Install Steam
login
|
language
简体中文 (Simplified Chinese)
繁體中文 (Traditional Chinese)
日本語 (Japanese)
한국어 (Korean)
ไทย (Thai)
Български (Bulgarian)
Čeština (Czech)
Dansk (Danish)
Deutsch (German)
Español - España (Spanish - Spain)
Español - Latinoamérica (Spanish - Latin America)
Ελληνικά (Greek)
Français (French)
Italiano (Italian)
Bahasa Indonesia (Indonesian)
Magyar (Hungarian)
Nederlands (Dutch)
Norsk (Norwegian)
Polski (Polish)
Português (Portuguese - Portugal)
Português - Brasil (Portuguese - Brazil)
Română (Romanian)
Русский (Russian)
Suomi (Finnish)
Svenska (Swedish)
Türkçe (Turkish)
Tiếng Việt (Vietnamese)
Українська (Ukrainian)
Report a translation problem
This was also about morality of the crime rather than being a big mystery. Even Watson comments that "this seems to be easy case?" and its obvious from like 10 mins what has happened, the women are doing realistically poor job hiding the crime.
Interestingly enough both cases are also among the few canon ones were both a murder is committed and Holmes decides not to inform the police of the real culprits. I personally think that those two were chosen specifically because of that: As Iso said, they needed more cases about morality to have a reasonable balance of cases where you can sympathize with the culprits and ones where you can't (case 2 and 3 are examples of the later, most chose the strict options for those). This way they had more time to think about good storylines for the other cases and "just" had to replicate those two.
The downside is that they are rather short, simply because the stories they're based on are just about 30 pages each. Of course, in theory they could have also used one of the novels, but they a) have less moral elements to it and b) the second half of each of them consists of the culprits telling their background stories and thereby explaining their motivations. The only novel not following this theme is "The hound of the Baskervilles" and everyone and their grandmother knows the solution to that one.