when it was the contrary before. And Hedwig noticed it before.
When Angela sees Hedwig getting it on with Adela, she is probably heartbroken at this moment, she in all likelihood started seeing Hedwig as her equal and thought that there was something truly special between them, and it kind of shattered the way she imagined it, and if Hedwig did not have special circumstances, Hedwig would clearly be in the wrong for either being dense or being cruel on purpose.
However that’s the thing, Hedwig has special circumstances, so it’s hard to see her as a villain in this situation, so it would mean it’s more Angela’s fault and responsibility for being dishonest. Hedwig was still discovering what she wanted or not, and it can only be respected. It’s a peculiar case, because I think even knowing Hedwig could not understand most things on her own, Angela was still not used to interacting with someone with this type of background, so while still feeling a kinship, she treated her too much like she could understand. She acted self-centered, making the way she handled her relationship with Hedwig abusive, even if it was intended or not.
Anyways, even if they are different, Hedwig and Angela are both broken individuals, that’s for sure, while both being a bit self-centered, even if it's for different reasons, and it sure affects how they treat others.