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you and i are film reels, while "the prince" is the light that shines through both reels to present the illusion of moving pictures.
in this same analogy, physical existence would be the main "projector body." noosphere dwellers like lila are film reels without projectors, while humans typically come with a reel and projector.
yu would be an "artificial reel" like lila, but he seems to have come with his own projector. this may be because he is embodying a concept-being a magnitude above the dwellers. but due to his nature as a consciousness, as a film reel, the prince plays his part accordingly. the film is projected just as any other. yu has his thoughts, knowledge, and experiences separate from the player, and separate from the metaphysical force-being that is the prince proper.
yu is definitely something of that order of being, he transcends time and space and sees all possible outcomes. what else could he be personifying?
"self" and "who" are futile and pointless. however, if "life" is given to ideas by the very thought of the idea, "self" and "who" must become paramount.
the focus is just shifted to the metaphysical plane of ideas, rather than the physical, where identity remains pointless. in my opinion, at least, the points the narrative make vary on just who yu is.
this is because, again, in the space where ideas are given life, the identity of the idea is its very existence. the "infosphere" just cannot function as it is presented if "self" is pointless there.
in support of this, i remind you of father lawrence. after his transition, he may have forgotten the name he was known by, but he did not forget much else. he retained some sense of self, enough to recognize that he was one known as father lawrence.
furthermore, consider "ideas are given life." what is the sense of self but an idea? does this sufficiently highlight the paradox of your position?
* reels are video games
* projector is a computer / console
* the player is the Prince
* Lila is aware she's in a simulation / video game
But I I guess theories like this have been explored already.
the third thing is an implication of what i'm speculating here.
the last thing is kind of true already, but not directly stated. there's some shenanigans going on and lila at least is pretending to understand them. it should be mentioned that she really has no motivation to lie and pretend she understands what's happening when she does not.
after all, almost all events of the game happen because /she/ makes them happen.
it should also be mentioned that t-gotchi, called out as the "child of L***" in a document in this game, is a self-aware video game character in her own game.
highlights an interesting contrast, though: t-gotchi wanted to go back to the forest of 1,000 sycamores more than anything, while lila wants to escape that same place more than anything.