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Bir çeviri sorunu bildirin
And he didn’t care what he had to do or who had to die in order to make that a reality.
That’s my two cents anyway, admittedly I didn’t stop to read a lot of the books or messages I picked up so I’m sure someone much better versed on the lore can give you a better answer.
Because they knew too much. Veignini was the one who deciphered the message that proved he did it. From there, everyone else in the hotel could've very easily found out. Leaving them alive would've allowed them the opportunity to reveal this evidence to the world - sure, Krat's in utter chaos, but the Puppet Frenzy and Petrification disease were largely limited to it.
With this in mind, their deaths don't look that suspicious. After all, the Black Rabbit Brotherhood left behind a LOT of evidence that they attacked the hotel, so if anyone goes there and finds its residents dead, Gepetto and his son aren't the first, second, or even third suspects. Even if the BRB aren't assumed to be responsible, the hotel was in the middle of a city filled with homicidal puppets and weird zombies. Any of those possibilities are sensible explanations for what happened, and honestly make more sense than what actually did.
The end result is that Gepetto risks a lot if he lets the hotel's residents live and risks very little if he doesn't.
1. Yes, yes he did.
2. To collect far more ergo. He was also happy to let the petrification disease do it's work for even more ergo.
3. As the above poster mentioned, it's far better for him if they are all dead while he get's his 'perfect' boy. This is why the 'real boy' ending is considered the bad ending. The very bad ending.
What he creates isn't a real boy but a human puppet, a slave with the face of his son. An obedient walking flesh puppet.
Because that portrait has Carlo's soul. It was painted by Dorian Gray, just like how Gray didn't age because the passing of time was taken away and reflected in his portrait. Also P's P-organ is Carlo's mechanized and ergo infused heart. Because of that P has a connection to Carlo's portrait and whenever P lies, his nose doesn't grow but it's reflected on the portrait and you can see it's nose growing. also lie enough times and you get a P lying nose as a weapon.
It's a bit video gamey and really goofy to do this type of loop that makes no sense. They wanted to do some big metroidvania connected map thing but the lore makes no sense here. Dad lamenting how he doesn't wanna send me to dangers but I'm doing a completely unnecessary circle all over the town.
For what it's explained in the game, ergo isn't just life force or souls of dead people but it needs a specific process like the petrification disease to serve as a catalyst for it to transform into ergo.
Geppetto just needed ergo to revive Carlo and used the puppet frenzy as a front to cover P going around getting ergo. But also distract the alchemists of his plan. That's my best understanding.
I kinda felt it was less because he wanted Carlo back or loved his son, in fact he doesn't want the real Carlo back, with his personality intact, but a puppet.
So to me it seemed more that he did it for two reasons:
1) To assuage the guilt he felt from neglecting his responsibility towards Carlo. After all, Carlo died, and died of the Petrification Disease, which Gepetto knows the truth about.
2) To prove that he can do it. Gepetto is obviously highly skilled and always on the edge of invention. Bringing someone back from the dead, more or less, would be the crowning jewel to his achievements. I don't think he'll mind not getting public recognition for it, he kept his name out of a lot of things he was involved in before.
The Rise of P ending does seem to imply that he has _some_ genuine affection for his son though. Being "nice" to P most of the time felt pretty manipulative and disingenuous to me even before I found out more about his background.
Maybe over time Gepetto also got a bit obsessed with the idea of doing this. It's not clear in the game how much time has passed between Carlo's death and P's awakening. It does seem to be quite some time.
Poor Carlo, poor Romeo...
What I can't quite figure out is why it was Sophia who woke P, not Gepetto.