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And yes, this has been discussed a lot. Including evaluating the components built into the cable. Also we have discussed the results of people that have tried to work around needing the cable. And it comes down to, the best note recognition and results in the game is to use the required RealTone Cable.
That's only true for the game, not the gear itself. I can get under 5ms at far superior quality with my Steinberg UR44, because ASIO can actually use my hardware correctly instead of a $0.01 onboard sound chip that no one ever thought you'd actually use for anything important.
streaming over the steam link.
Go in your Rocksmith installation directory and change in "Rocksmith.ini"
ExclusiveMode=1 to
ExclusiveMode=0
Should be in the top of the [Audio] section.
Not an amazing difference, because I think the weak link in the chain is still the motherboard hardware (jack and soundchip) but it might be adjusting the impedance and feeding a stronger signal. I can also adjust my guitar volume on the fly now using the interface.
Not sure if it's actually digitizing the signal and then immediately DAC'ing it afterwards, but I think it's just operating as an analog passthrough in my setup.
In Sound settings you can have it at either 16, 24 or 32 bit and 48000HZ, make sure that the real tone cable is set to 48000Hz as well.
There shouldn't be any roundtrip latency issue with external studio interfaces, I had more latency with the onboard soundcard and a PCI-E card than with a Zoom R24, the ZOOM UAC interfaces are even faster, 5-6ms roundtrip without distorting.