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Like what the ♥♥♥♥? It felt so forced for the sake of adding another layer to an already interesting story just to basically take a dump all over the stakes and your connection to the plot as a whole.
This is just Danganronpa V3 all over again minus the director mocking the audience for playting his games "HAHA FAKE REALITY XD"
Awful.
I did and I picked the Maelle ending out of spite.
"The heroes eventually defeat the evil colossus, return home and live happily ever after"? Or what?
Also most of the dialogue and the behaviour of Renoir and Verso up to that point wouldnt have made sense at all.
How does that feel "forced" if the Dessendre family is the entire foundation of what is happening in the game? Just because nobody could connect the dots up to the end of Act 2?
Not him of course but to answer his question.
Persona 3 and 4. Danganronpa 1 and 2. Metaphor Refantazio are among my favorite stories overall.
My issue with this game story is that it gets you invested in this big gripping plot and then just throws a curveball at you where it basically goes "NONE OF THIS MATTERED! ALL THESE CHARACTERS ARE MEANINGLESS! ESCAPISM IS LE BAD! GO BACK TO YOUR STUPID FAMILY" As if I as the player remotely care about the manor or the family when you hardly even see them most of the game.
The endings plus this dumb sudden switch in direction just ruined it for me. I just couldn't enjoy it after that.
The game is in two halves, one about Expeditioners and one about the Dessendres (I enjoyed both), and I do think that the two could have been linked better and understand the issues people who only liked one may have - I don't think it's a problem, just an issue of taste.
But I never followed the logic of someone who would get so invested in a fictional world and then become so completely detached at a second layer of abstraction - as if the struggle of the expeditioners is suddenly meaningless because they are at the mercy of their makers, as if none of what they went through actually happened. Some truly excellent stories have come out of deliberately "fictional" worlds within worlds.