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I don't really think the devs will go all the way with that, maybe even to the point that if that's the route/attitude you'll choose consistently, the things will turn abruptly and in an unnatural way. I believe that Jan will be forced/railroaded into co-operation and even with Jan Technician it does feel like the game just outright goes 'no, that's not the way to do it' and turns you back on the route of working together.
And even with that, Jan just doesn't strike me as someone who would follow that route, maybe not even by the lack of will, but rather lack of skill. But I do think that it is a possible plot point, one of the Alters will be more capable and will go 'why do we even follow this bozo, guys?' and OG Jan in the end will prove himself through the power of friendship and on the account of being only one who went to pet the sheep. Multiple times.
@DNLH
I see your point, and both agree and disagree (but lean more towards agree). I especially agree with your observation that the devs are probably gonna railroad the player to the main path of we-gotta-cooperate-to-survive to which Jan and the Alters will, at the very least, tolerate each other in the end not matter how badly he treats them throughout the game. Plus I agree that Jan's "Evil Path" will probably not be the "canon" ending like how it is in most games that present good/bad morality choices.
However I disagree that Jan doesn't have the capacity for what Bob Wilson does, because the lead up to original-Jan's life feels very similar to the beginning of Bootstraps. Bob Wilson in the beginning of the story is an introverted man struggling to complete his Ph.D dissertation on mathematical metaphysics (it's how he finds the coordinates to the Gate). He's constantly questioning if he made the right choice in life going the academic route instead going into construction like his father wanted him to. He remembers doing a brief stint of construction but had such a bad experience that he put all his chips into graduate school. Wilson's father isn't a drunk like Jan's, just very stern and thinks Wilson is wasting his time by not getting settling for a "real job" yet.
Wilson can come off a little more abrasive compared to Jan at times, but Wilson also talks about his stressed feelings to a mentor professor, which signals to the reader that he's a sensitive man (because this novella was written during the 1950s when men were always supposed to be stoic and hold in their feelings).
Wilson is definitely written to be a sympathetic "everyman" in the beginning. It's what made his fall from grace that much more surprising to me when I read it! Plus, there's a little sprinkling of clues that Wilson supressess his darker side, since the two times he ends fist fighting someone is when he's drunk (he gets his ass handed to him and swears off the stuff the rest of the story.)
It's not an exact 1:1 (which is good!), but I still feel like Jan's father-son tension, unhealthy relationship with alcohol, and anxiety about getting a white collar job feels like a nod to Heinlein's story.
As a fan of the novella, I'd be sad if the inspo from Bootstraps in The Alters stops there, but I'd also understand and agree your point that maybe the devs don't want to go into such a psychologically dark direction with their story.