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I didn't get the impression that canvases (in general) need to be actively kept alive. Hell, the real Verso painted this canvas (with the Gestrals, the Grandir, and Esquie) as a kid and it survived just fine after his death. And Aline had no input in that as far as we know.
What Aline did was go back into the canvas after her son's death and painted Lumiere and the humans in it so she could keep living with her family as they were before the accident. (Minus Alicia, whose painted copy was disfigured still cause Aline resented her role in the real Verso's death.)
Aline ends up spending too much time in the canvas with her fake family, so Renoir gets worried and goes in himself to get her out. The ensuing conflict caused the Fracture, and since then, Renoir (as the Curator) has been trying to erase all the humans Aline painted so that she'll have no choice but to exit the painting.
Destroying the canvas and all the creatures that the real Verso had painted was never part of Renoir's original intention. (And he certainly doesn't want to do it, cause it's all that's left of his son.) But by the end of the story, he understands that if the canvas continues to exist, his family will never be able to move on.