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If you start playing around with Session Mode it'll probably give you a Session Mode Mission, and if you complete that one it'll give you another one.
Almost all of the Session Mode options are covered in those Missions.
Session mode actually is showing the player riffs and scales - if the player can recognize it. Load session player and pick a scale and mode - say A pentatonic. Next, zoom the guitar neck out so your seeing all of it from fret 1 on up. Now start jammin', but pay attention to the position squares and string colors. You'll notice that the squares light up and fade out across the neck in various positions (1st/3rd/7th fret etc). The game is trying to prompt you to play the note squares that are lit up in a particular position as dominant chord/scale tones, and the outlined/faded squares as sub-dominant tones within the same position. Then if you look further you'll find that some of the dominant squares match together in bar chords (low e string 5th fret (note A), then A string and D string 7th frets for a A5 major bar chord. You'll also find that same ascending/descending note sequences light up across various neck positions - if you play then identically across those various neck positions you'll suddenly start hearing riffs emerge.
What the game doesn't do well at all is explain what you're looking at and working with in session mode. It's essentially teaching a "box" method, wherein all scales, modes, and riffs can be played within positional "boxes" across the guitar neck.
If you are serious about learning guitar, then you should look at other sources in addition to RS. A little bit of classical music theory goes a long way.
now i always rememberit as in the modal order i have listed above, to get the scale,the semitones shift oneplace to the left,so phygrian would be semitone,tone,tone,tone,semitone,tone,tone. etc etc .
So where does this lead, to a whole new world of fingering exercises and of course new sound relationships. i kept it simple plenty of books on the subject
RS emphasizes this by highlighting the selected scale in the selected key... and having the AI band play in the same fashion.
the Key of C does not have any sharps or flats. each mode just starts on the next note. as your example, Ionian CDEFGABC, the Dorian would be DEFGABCD, Phrygian would be EFGABCDE. etc.
you can also write it out according to intervals. Ionian R-M2-M3-P4-P5-M6-M7-8, Dorian R-M2-m3-P4-P5-M6-m7-8 etc.
in your example, you have the modes with a Tonic of C. meaning that C Dorian is in the Bflat Major Scale, not the C Major scale.