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I'd agree. It wasn't bad per se, but it was forgettable.
It's also not one that I would consider to be of the variety that 'grows on you'.
https://www.youtube.com/watch?v=VhhvWeXHjP0
I liked that one.
Now that you've told me Hans Zimmer is involved that explains a lot.
With big name composers you can kinda tell when their heart is in it (based on the milquetoast interview / statement, it was not, I guess), or when they just get the job done profesionally.
And the music reflects that. Yeah, gets the job done, but after 40+ hours I can distionguish exactly one track.
I wouldn't say the other entries were very strong for actual ingame tracks either, but they had standouts like their main themes (DA 1-3 title themes still go hard), or the Dawn will Come, Sera's Song etc.
Can't say this one has so far.
I liked the Rogue Trader OST a lot. They captured the oppressive, violent, dark and lonely but also epic mood of 40K well. Church organs and heavy bass is such a great combo
I´ll probably give the VG OST a full listen by itself after I bring myself to finish it.
My kneejerk reaction to the VG OST is also one of servicable but pretty forgettable music.
That track is nice !
I was going to add this to my opening post, saying I couldn´t really recall any Dragon Age music off the top of my head, but after clicking through some of Origins´ tracks, it´s coming back to me at least a little. That opening theme is really good and makes me think of Morrigan for some reason.
I wish they had rehired Inon Zur instead of going for Hans Zimmer. A negative part of me thinks they purposefully avoided it to distance themselves further from DA Origins and 2 and their legacy.
The music wasn't overdone but it wasn't undercooked. It always felt spot on to the events taking place for me.
Shame.
Can you name a few other games where you find the OST comparable in quality or even better? I just want to get a sense of your preferences, because I think VGs is fairly lackluster, especially compared to all the games I listed in my first post.
Do you generally not engage much with the music of games or just for VG in particular?
I find that especially in recent years, production quality has ramped up so much across the board, many video game OSTs are equivalent to if not better than "actual" music (i hate making this distinction, but I´m pretty sure a large majority of normals will still look at you like an idiot, if you tell them your favorite music comes from a game)
For a soundtrack featuring tunes I'm more likely to hum when not playing the game, I'd suggest that of Supergiant's "Hades II", in particular the tracks the dead for the Sirens fight (e.g. https://www.youtube.com/watch?v=N7QSavYWEE0 ).
Personally I think the soundtrack is one of the weakest points of Veilguard, the only tracks that stood out to me were the music that plays in the Necropolis and the Lost Elf arrangement at the end (unsurprising, since the theme is from Inquisition)
It's not bad on its own I guess, it's fine. It just sounds more like something that would play in a movie, if that makes sense? It doesn't really feel 'Dragon Age' to me.
While there's definitely some WoW nostalgia there, there were definitely times / zones where I would play the game and set the music to loop and not listen to outside music. That's an example of one of them.
What I also liked is that for a fantasy game it gave exactly the feeling (to me at least) of elves, the forest, something almost spiritual, etc. -- all without the need for words or without having to even see that environment.
Sure.
I think Veilguard falls into the category of more thematic and sort of a background track to set the tone of each setting rather than being more at the forefront of the experience like some other great games with great soundtracks do. As I said not over the top but not undercooked.
In that regard I'd put it in line with something like Hades, either of the Ori games or Fable off the top of my head.
Supergiant has never missed with the music for their games, really good stuff
I also feel like they really work with the composers closely to integrate the music into the game, something I wish more games did!
I´m just re-listening to some of the Inquisition tracks and I gotta say I love that he managed to bring out the main theme leit motif so well, really nice.
Considering Hans Zimmer and Lorne Balfe are both primarily movie composers, I think your perception is spot on. I also find it to be a bit too ambient for a video game.
I think that´s what good music is all about. It just tells a story on its own, engaging you on a very primal and emotional level, rather than mental.
I guess my personal preference really goes towards heavy and in your face music in video games, something that really sets the tone.
On that note, I just listened to some Fable 1 again and man, that game has some great music.