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Verso knows both worlds and understands best and is the best evidence without a slice of doubt. He understands that he is created. He sees that he is not real and that his life is just fake which is obvious from his choice to destroy the canvas. People of Lumiere dont have this information and wouldnt comprehend that. They only know one world. They cant think outside the box. The Lumierians exist for entertainment, just like AI for us. ANd at the same time we have to deal with people who say "AI partners are rea", which obviously all would disagree with who at the same time believe people of Lumierians are real.
But all we talk about is people and not about Gestrals or Nevrons. Why dont people argue for them? They're creations as well. Why dont you have a problem to kill/fight them?
Everything is based on chroma. The chroma is like a magical energy (think of mako in FF7). You can use it, but in return it will also use your own energy.
The people you see at Lumière, are people that Aline the mother created to NOT make her son Verso alone. You do understand that Verso, before the accident, was a depressed person.
Now, the most CONFUSING part is this one :
Throught the game, Verso old self, is depicted as a "young boy". Verso NEVER died as young. In fact, he died VOLONTUARY around the same age the copy of Verso.
While it's not explained on the game, you can see multiples times throught Maelle Nightmares/Visions that Verso took the "fire" incident to kill himself.
The only thing remaining of Verso, was this "young" version. Probably painted by Aline, his mother.
No matter what ending you do choose, you understand that Alicia/Maelle was going throught the same path as her mom.
____________
Now. The main point is this one : People that do STAY very long in the canvas, can "merge" with theirs painted self. Theirs copy, can share everything from theirs past self. That is what happens to Maelle who merges with Alicia. Thus.. towards act 3, becoming the new paintress and being one.
Everything is based on chroma. The chroma is like a magical energy (think of mako in FF7). You can use it, but in return it will also use your own energy.
The people you see at Lumière, are people that Aline the mother created to NOT make her son Verso alone. You do understand that Verso, before the accident, was a depressed person.
Now, the most CONFUSING part is this one :
Throught the game, Verso old self, is depicted as a "young boy". Verso NEVER died as young. In fact, he died VOLONTUARY around the same age the copy of Verso.
While it's not explained on the game, you can see multiples times throught Maelle Nightmares/Visions that Verso took the "fire" incident to kill himself.
The only thing remaining of Verso, was this "young" version. Probably painted by Aline, his mother.
No matter what ending you do choose, you understand that Alicia/Maelle was going throught the same path as her mom.
____________
Now. The main point is this one : People that do STAY very long in the canvas, can "merge" with theirs painted self. Theirs copy, can share everything from theirs past self. That is what happens to Maelle who merges with Alicia. Thus.. towards act 3, becoming the new paintress and being one.
While the people of Lumiere, are people who were created by Aline, they did have a "life" inside the painting.
Lune is a clear exemple of that. She had a family, and towards the end of the game, she tolds you that Maelle is going to PAINT another canvas inside the existing one that does depict real life that would allow Lune to visit a copy of "the real world".
They do. And they have theirs own emotions and sentiments. An quick example are the gestrals.
They do share almost the same appareance, but they all have theirs own personality. Noco is also a great example. When reborn.. he does not have the same personality he once had, or memories ;)
I think it's about this song.
Aux Lendemains non Écrits
Miroir du temps, nos histoires s’alignent,
Dans le creux de nos mains, deux mondes se dessinent.
L'un peint de rêves, où le chagrin s’efface,
L'autre, nu et réel, où notre deuil prend place.
I try to translate like :
Mirror of time our stories align,
In the palm of our hands, two worlds emerge.
One painted with dreams, where sorrow fades,
The other, bare and real, where our grief takes place.
One painted with "DREAM"
Other Bare and "REAL"
Art is greater than life, and to create art requires essence. To deny them - would be to deny the very soul poured into creating them, because each creation came from the heart.
Our emotions for them are real, our memories of them are real, and they were no less real to us up until that point. Their presence provides us comfort, their smiles provide joy, and their tears sadness.
Renoir claims they are not real and it is true from the perspective of his reality, yet they are all also shown to be far more complex than being just pure Chroma, their very essence being the identity of their being, capable of far more than what even their creators expected.
Lune in particular carries the same sentient awareness Maelle does, by being fully aware of what is going on and even wanting to know more about Maelle's reality (so she painted a portrait of it for her just to see a glimpse).
So instead of trying to answer a question that truly has no answer, I simply ask myself this one simple question; would the world feel lesser by their absence.
And simply go from there.
Trying to answer such complex existential question is futile, especially because the game is not without its continuity errors and avoids it by completely sidelining Lune and Scielle's existential dilemma in ACT III to a single camp conversation because the story has to move forward.
Lune has full awareness and grasp of what is going on just like Maelle does, even shows interest in knowing more about Maelle's reality. Same for Scielle who is excited by the fact their reality does not operate on the same rules as Maelle's reality.
Stating it's real is illogical understanding of the world.