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What about all the shadow people? if they're the same as Buck and Stardust then they did the same ritual right?
She doesn't mention full immortality. She says when they get increased lifespans. I think it's the case that only Buck and Stardust ever got the full immortality, and others got for lack of a term functional immortality because Rhok'zan can increase people's lifespans unnaturally without actually making them permanent immortals with Buck is.
Besides, the woods have covered the world. burning it now would be killing all the people she initially wanted to save from them. and to even get this far requires finding non-violent solutions to dealing with every member of the thousand, so solving the problem of the black woods without destroying it by means of the power of love meshes with the rest of the story.
If I had to guess, Saving the cultists was initially optional, but not doing it led to the "Burn the woods" ending. But they ran out of time to make the "stardust becomes a murderer playthrough" so they just made it a choice at the end.
That's the thing though, it wasn't Buck that was making people disappear into the woods. Sure he accelerated the hell out of the process in order to torment Rhox'zahn but she even spells it out for us very early in the game when talking about how the woods works. It amplifies desires and warps people's perceptions of reality drawing them in. The photo of Star's parents being in actuality a receipt being one of the few the game actually tells us about, and there's plenty more that are implied or that the game doesn't spell out for us.
If the Woods has that great of an effect of drawing people in and amplifying their desires to the point of self destruction (note how the game mentions you don't notice how tired you are or feel any of your wounds, or see the actual state of your body, the state of some of the cultists the game mentions being on the brink of death, etc), it stands to reason that almost EVERYTHING the game presents through the lens of the main character's perspective has to be put into question. That beautiful peaceful moment in the "Good" ending with everyone getting along, how much of that is real? Is everyone really in that state, or are their bodies withering away from malnourishment, starvation, and general neglect as they pursue only what they desire?
The black woods covering the world is likely a much much worse ending the more you think about it from the outside looking in, picking up on all the subtle clues the game leaves telling you that things aren't as they seem, and perhaps the better choice was to burn the woods, wake her and start anew.
Or in short: Rhok'zan is the Matrix and I'm swallowing a red pill with a very, very heavy heart.
You can actually prove that it's all an illusion (not sure if this one is a bug or not but I don't think it is) but if you go to your brothers room and put your mouse cursor over his desk you'll still be able to interact with the pale flower even though you can't see it. also before you leave the House Nanni will say how The House looks to her like how the wallpaper is peeling, but to us it looks fine and how the floorboards look rotten but again they look completely fine to Stardust also when you go outside and you get the good ending, the bottom will say true ending instead of good ending.
I'm pretty sure the game is a cycle. So by leaving you'll become the new buck because when you turn around after talking to the people at the exit you are objectives will start talking to you i'm pretty sure that it's another God talking to you i'm pretty sure that this God was controlling Buck somehow because it talks about you being the replacement so it's most likely pulling a events along just like how Roxanne said we came out of nowhere to stop her nightmares meaning that she's had many more without us being there, but we eventually just show up one day i'm pretty sure. Is the work of this god.
Sorry if this is a bit sporadic written, but things kept coming to me when I was writing. Like what if Bucks plan to wake up all the god was not his plan but instead the plan of the
Objective God i'm thinking this because what if this God is tired of living, but he is also immortal so the only way to kill himself would be too end all of reality. i been thinking about other things too, but I don't know how they fit in or just some theories
Okay, here's my attempt to end this argument, maybe. So in the "Truth" ending we see multiple dark shades of humans just like Buck and Stardust, implying that "Insignificance" Auntie Nyan Nyan was addressing but this can be easily disproven to be just lifeless corpses floating in space. Due to the Fact that we know that his STARTED with Buck, Muu told us she made the book with Rhok'zan in the efforts of uniting humans and eldritch beings in peace, love, and equality. The story revolves around how Buck's stolen kiss and unwilling immortality ruined his mind. Stardust made her choice willingly so it would be improbable to assume she'd follow Buck's path especially since we see how Buck is so moved by the infinite splendors of the cosmos and gives up on his eternal hatred entirely. As for the "True/Good" ending to be an illusion this can be disproven too. It could be argued that the "Truth ending" was Stardust realizing more would die so as long as the forest clinged to the earth but that wouldn't be true. Because Rhok'zan explains her gifts of hunger lessness and disease immunity being part of what she brought to the world. The reason the dark forests killed so many was because of her heartbreak and how the forests became blood thirsty afterwards. With that now gone the world has gone green. The only reason that the house "MAY" be an illusion would be because of the deep rooted trauma that had occured in that house and it had yet to fully heal. In any case in my eyes the "Truth" ending gets it's name from how Auntie Nyan Nyan sees humans. "Prey" she loves conflict, adrenaline, FEAR she feeds off of it, we can prove this from the first game, but with Darling she referred to him as an insignificant spec or insect due to her own fear of him, he wasn't livestock anymore, he was a threat.