Install Steam
login
|
language
简体中文 (Simplified Chinese)
繁體中文 (Traditional Chinese)
日本語 (Japanese)
한국어 (Korean)
ไทย (Thai)
Български (Bulgarian)
Čeština (Czech)
Dansk (Danish)
Deutsch (German)
Español - España (Spanish - Spain)
Español - Latinoamérica (Spanish - Latin America)
Ελληνικά (Greek)
Français (French)
Italiano (Italian)
Bahasa Indonesia (Indonesian)
Magyar (Hungarian)
Nederlands (Dutch)
Norsk (Norwegian)
Polski (Polish)
Português (Portuguese - Portugal)
Português - Brasil (Portuguese - Brazil)
Română (Romanian)
Русский (Russian)
Suomi (Finnish)
Svenska (Swedish)
Türkçe (Turkish)
Tiếng Việt (Vietnamese)
Українська (Ukrainian)
Report a translation problem
So she leaves by the end of the story? I havent finished it and for the first time in my life actually have problems with keep playing the game. In the age of parasocial relationships I want to be as far away from that kind of people as possible.
DON’T YOU SEE?! It’s genius! The whole point was to make you understand exactly why her choices are so terrible by making you suffer through them both as her, and as Kiryu!
It’s an allegory for raising disappointing children!
There is more disturbing substance...
1. An ambitious Yakuza who is willing to go above and beyond his boss to get his hands on a letter that will shift the balance of power in his favor.
2. A boss who tortures his underling to force him to submit to his will, even though he blatantly defied his authority and acted on his own at the worst possible time.
3. A cruel relationship that changed when a dance studio was brought down by another, a pendant was destroyed and a person slandered by people who only knew her by word of mouth.