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This is what Shinji and Evangelion were for the vast majority of its audience, a sign of empty times and existential anguish. Kirito is a diametrically different trope.
Then you haven't played many Tales games clearly. A lot of them have good leads. Not just the edgy female one.
Yuri above most of them, though.
He's a lovable lil dude who grow balls when it comes to danger, I find it hard to actively dislike him.
Tales series has the other extreme on the spectrum of generic tropes in Japanese media. Their protagonists are infalliable, and always innocent. Nothing they do can be seen in a bad light, because they care for someone, they sacrifice something for others and they look to help everyone. They are even more unrealistic than the Kirito archetype, because they have no character on their own, no personality beyond being a "hero" for everyone else involved. They are infallible, and only the sense of heroic duty is propelling them forward, no trauma or anything else. This can be seen in Berseria, in the one about small kid after, and in Arise as well - and Arise goes even further in that escapist fantasy peddling, and sells also a proper romance between the two most obvious candidates, available since the beginning of the game.
None of this should be celebrated. The people writing these games are not newbies - they do know about the history of Japanese protaginists and all the tropes associated with them. The problem is that they write them intentionally like that, because it sells and is easily digested by an average member of the audience. The vast majority of writers have stopped trying to jump over their head, to evolve the narrative further, and are just putting food on their plate through re-producing simple, refined male protagonists (thankfully, writing females requires way more effort and its easily seen when a male author just couldn't do it well or, seldom, actually did it well), without exerting any genuine effort.
Criticism makes sense when it's constructive, not when it's a bunch of a ChatGPT wall'o'text.