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That's what I think... shouldn't take these awards seriously after all... I mean, best fighting game Mortal Kombat? Over Guilty Gear?
Come on...
Maybe just maybe they put license song in account? The music tape collection in MGS5 is good, I give it that. And after all, what's make Ori's OST so geart is that combine with the action sequence within the game, the jury maybe just listen to the OST and never play the game
Just my opinion anyway
In short, why I think MGS5 over anything at all last year deserved the award was because like Easy Rider in the movie biz before it, this might be the one of the first, really really good pieces of media, that also has a meaningful sound track of real artists/music. In Easy Rider the time period express was arguably contemporary but it was also a extremely specific fringe lifestyle of the time, unlike GTA which attempts to recreate a living breathing world in replica in the form of a miniature city.
Original scores are great, I love em', but there's just something...perhaps higher grade about rooting a form of art within the context of other relevant, "real world", pieces of art that don't just exist in one self contained medium. Video game sound tracks are often good, but also often throughout history simulacrums of real songs, cool but never the full thing right.
But hey for whats it worth, never heard of it before but I'm leaving this forum to go google Ori next on my Sunday, so hey who knows what I'll think after trying it out :D
Not to go complete "ORI FANBOY MODE" on you because everyone is entitled to his/her own opinion of course, but the many different versions of Ori's several "main" themes appearing consistently in its soundtracks is what brings it alive.
A more upbeat, happier version of Ori's main theme playing as you escape the Ginso Tree made it the most memorable videogame sequence I've ever played and was a brilliant soundtrack decision by its composer Gareth Coker.
Don't worry about it.