Essentially accessible, essentially political, essentially video game.

I feel, deliberately, that Hit It Back is both metaphor and metonymy
the swing of a bat against the weight of social struggles
faced by people in the Global South,
especially in Brazil, but not only there.

This game is an vivid breath of neighborhoods finding their voice,
of characters who are music,
and music that becomes dialogue.

In the press of a single button, it’s striking to witness
how endless possibilities unfold
how competition, laced with luck,
becomes the raw material of an experience
that evokes victory.

And even in defeat,
the comeback is inevitable.