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It felt like fair amount of time was spent on resolving mysteries that were already self explanatory or the solutions could at least be inferred.
I didn't like how it felt like the Takano special episode when I wanted to see more from the perspective of our main group. It was sometimes like: I bet you feel terrible for Takano, don't you? Isn't her story so sad? Pity her! Or else you're a bad person.
There are of course some great moments where we see the thousand year miracle finally happen. It was a little unclear on whether Rika told them about the loops but I got the impression that she didn't- I kind of wish everyone could understand the implications of what they just accomplished.
It wasn't a huge spectacle but I really liked Oishi getting his time to shine and do the right thing. I was really thrilled with that scene.
I watched the anime first, but it's been years and I don't think it really has the best production values but I felt like the way they handled the grand finale might have been a little more fulfilling to me.
On the other hand, I feel like this risky approach has many benefits - the story of Hinamizawa is implicated geopolitically and historically. I feel like I now know all the characters inside and out. There's not a moment in the earlier arcs that Matsuribayashi doesn't add to with its endless context.
Still, we might be having our cake and being able to eat it too:
As you probably know, 07th Mod is fan-translating the console-exclusive arc from PS3 and porting them to PC.
Their most recent translated arc is a major one called Miotsukushi Omote which seems to be an alternative version of chapter 8 that focuses on the main squad and remembering past timelines. The catch is, Rika has to do it all herself, without the help of Hanyuu, while all the worst case scenarios from the previous answer arcs threaten to come true AT ONCE.
It's not written by Ryoukishi07 himself, but it does bear his approval, having appeared in the PS2 version of Higurashi - Matsuri.
I'm not sure if I'm ready to jump into that emotional bottomless pit, but it definitely does sound like something to check out.
Much appreciation for Shion being given the opportunity to reach for her own miracle. Leaving it unresolved adds to the bittersweet quality of the core love story of Higurashi.
https://www.youtube.com/watch?v=lq-TnrynPYk
https://www.youtube.com/watch?v=vQwZ85hHuj4
The soundtrack for the scene was perfect. The way it starts so unnoticingly and builds up into the You leifmotif. Mwah.
But the sword? As far as I could tell that was pure gibberish, unless Umineko or some other Higurashi bonus arc delves into that...
On the topic of the school club, the main characters might not have gotten a special focus this chapter, however, the characters definitely got their moments.
After being a helpless hostage for almost the entire Minagoroshi, Satoko's traps are shown to be the deciding factor in the fight against the Mountain Dogs who are exposed to be a minor hindrance for the combined might of Mion's leadership and the club's teamwork. It was especially satisfying to see the contrast between this situation and the hopeless struggle at the end of Minagoroshi.
While some may view Akasaka as a crutch, that was exactly the point. The main characters again find themselves at the hand of fate in their *actual* darkest, lowest hour in the well of a dungeon, but this time both Rika and Hanyuu believes in their chances. As such, Akasaka rescues them like an unstoppable force of nature throwing punches bearing a promise of 100 years. Afterwards, the tables have turned, and the club now finds itself on a mountain looking down on their enemies. I honestly thought the sequence of events were fantastic.
Takano received major focus in the beginning, and I thought her motivations were well explained with her also repeating her grandfather's presentation in a really heartfelt moment. In addition, the reader laughing at the ridiculousness of the Hinawizawa Syndrome in Tsumihoroboshi was essentially the same at trampling all over Takano's feelings.
Futhermore, I thought the themes were well concluded upon. The development of theme of mental illness really surprised me and contained quite a bit of nuance which has honestly taught me a thing or two.
Finally, the chapter is, of course, not perfect. The intense pacing went on for just a bit too long and was wearing itself out at the end. I would also have liked the novel to have expanded a bit upon the House of Love and Mercy part since it seemed slightly tagged on. There were still a few grammatical errors which are really annoying in what is essentially a book. Also, the "Matsuribayashi Staff Room" achievement has not unlocked for me? Although these are minor criticisms, they did annoy me. That sword bit at the end was some weird gibberish.
TL;DR: Very satisfied with the chapter :D
The club vs Mountain Dogs sequence was insanely good, as was Akasaka's moment of badassery. Satoko's traps and the mountain being built up throughout the entire series and ending up being the factor that crushes the Dogs is one of the most satisfying victories in fiction foe me.
The prevalence of Takano and adults may have distracted me personally, but I can't deny Takano became more than a great villain in the end, to the point of becoming just another grey-toned character, though I think her suffering from Hinamizawa Syndrome could have been a little more prominently shown.
The moment that got me the most was Satoshi Houjou feeling resentment towards Satoko because he'd spent all his energy protecting her, when she wasn't able to do so herself, then feeling like an awful brother and person for it, knowing she wasn't her fault. That is some perceptive writing.
Mental illness was really laid bare on the surgical table for inspection from all viewpoints. It makes sense Satoshi Houjo would have some of the same thoughts towards Satoko that Shion had.
Irie's backstory provided an interesting medical view of mental illness which was treading some touchy territory, albeit necessary to shed light on the subject from all dimensions - the psychologial, social and, now, biomedical. Higurashi chapter 8 doubles down on the Hinawizawa Syndrome parasite symbolizing mental illness. It is something people can coexist with, but also should be treated for. Mental illness is an external disease that has found its way inside the human brain, and therefore can be treated through multiple means. Quite a daring message, but provided with a lot of naunce.
They really emphasize right away that Keichi was away for a funeral for a couple of days but that’s not something that would ever really stick with you on an initial reading. This of course is what elevates his symptoms and combined with other triggers starts the spiral to insanity.